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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Chorale SSAA
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Let's Face The Music And Dance
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856224 By Dick Hyman. By I…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856224 By Dick Hyman. By Irving Berlin. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4725207. Published by Liz Garnett (A0.856224). An eery opening hinting at the troubles ahead leads quickly into an up-tempo statement of bravery and defiance. Embellishments are designed to evoke the horn section from a swing band, and the stabbing harmonies that punctuate the arrangement are there to add bite and danger.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:
$2.99
2.74 €
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Chorale SSAA
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Dick Hyman
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Liz Garnett
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Let's Face The Music And Dance
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Liz Garnett
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SheetMusicPlus
You Don't Own Me
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1344227 By Grace Fe…
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1344227 By Grace Featuring G-eazy. By Grace. Arranged by Liz Garnett. A Cappella,Barbershop,Pop. 5 pages. Liz Garnett #929713. Published by Liz Garnett (A0.1344227). This is a song that, paradoxically, feels both evocative of a particular historical moment and timeless. In it's first guise, as sung by Lesley Gore in 1963, it is a harbinger of both the sexual revolution and Second Wave feminism. Three decades later, as the closing sequence to the movie The First Wives Club, it is full of  confidence and joie de vivre, but by 2016, when released by Grace, it has turned darker, as G-Eazy's rap dramatises the controlling man the song addresses.This arrangement positions the song as a statement of strength and defiance, and re-appropriates material from the rap to craft an original bridge.n.b. This arrangement is notated in treble and bass alta (i.e. sounding an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: G3 - D5Bari: G3 - C5Bass: D3 - F#4www.HelpingYouHarmonise.com
$2.99
2.74 €
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Chorale SSAA
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Grace Featuring G-eazy
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Liz Garnett
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You Don't Own Me
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Liz Garnett
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SheetMusicPlus
That Don't Impress Me Much
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856162 By Shania Twain. By…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Country. Octavo. 9 pages. Liz Garnett #3863255. Published by Liz Garnett (A0.856162). From Shania Twain's 1997 album Come on Over, this song is a reminder that such an inviting title does not mean the singer has abandoned her critical faculties. There has rarely been such a clear statement of womankind's general indifference to the things men use to jostle for status with each other.The arrangement contrasts stark sections that are mostly in two parts (occasionally blossoming out into more for effect) with sections in full four-part harmony. The splitting and joining of parts makes me think of it as more suitable for an ensemble with multiple voices per part than a quartet.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: B flat 3 - E flat 5
$2.99
2.74 €
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Chorale SSAA
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Shania Twain
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Liz Garnett
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That Don't Impress Me Much
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Liz Garnett
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SheetMusicPlus
Kings & Queens
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1302975 By Ava Max.…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1302975 By Ava Max. By Amanda Koci, Brett McLaughlin, Desmond Child, Henry Walter, Hillary Bernstein, Jakob Erixson, Madison Love, Mimoza Blinsson, and Nadir Khayat. Arranged by Andrea Markowitz Gantte. A Cappella,Contemporary,Pop. 8 pages. Andrea Markowitz Gantte #892576. Published by Andrea Markowitz Gantte (A0.1302975). Originally sung by Ava Max. Arranged by Andrea Markowitz Gantte. This SSAA arrangement of Kings and Queens is a great choice as an opening or closing piece for your treble contemporary acapella group or choral ensemble. The divisi in this piece is SSAA, with the exception of a few moments of splitting in order to create lush chords and a powerful sound. It offers a few unique opportunities for your ensemble including a mid-range, belting solo, a trio that could be performed with any number of people on each part, depending on the size of your group, and a vocal percussion part. If you're looking for a song with a powerful statement, this is the selection for you! Enjoy!Song Duration: 2:30Interested in this song but need it voiced differently? Simplified?LIke this style of arrangement and want a song written specifically and uniquely for your group?Contact me at andreamganttemusic@gmail.com.
$2.75
2.52 €
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Chorale SSAA
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Ava Max
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Andrea Markowitz Gantte
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Kings & Queens
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Andrea Markowitz Gantte
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SheetMusicPlus
Grace Kelly
Chorale SSAA
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan War…
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99
11.92 €
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Chorale SSAA
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Dance Me To The End Of Love
Chorale SSAA
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.1271651 By Madeleine Peyro…
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.1271651 By Madeleine Peyroux. By Leonard Cohen. Arranged by Joyce Todd McBride. A Cappella,Chamber,Singer/Songwriter. Octavo. 14 pages. Buckwheat Music #864041. Published by Buckwheat Music (A0.1271651). Treble-voice a cappella arrangement of Dance Me To The End Of Love, by Leonard Cohen. SSAA, with S1 and S2 solos. This arrangement begins with an unmeasured, medieval music-influenced statement of the opening 2 phrases sung by the whole the choir split into 2 parts. The arrangement as a whole is lush, with lovely rhythmic variations, including a swing section inspired by Boswell sisters or other female vocal groups from the 1930's and 40's. It is a bit of an epic treatment of this song, really builds nicely throughout, returning to the opening material at the end of the song. Stunning.
$1.99
1.83 €
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Chorale SSAA
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Madeleine Peyroux
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Joyce Todd McBride
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Dance Me To The End Of Love
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Buckwheat Music
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SheetMusicPlus
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