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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Composer Man
Non classifié
3 021
Piano & claviers
Piano seul
2 069
Piano Facile
490
Orgue
428
Piano, Voix
382
Piano, Voix et Guitare
138
1 Piano, 4 mains
64
Instruments en Do
59
Piano Trio: piano, violon, violoncelle
51
2 Pianos, 4 mains
48
Orgue, Piano (duo)
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Accompagnement Piano
8
Accordéon
8
Clavecin
6
1 Piano, 6 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Accordéons
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare
238
Guitare notes et tablatures
112
Ukulele
68
2 Guitares (duo)
58
Ligne De Mélodie, (Paroles) et Accords
26
Mandoline
19
Piano, Guitare (duo)
17
4 Guitares (Quatuor)
12
Basse electrique
8
Guitare, Violon, Violoncelle (trio)
8
3 Guitares (trio)
7
Mandoline, Guitare (duo)
5
Dulcimer
3
2 Ukuleles
1
Guitare, Quatuor à cordes
1
Banjo
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
Luth
1
Orchestre à Plectres
1
Ukulele Baryton
1
Ensemble de guitares
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
676
Chorale 3 parties
114
Chorale 2 parties
57
Voix Soprano, Piano
54
Chorale Unison
49
Voix Baryton, Piano
41
Voix Alto, Piano
41
Chorale TTBB
36
Voix Tenor, Piano
33
Voix moyenne, Piano
25
Chorale SSAA
25
Voix haute
25
Voix duo
19
Voix duo, Piano
12
Voix Mezzo-Soprano, Piano
9
Voix seule
7
Chorale SSAATTBB
7
Chorale SSATTB
5
Voix Soprano
4
Voix basse, Piano
4
Soli, choeur mixte et accompagnement
3
Chorale SSATB
3
Voix Tenor
3
Voix basse
2
Chorale SSAB a cappella
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
673
Clarinette et Piano
447
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
347
Hautbois, Piano (duo)
339
Saxophone Alto et Piano
279
Quatuor de Saxophones: 4 saxophones
235
Quatuor de Clarinettes: 4 clarinettes
158
Quintette de Saxophone: 5 saxophones
151
Saxophone Soprano et Piano
143
Flûte, Hautbois, Clarinette, Basson
141
2 Saxophones (duo)
129
2 Flûtes traversières (duo)
127
Saxophone Tenor et Piano
125
Quatuor de Flûtes : 4 flûtes
106
Clarinette
99
Ensemble de saxophones
95
Cor anglais, Piano
87
Ensemble de Clarinettes
85
2 Clarinettes (duo)
73
Flûte traversière
70
Saxophone Baryton, Piano
60
Quintette de Clarinettes: 5 clarinettes
60
Quintette de Flûte : 5 flûtes
53
3 Saxophones (trio)
50
Saxophone Alto
50
Ensemble de Flûtes
46
Hautbois (partie séparée)
33
3 Clarinettes (trio)
31
Saxophone, Clarinette (duo)
29
Clarinette Basse, Piano
29
Flûte et Guitare
27
Saxophone Tenor
26
Clarinette, Guitare (duo)
26
2 Flûte à bec (duo)
25
Clarinette, Violon (duo)
24
Flûte, Clarinette (duo)
24
Flûte à bec Soprano
24
Hautbois, Basson (duo)
22
2 Hautbois (duo)
21
Saxophone (partie séparée)
20
Clarinette, Basson (duo)
18
Clarinette, Trompette (duo)
15
Flûte, Violon
15
Quatuor de Flûtes à bec
14
Trio de Flûtes: 3 flûtes
14
Flûte à bec Alto
12
Flûte, Saxophone (duo)
12
Hautbois, Clarinette (duo)
12
Flute (partie séparée)
11
Piccolo, Piano
10
Flûte, Hautbois, Clarinette (trio)
10
Hautbois, Flûte
10
Clarinette et Alto
10
Hautbois
9
Flûte, Alto (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Trompette (duo)
8
2 Flûtes traversières, Piano
8
Cor Anglais
8
Flûte à bec, Guitare (duo)
8
Flûte, Violoncelle
7
5 Flûtes à bec
7
Saxophone Baryton
7
Ensemble De Flûte à bec
7
Flûte à Bec
7
2 Clarinettes, Piano
6
Flûte à bec Alto, Piano
6
3 Flûtes à bec (trio)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Soprano, Piano
6
Flûte, Violon, Piano
6
Saxophone Soprano
5
Clarinette, Violoncelle (duo)
5
Hautbois, Violoncelle
5
Piccolo
5
Harmonica
4
Flûte à bec Tenor
4
