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Chorale SSAA
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Hanerot Halalu
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.788958 Composed by Baruch …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.788958 Composed by Baruch J. Cohon. Arranged by Jeff Bratz. A Cappella,Hanukkah,Holiday,Jewish. Octavo. 8 pages. HarmonyTabs Music #396279. Published by HarmonyTabs Music (A0.788958). An SSAA a cappella arrangement of the traditional Jewish carol Hanerot Halalu.
$1.99
1.83 €
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Chorale SSAA
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Baruch J
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Jeff Bratz
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Hanerot Halalu
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HarmonyTabs Music
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SheetMusicPlus
Hanerot Halalu (SSAA A Cappella)
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.929814 Composed by Baruch …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.929814 Composed by Baruch J. Cohon. Arranged by Jeff Bratz. A Cappella,Christmas,Hanukkah,Jewish,Sacred. Octavo. 8 pages. HarmonyTabs Music #5799299. Published by HarmonyTabs Music (A0.929814). An SSAA a cappella arrangement of the traditional Jewish carol Hanerot Halalu.
$1.99
1.83 €
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Chorale SSAA
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Baruch J
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Jeff Bratz
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Hanerot Halalu
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HarmonyTabs Music
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SheetMusicPlus
Grace Kelly
Chorale SSAA
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan War…
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99
11.97 €
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Chorale SSAA
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.68 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Yesterday I Heard The Rain
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1183961 By Bennett Tony. B…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1183961 By Bennett Tony. By Armando Manzanero Canche and Gene Lees. Arranged by Brent Graham adapted for HCMC by Michael Gellert. Barbershop. Octavo. 4 pages. Michael Gellert #783656. Published by Michael Gellert (A0.1183961). Women's barbershop voicing. Parts named Tenor, Lead, Baritone, and Bass - SSAA -IntermediateThis poignant ballad was the title song for a Tony Bennett album.4 pages.
$3.50
3.23 €
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Chorale SSAA
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Bennett Tony
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Yesterday I Heard The Rain
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Michael Gellert
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SheetMusicPlus
Yesterday I Heard The Rain
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download Composed by Armando Manzanero Canche…
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Choral Choir (SSAA) - Level 4 - Digital Download Composed by Armando Manzanero Canche and Gene Lees. Arranged by Brent Graham. A Cappella. Octavo. 4 pages. Brent Graham #690833. Published by Brent Graham
$4.99
4.6 €
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Chorale SSAA
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Armando Manzanero Canche and Gene Lees
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Yesterday I Heard The Rain
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Brent Graham
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SheetMusicPlus
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