Partitions Numériques de The Composer's Own Press pour Chorale SSAA

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The Composer's Own Press
Chorale SSAA

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y TrÃ©bol (1938) by Alfonsina Storni (1938) Copyright Â© 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of womenâ€™s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y TrÃ©bol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copÃ³n de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poetâ€™s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The cityâ€™s reflection on the riverâ€™s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that itâ€™s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale for the generous commission. Copyright Â© 2020 Adrienne Inglis | http://adrienneinglis.com

The Tide Rises, The Tide Falls
Chorale SSAA

SSAA choir and Piano - Digital Download SKU: LX.15-3571H Composed by Sally Lamb McC…(+)

SSAA choir and Piano - Digital Download SKU: LX.15-3571H Composed by Sally Lamb McCune. General. Octavo. 16 pages. Heritage Music Press #e15/3571H. Published by Heritage Music Press (LX.15-3571H). ISBN 9780787761073. Text: Henry W Longfellow.A classic poem of Henry Wadsworth Longfellow and the traditional Row, Row, Row Your Boat intertwine in this free-flowing ballad that centers on the fragility of life and the persistence of time. An undulating eighth note accompaniment throughout supports the simple choral lines. This is the third movement from the composer's choral trilogy, The Sadness of the Sea (45/1151R).
$2.75 2.54 € #Chorale SSAA #Sally Lamb McCune #The Tide Rises, The Tide Falls #Heritage Music Press #SheetMusicPlus

In the Flowing Light of the Godhead
Chorale SSAA

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.930211 Composed by John Ne…(+)

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.930211 Composed by John Newell. A Cappella,Contemporary,Sacred. Octavo. 16 pages. Abierto Music #6655655. Published by Abierto Music (A0.930211). This work for chorus SSAA, a cappella, is a setting of powerful and intimate words written by Mechthild of Magdeburg, one of the great medieval mystics; they are found in her great work Das FlieÃŸende Licht der Gottheit (The Flowing Light of the Godhead). The text is a very personal expression of the soul's love for God and God's love for the soul. Difficulty level: intermediate/advanced. For more information on the composer's work, visit www.johnnewellmusic.com.
$2.00 1.84 € #Chorale SSAA #John Newell #In the Flowing Light of the Godhead #Abierto Music #SheetMusicPlus

Orphan Girl
Chorale SSAA

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1396191 Composed by…(+)

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1396191 Composed by Brendan Graham. Arranged by arranged for solo and SSAA choir by Desmond Earley. Celtic,Irish. 8 pages. Seolta Music Limited #979575. Published by Seolta Music Limited (A0.1396191). Arranged for solo female voice, SSAA choir and piano, this is a song of hope, the hope of a girl to escape the workhouse during the Irish Famine years and to travel to make a new life in Australia. At the time the British Crown was encouraging girls to emigrate as a means to redress the gender balance in the colonies â€“ there were too many men and not enough women. Over four thousand young women took this journey between 1848 and 1850. The composer Brendan Graham expressed his own hope that this song might have significance for the descendants of those girls, many of whom were present at the songâ€™s first performance in 2012 at the Irish Famine Commemoration in Sydney.
$2.75 2.54 € #Chorale SSAA #Brendan Graham #Orphan Girl #Seolta Music Limited #SheetMusicPlus

TaReKiTa
Chorale SSAA

SSAA choir unaccompanied - Digital Download SKU: OX.9780193552180 Composed by Reena…(+)

SSAA choir unaccompanied - Digital Download SKU: OX.9780193552180 Composed by Reena Esmail. Sheet music. Songbird. Octavo. 12 pages. Oxford University Press Digital #9780193552180. Published by Oxford University Press Digital (OX.9780193552180). ISBN 9780193552180.For SSAA unaccompanied. TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating melodies built on the Jog raga.
$3.65 3.36 € #Chorale SSAA #Reena Esmail #TaReKiTa #Oxford University Press Digital #SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords. It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024. If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.

There Is No Rock
Chorale SSAA

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1431147 Compos…(+)

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1431147 Composed by Mayim Stith. A Cappella,Chamber,Praise & Worship,Religious,Sacred. 16 pages. Prairie Rose Press #1011612. Published by Prairie Rose Press (A0.1431147). There is no one holy like the Lord; there is no one besides you; there is no Rock like our God! -1 Samuel 2:2Rejoice in the Lord using the words of Hannah's song with There Is No Rock! This new a cappella piece for a four-part treble quartet or ensemble takes its primary inspiration from the song of Hannah as recorded in 1 Samuel chapter 2. Commissioned and premiered by SSAA quartet The Deers, its joyful rhythms, powerful language, and dramatic tonal landscape will thrill your audience and invigorate your singers!Looking for a digital download? Support the composer directly (and enjoy a small discount!) by purchasing this music on mayimstith.com/there-is-no-rock.Ranges:Soprano 1: A3 - A5Soprano 2: A3 - F5Alto 1: A3 - D5Alto 2: G3 - A4.
$2.75 2.54 € #Chorale SSAA #Mayim Stith #there is no one besides you #There Is No Rock #Prairie Rose Press #SheetMusicPlus