Flûte à Bec, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
2 Cors Anglais Et Pianoforte
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Violon, Violoncelle et Piano
3
Saxophone
3
Flûte, Hautbois (duo)
3
Saxophone et Harpe
3
2 Clarinettes, Basson
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
Saxophone et Orgue
2
Ocarina
2
Hautbois, Harpe
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Violon, Piano
1
Clarinette Basse
1
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes, Basse continue
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Hautbois, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
366
Quatuor de Cuivres : 2 trompettes, trombone, tuba
241
Trombone et Piano
217
Trompette, Piano
191
Cor et Piano
160
Trompette
122
Cor anglais, Piano
87
Euphonium, Piano (duo)
84
Ensemble de Trombones
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Tuba et Piano
62
Trombone
52
Quatuor de cuivres: 4 trombones
50
Quatuor de Cuivres
48
Ensemble de Trompettes
45
2 Cors (duo)
36
2 Trombones (duo)
34
Cor
34
2 Trompettes (duo)
33
Tuba
29
Trompette, Trombone (duo)
25
Quatuor de cuivres: 4 cors
24
Trompette, Saxophone (duo)
21
Quatuor de cuivres: 4 trompettes
16
Ensemble de Cors
13
2 Tubas (duo)
8
Trompette (partie séparée)
8
Cor Anglais
8
3 Trombones (trio)
8
Trio de Cuivres
7
Trompette, Cor (duo)
6
Euphonium, Tuba (duo)
5
Trombone basse et Piano
5
4 Tubas
5
2 Euphoniums (duo)
5
Trombone basse
5
Trombone, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
2 Cors Anglais Et Pianoforte
3
3 Cors (trio)
3
Trombone et orchestre
3
3 Tubas (trio)
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Tuba et Orgue
3
Trombone (partie séparée)
2
Cor, Tuba (duo)
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
Cor et Harpe
2
Trombone, Orgue
1
Cor et Basson (duo)
1
Cornet et orchestre
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Trombone, Tuba (duo)
1
Euphonium
1
+ 52 instrumentations
Retracter
Cordes
Violon et Piano
746
Quatuor à cordes: 2 violons, alto, violoncelle
633
Violoncelle, Piano
396
Alto, Piano
373
Violon
151
Trio à Cordes: violon, alto, violoncelle
96
Violoncelle
83
Violon, Violoncelle (duo)
83
2 Violons (duo)
73
Violon, Guitare (duo)
72
Harpe
66
2 Violoncelles (duo)
49
Contrebasse, Piano (duo)
48
Alto seul
43
2 Altos (duo)
39
Violon, Alto (duo)
39
4 Violoncelles
29
Alto, Guitare (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violoncelle , Guitare (duo)
22
Trio à cordes: 3 violins
20
Trio à Cordes: 2 violons, violoncelle
20
Contre Basse
17
Quatuor à cordes : 4 altos
14
Alto, Violoncelle (duo)
12
Alto (partie séparée)
12
Ensemble de Violons
11
Trio à Cordes: 3 violoncelles
10
Ensemble d'Altos
9
Quatuor à cordes: 4 violons
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Flûte (duo)
7
2 Harpes (duo)
7
Piano Trio: Violon, Alto, Piano
7
Harpe, Violon (duo)
6
Trio à Cordes: 2 violons, alto
6
Trio à cordes: 3 altos
6
Violoncelle, Contrebasse (duo)
5
2 Contrebasses (duo)
4
Violon (partie séparée)
3
Harpe, Trombone (duo)
3
Ensemble de Violoncelles
3
Violon, Basson (duo)
2
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
2
Harpe et Piano
2
Alto et Basson
2
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
2
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
Alto, Orgue
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Violoncelle, Basse continue
1
Contrebasse (partie séparée)
1
4 Contrebasses
1
Alto et Harpe
1
Violon, Basse continue
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
583
Orchestre à Cordes
266
Orchestre
263
Orchestre de chambre
146
Ensemble de cuivres
132
Ensemble Jazz
64
Cloches
46
Jazz combo
29
Fanfare
26
