Partitions Numériques de River of time pour Chorale SSAA

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TRI ET FILTRES

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Non classifié 163

PIANO & CLAVIERS

Piano seul 116 Piano, Voix 48 Piano Facile 12 Piano, Voix et Guitare 7 Instruments en Do 6

1 Piano, 4 mains 5 Piano Trio: piano, violon, violoncelle 4 Accompagnement Piano 4 Piano Quatuor: piano, violon, alto, violoncelle 3 Orgue 3 2 Pianos, 4 mains 1 Piano Quatuor: piano, 2 violons, violoncelle 1

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GUITARES

Guitare 7 Guitare notes et tablatures 4 Ukulele 3 2 Guitares (duo) 1 Piano, Guitare (duo) 1

Banjo 1 Ligne De Mélodie, (Paroles) et Accords 1

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VOIX

Chorale SATB 65 Chorale 3 parties 18 Chorale 2 parties 12 Chorale TTBB 9 Chorale Unison 7 Chorale SSAA 6

Voix Tenor, Piano 4 Voix Baryton, Piano 4 Voix duo, Piano 3 Voix seule 2 Voix Alto, Piano 2 Voix basse, Piano 1 Voix haute 1 Voix moyenne, Piano 1 Voix Soprano, Piano 1 Voix Tenor 1 Chorale 1

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VENTS

2 Saxophones (duo) 41 Saxophone, Clarinette (duo) 18 2 Clarinettes (duo) 16 Clarinette, Violon (duo) 16 2 Flûtes traversières (duo) 16

Clarinette, Trompette (duo) 13 Flûte, Hautbois, Clarinette, Basson 13 Flûte traversière et Piano 12 Quintette de Saxophone: 5 saxophones 12 Flûte, Clarinette (duo) 10 Quatuor de Clarinettes: 4 clarinettes 10 Quatuor de Saxophones: 4 saxophones 10 Clarinette et Piano 10 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 9 2 Hautbois (duo) 9 Flûte, Alto (duo) 8 Clarinette et Alto 8 Saxophone Tenor et Piano 7 Flûte, Saxophone (duo) 7 Saxophone Soprano et Piano 7 Hautbois, Basson (duo) 6 Flûte, Violon 6 Saxophone Alto et Piano 6 Flûte traversière 5 Hautbois, Clarinette (duo) 5 Ensemble de saxophones 5 Ensemble de Flûtes 4 3 Clarinettes (trio) 3 Flûte irlandaise 3 Saxophone Tenor 3 Ensemble de Clarinettes 3 Cor anglais, Piano 3 Hautbois, Piano (duo) 3 Hautbois, Flûte 3 Flûte, Trompette (duo) 2 3 Saxophones (trio) 2 Saxophone Alto 2 Trio de Flûtes: 3 flûtes 2 Flûte, Clarinette et Basson 2 Clarinette 2 Saxophone Baryton, Piano 2 Hautbois (partie séparée) 1 Clarinette Basse, Piano 1 2 Flûte à bec (duo) 1 2 Flûtes traversières, Piano 1 Quintette de Clarinettes: 5 clarinettes 1 Flûte à bec Soprano, Piano 1 Quintette de Flûte : 5 flûtes 1 Flûte à bec Alto, Piano 1 Ensemble De Flûte à bec 1 2 Clarinettes, Piano 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 25 Trompette, Saxophone (duo) 15 Trompette, Trombone (duo) 11 Quatuor de Cuivres : 2 trompettes, trombone, tuba 8 2 Trombones (duo) 7

Trompette 7 Trombone et Piano 7 2 Trompettes (duo) 6 Quatuor de Cuivres: 2 trompettes, Cor, trombone 4 Cor et Piano 4 Trompette, Piano 4 Euphonium, Piano (duo) 3 Cor anglais, Piano 3 Tuba 2 Trombone 2 Ensemble de Trombones 2 Trompette (partie séparée) 1 Tuba et Orgue 1 Trombone basse et Piano 1 Cor 1 2 Cors (duo) 1 Quatuor de Cuivres 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 28 Violon et Piano 18 Violon, Violoncelle (duo) 12 2 Violoncelles (duo) 11 Violon, Alto (duo) 9

2 Altos (duo) 9 Harpe 9 Alto, Piano 8 2 Violons (duo) 6 Violoncelle, Piano 5 Trio à Cordes: violon, alto, violoncelle 5 Quintette à cordes: 2 violons, alto, violoncelle, basse 5 Violoncelle 4 Violon 4 Harpe, Voix 3 Trio à Cordes: 2 violons, violoncelle 2 Trio à Cordes: 3 violoncelles 2 Violon, Clarinette, Piano (trio) 1 Alto seul 1 Ensemble de Violons 1 Ensemble d'Altos 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 46 Orchestre 13 Orchestre à Cordes 8 Ensemble de cuivres 6 Cloches 6

Jazz combo 3 Orchestre de chambre 2 Fanfare 1 Ensemble de Percussions 1 Marimba 1

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AUTRES

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River of time

Chorale SSAA

Partitions à imprimer

6 partitions trouvées

A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano

Chorale SSAA

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert …(+)

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403). American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdaleâ€™s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsingerâ€™s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.