Ensemble de Percussions
22
Marimba
6
Vibraphone
5
Piano et Orchestre
3
Batterie
1
Orchestre, Violon
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
Xylophone, Piano
1
Ensemble d'École
1
2 Marimbas
1
+ 15 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
The Composer Man
Chorale SSAA
Partitions à imprimer
25 partitions trouvées
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1
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
#
Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
THE HEART OF A WOMAN, for SSAA choir a cappella
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Chorale SSAA
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INTERMÉDIAIRE
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Marilena Zlatanou
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THE HEART OF A WOMAN, for SSAA
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.887114 Composed by Marilena Zlatanou. A Cappella,Contemporary. 7 pages. Marilena Zlatanou #6867565. Publi...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.887114 Composed by Marilena Zlatanou. A Cappella,Contemporary. 7 pages. Marilena Zlatanou #6867565. Published by Marilena Zlatanou (A0.887114). The text used is the poem of the same name by African-American poet Georgia Douglas Johnson - a most apt expression of womens thinking, in a conservatively contemporary musical setting. This piece is also arranged for TTBB choir. Duration 3'35'' The composer is a member of the Norwegian copyright org. TONO. For more information on her work please visit website www.zlatanou.net.
$15.00
Manhattan
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Chorale SSAA
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FACILE
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Sara Bareilles
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Jenna Posselt
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Manhattan
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Jenna Posselt
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.484242 By Sara Bareilles. By Sara Bareilles. Arranged by Jenna Posselt. A Cappella,Broadway,Contemporary,Musical...
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Choral Choir (SSAA) - Level 2 - SKU: A0.484242 By Sara Bareilles. By Sara Bareilles. Arranged by Jenna Posselt. A Cappella,Broadway,Contemporary,Musical/Show,Pop. Octavo. 26 pages. Jenna Posselt #103674. Published by Jenna Posselt (A0.484242). Arranged for Drew University's all female a cappella group, On a Different Note (OADN). See Youtube link! Perform these parts on any vowel of your choosing. We chose doo for the performance linked below. Disclaimer: I am not a professionally trained composer. I arrange music by ear, so notes and chords may not be in correct musical syntax. I also try to arrange so that the parts make sense on their own or as a whole. Please feel free to add your own percussion and/or beatboxing to any of my arrangements! https://www.youtube.com/watch?v=E5Uf3nqBM0E.
$2.99
The Coconut Nut (the Coconut Song)
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Chorale SSAA
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INTERMÉDIAIRE
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Dillon Francis, James Anthony
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Jay Dougherty
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The Coconut Nut
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Jay Dougherty
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.504042 Composed by Dillon Francis, James Anthony Rushent, and Ryan Cayabyab. Arranged by Jay Dougherty. A Cappel...
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Choral Choir (SSAA) - Level 3 - SKU: A0.504042 Composed by Dillon Francis, James Anthony Rushent, and Ryan Cayabyab. Arranged by Jay Dougherty. A Cappella,Barbershop,Multicultural,World. Octavo. 8 pages. Jay Dougherty #116003. Published by Jay Dougherty (A0.504042). This whimsical piece by Philippine composer/performer Ryan Cayabyab praises the coconut palm tree and its many uses while continually reminding us that the coconut is NOT a nut! This arrangement by Jay Dougherty will steal the hearts of your audience and make them want to dance along. It is written for 4 part treble voices (or quartet) and solo (five total voice parts). While most arrangements of this song are in 8 or more parts, this version has been parsed down to make it more accessible to groups needing fewer parts.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song with one one a part (quartet plus solo), please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $4 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
The Coconut Nut (the Coconut Song)
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Chorale SSAA
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INTERMÉDIAIRE
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Dillon Francis, James Anthony
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Jay Dougherty
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The Coconut Nut
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Jay Dougherty
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.503876 Composed by Dillon Francis, James Anthony Rushent, and Ryan Cayabyab. Arranged by Jay Dougherty. A Cappel...
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Choral Choir (SSAA) - Level 3 - SKU: A0.503876 Composed by Dillon Francis, James Anthony Rushent, and Ryan Cayabyab. Arranged by Jay Dougherty. A Cappella,Multicultural,World. Octavo. 7 pages. Jay Dougherty #115885. Published by Jay Dougherty (A0.503876). This whimsical piece by Phillipine composer/performer Ryan Cayabyab praises the coconut palm tree and its many uses while continually reminding us that the coconut is NOT a nut! This arrangement, by Dr. Jay Dougherty, will steal the hearts of your audience and make them want to dance along. It is written for 4 part women's chorus (or quartet) and solo (five voices minimum). While most arrangements of this song are in 8 or more parts, this version has been parsed down to make it more accessible to groups needing fewer parts. Most commonly performed by Sweet Adelines ensembles, it should be noted that this arrangement is not contestable. Please note: this version is specifically for CHORUS use (purchase one copy per singer, minimum 10 copies). Quartets/quintets wishing to purchase this music should search for the quartet/quintet version, which is $12.99 for five copies (you purchase ONE PDF that includes all five copies). To see other works published by Jay Dougherty, visit www.jmdougherty.com. Key words: barbershop, Sweet Adelines, Coconut, Harmony, Quartet.
$1.99
The Maiden and the Sea
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Chorale SSAA
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INTERMÉDIAIRE
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Kurt Bikkembergs
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The Maiden and the Sea
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Schott Music - Digital
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SheetMusicPlus
Female choir (SSAA) a capella - intermediate - SKU: S9.Q7323 Composed by Kurt Bikkembergs. This edition: choral score. Schott Choral Music. Downloadable...
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Female choir (SSAA) a capella - intermediate - SKU: S9.Q7323 Composed by Kurt Bikkembergs. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 2 minutes. Schott Music - Digital #Q7323. Published by Schott Music - Digital (S9.Q7323). English.The Belgian composer and conductor Kurt Bikkembergs (*1963) has added to the repertoire for women's choir again: With 'The Maiden and the Sea' based on a text by René Geldof, he presents a revised and translated English version of his work 'Het meisje en de zee' written in 1994. It is a choral setting in which Bikkembergs has onomatopoeic and spoken elements alternate with mysterious chordal sounds and combines them in a skilful manner – a fascinating composition for performers and audience alike.
$3.99
Saint-Saëns: Oratorio de Noël, 5 soli, SSAA choir, harp, organ and strings - Score Only
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Chorale SSAA
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Roar Kvam
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Saint-Saëns: Oratorio de Noë
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KVAMusic Edition
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SheetMusicPlus
Level 3 - SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pa...