$9.95 9.12 € #Chorale SSAA #Robert Debbaut #A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano #ROBERT DEBBAUT #SheetMusicPlus

Shenandoah

Chorale SSAA

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1100233 Composed by Tradit…(+)

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1100233 Composed by Traditional. Arranged by Lowell Prescott. 19th Century,A Cappella,Folk,Standards,Traditional. Octavo. 6 pages. LHPMusic #703295. Published by LHPMusic (A0.1100233). The traditional folk song is offered in a sweet, a cappella harmonization for a variety of voicings. It features a modern variation on the traditional lyrics that offers a gentle call to an idyllic past, which recedes into the distance, across the river of time. The seven variations range from easy (2-part, SA, TB), to medium (SATB, SAB), to advanced (SSAA, TTBB). For versions not seen here, please visit LHPMusic.com.

$2.49 2.28 € #Chorale SSAA #Traditional #Lowell Prescott #Shenandoah #LHPMusic #SheetMusicPlus

La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack

Chorale SSAA

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…(+)

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y TrÃ©bol (1938) by Alfonsina Storni (1938) Copyright Â© 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of womenâ€™s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y TrÃ©bol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copÃ³n de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poetâ€™s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The cityâ€™s reflection on the riverâ€™s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that itâ€™s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale for the generous commission. Copyright Â© 2020 Adrienne Inglis | http://adrienneinglis.com

$3.99 3.66 € #Chorale SSAA #Adrienne Inglis #La ciudad sumergida #Adrienne Inglis #SheetMusicPlus

4 Spiritual Treasures for female voices (SA, SSAA)

Chorale SSAA

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793984 Composed by Traditi…(+)

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793984 Composed by Traditional. Arranged by Ivana Tuskan. Sacred,Spiritual,Standards. Octavo. 12 pages. Ivana Tuskan #6454949. Published by Ivana Tuskan (A0.793984). A collection of 4 spirituals for SA and SSAA a cappella. Include scores (with a partial electronic preview of each song): Deep River for SA Sometimes I Feel for SA Where You There for SA Hold On (Just a Little While Longer) for SSAA Scores are available separately on the my profile, too.

$2.20 2.02 € #Chorale SSAA #Traditional #Ivana Tuskan #4 Spiritual Treasures for female voices #Ivana Tuskan #SheetMusicPlus

Night Song at Almafi (w/vocal reduction)

Chorale SSAA

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1487532 Compos…(+)

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1487532 Composed by Marina Quintanilla. Contemporary,Contest,Festival. 24 pages. Rising Tide Music Press #1064479. Published by Rising Tide Music Press (A0.1487532). Poem by Sara Teasdalefor SSAA chorus + piano (accompaniment + vocal reduction)Commissioned by the American Choral Directors Association as part of The New Canon Project.From the composer:Inspired by her travels, Vignettes Overseas is a collection of poems published in Sara Teasdale's massively successful book of poems, Rivers to the Sea. Written during a time where women's voices were often silenced, and just one year after her marriage, Night Song at Amalfi vibrantly illustrates the stuggle to be a woman in a society that expected women to be submissive, and the stark reality that she andmany other women faced.While women's rights have made great strides over the years, women and other minority groups still stuggle to have their voices heard. This song is for all of them.This piece was commissioned by the New Canon Project, a partnership between the American Choral Directors Association, the American String Teachers Association, and Rising Tide Music Press, with support of the Sphinx Venture Fund. This piece is written for school-aged groups, but is accessible to choirs of all levels and challenges the choir with part independence and modal writing. This piece starts out very open and celestial, then turns dark as the reality of unending silence setsin. There is hope, but also anger, confusion, and numbness. - Marina Quintanilla

$3.25 2.98 € #Chorale SSAA #Marina Quintanilla #Night Song at Almafi #Rising Tide Music Press #SheetMusicPlus

Night Song at Amalfi

Chorale SSAA

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1487529 Compos…(+)

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1487529 Composed by Marina Quintanilla. Contemporary,Contest,Festival. 15 pages. Rising Tide Music Press #1064475. Published by Rising Tide Music Press (A0.1487529). Poem by Sara Teasdalefor SSAA chorus + pianoCommissioned by the American Choral Directors Association as part of The New Canon Project.From the composer:Inspired by her travels, Vignettes Overseas is a collection of poems published in Sara Teasdale's massively successful book of poems, Rivers to the Sea. Written during a time where women's voices were often silenced, and just one year after her marriage, Night Song at Amalfi vibrantly illustrates the stuggle to be a woman in a society that expected women to be submissive, and the stark reality that she andmany other women faced.While women's rights have made great strides over the years, women and other minority groups still stuggle to have their voices heard. This song is for all of them.This piece was commissioned by the New Canon Project, a partnership between the American Choral Directors Association, the American String Teachers Association, and Rising Tide Music Press, with support of the Sphinx Venture Fund. This piece is written for school-aged groups, but is accessible to choirs of all levels and challenges the choir with part independence and modal writing. This piece starts out very open and celestial, then turns dark as the reality of unending silence setsin. There is hope, but also anger, confusion, and numbness. -Marina Quintanilla.

$2.99 2.74 € #Chorale SSAA #Marina Quintanilla #Night Song at Amalfi #Rising Tide Music Press #SheetMusicPlus