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Level 3 - SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pages. KVAMusic Edition #985137. Published by KVAMusic Edition (A0.1401939). Charles-Camille Saint-SaeÌ?ns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist.He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the ocial church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-SaeÌ?ns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers.This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de NoeÌ?l (Christmas Oratorio) at the end of the 1850s and completed it in 1860.The first performanse was at the church La Madeleine in Paris December 1869.The work is dedicated to A Madame la Vicomtesse de Grandval.The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de NoeÌ?l is drawn from the Old and New Testaments: (1. Instrumental).2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$20.00
Night Song at Almafi (w/vocal reduction)
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Chorale SSAA
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INTERMÉDIAIRE
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Marina Quintanilla
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Night Song at Almafi
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Rising Tide Music Press
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1487532 Composed by Marina Quintanilla. Contemporary,Contest,Festival. 24 pages. Rising Tide Music P...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1487532 Composed by Marina Quintanilla. Contemporary,Contest,Festival. 24 pages. Rising Tide Music Press #1064479. Published by Rising Tide Music Press (A0.1487532). Poem by Sara Teasdalefor SSAA chorus + piano (accompaniment + vocal reduction)Commissioned by the American Choral Directors Association as part of The New Canon Project.From the composer:Inspired by her travels, Vignettes Overseas is a collection of poems published in Sara Teasdale's massively successful book of poems, Rivers to the Sea. Written during a time where women's voices were often silenced, and just one year after her marriage, Night Song at Amalfi vibrantly illustrates the stuggle to be a woman in a society that expected women to be submissive, and the stark reality that she andmany other women faced.While women's rights have made great strides over the years, women and other minority groups still stuggle to have their voices heard. This song is for all of them.This piece was commissioned by the New Canon Project, a partnership between the American Choral Directors Association, the American String Teachers Association, and Rising Tide Music Press, with support of the Sphinx Venture Fund. This piece is written for school-aged groups, but is accessible to choirs of all levels and challenges the choir with part independence and modal writing. This piece starts out very open and celestial, then turns dark as the reality of unending silence setsin. There is hope, but also anger, confusion, and numbness. - Marina Quintanilla
$3.25
Night Song at Amalfi
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Chorale SSAA
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INTERMÉDIAIRE
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Marina Quintanilla
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Night Song at Amalfi
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Rising Tide Music Press
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1487529 Composed by Marina Quintanilla. Contemporary,Contest,Festival. 15 pages. Rising Tide Music P...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1487529 Composed by Marina Quintanilla. Contemporary,Contest,Festival. 15 pages. Rising Tide Music Press #1064475. Published by Rising Tide Music Press (A0.1487529). Poem by Sara Teasdalefor SSAA chorus + pianoCommissioned by the American Choral Directors Association as part of The New Canon Project.From the composer:Inspired by her travels, Vignettes Overseas is a collection of poems published in Sara Teasdale's massively successful book of poems, Rivers to the Sea. Written during a time where women's voices were often silenced, and just one year after her marriage, Night Song at Amalfi vibrantly illustrates the stuggle to be a woman in a society that expected women to be submissive, and the stark reality that she andmany other women faced.While women's rights have made great strides over the years, women and other minority groups still stuggle to have their voices heard. This song is for all of them.This piece was commissioned by the New Canon Project, a partnership between the American Choral Directors Association, the American String Teachers Association, and Rising Tide Music Press, with support of the Sphinx Venture Fund. This piece is written for school-aged groups, but is accessible to choirs of all levels and challenges the choir with part independence and modal writing. This piece starts out very open and celestial, then turns dark as the reality of unending silence setsin. There is hope, but also anger, confusion, and numbness. -Marina Quintanilla.
$2.99
O Mgna Res (2019)
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Chorale SSAA
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AVANCÉ
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Colin Eatock
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ca
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O Mgna Res
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Colin Eatock Music
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 5 - SKU: A0.1286803 Composed by Colin Eatock. 21st Century,A Cappella,Medieval,Sacred. 18 pages. Colin Eatock Music #...
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Choral Choir,Choral (SSAA) - Level 5 - SKU: A0.1286803 Composed by Colin Eatock. 21st Century,A Cappella,Medieval,Sacred. 18 pages. Colin Eatock Music #877827. Published by Colin Eatock Music (A0.1286803). A cappella SSSAAA sextet; ca. 3 min.The composer writes: Hildegard von Bingen (1098 – 1179) was a woman of many talents: she was an abbess, a philosopher, a scientist, a poet and a composer. An extensive body of her sacred songs was collected in a cycle called the Symphonia armoniae celestium revelationum (The Harmonic Music of Celestial Mysteries). The collection also contains several texts for which Hildegard’s music has been lost, and “O Magna Res†is one of these. “O Magna Res†could be described as a miniature chronology of the Christian spiritual world. It begins with God alone, proceeding to His creation of life, and then to the fall of humanity. As in many of Hildegard’s texts, “O Magna Res†contrasts the Virgin Mary with Eve. Finally, with the birth of Christ (for which the “dawn†is a poetic metaphor) comes the redemption of Woman, and her beneficent influence on the world.
$4.99
Lost Lullabies - SSAA choir with piano, Holocaust children survivors
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Chorale SSAA
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INTERMÉDIAIRE
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Stella ter Hart
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Lost Lullabies - SSAA choir wi
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Stella ter Hart
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Pub...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Published by Stella ter Hart (A0.890640). Inspired by the 1,116 orphaned Polish children who, as Holocaust survivors, were brought to Canada after World War II and became known as The Redeemed Children. These tunes, and others like them, were the only possessions they had and their only direct connection to the past. I received a copy of a book of tunes (unarranged) while speaking at a conference; an elderly gentlemen came up to me, pressed them into my hands and asked me to help keep them alive. The work features two tunes, both on the theme of motherhood. The first tune describes a young mother shushing everything around her so that her little son can sleep. The second tune rejoices when the poor are raised up and a barren woman's house is filled with the laughter of children.To honour the integrity of the tunes, this work features idiomatic writing and harmonies and captures not only the rhythm but also the intended mood and sentiment. Brief solo opportunities feature a soprano and alto in a traditional 'cantor' style section. Shifting from sweet and gentle to driving and energetic, this is an excellent work to build musical expression, story telling and deep empathy.Suitable for all intermediate level treble choirs for any recital, concert or festival occasion.Duration: 4:05 Key Structure: Eflat major and C minor Level: intermediate Language: Yiddish and Hebrew (translations and pronunciation guide provided)composer contact: www.stellaterhart.com
$2.50
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
Pie Jesu
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Chorale SSAA
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AVANCÉ
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Victor Rebullida
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Pie Jesu
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Victor Rebullida
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.1021515 Composed by Victor Rebullida. 20th Century,Concert,Contemporary,Sacred. Octavo. 7 pages. Victor Rebullid...
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Choral Choir (SSAA) - Level 5 - SKU: A0.1021515 Composed by Victor Rebullida. 20th Century,Concert,Contemporary,Sacred. Octavo. 7 pages. Victor Rebullida #6051455. Published by Victor Rebullida (A0.1021515). I wrote the work entitled Pie Jesu after attending an essay by the vocal ensemble Enchiriadis to which I had been invited. Listening to these women made such an impression on me that I abandoned that essay for the firm purpose of writing a work for their voices. I chose this text of the Mass of Requiem because of its simplicity not devoid of innocence and considered it suitable for the technical and expressive goodness of this formation. In this way I created this Pie Jesu in which the serene character of homophonies that progress as melodies demanding from the whole a perfect tuning and timbre homogeneity in all registers, without neglecting a subtle dynamic and expressive nuance. For the management of copyright the work is registered with the SGAE (Copyright Management Society of Spain) The score contains the data of the work and the composer for the management of Rights. The author will appreciate being informed of any interpretation of the work.
$4.55
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Q...
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Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
Wayfaring Stranger ( s s a a )
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Chorale SSAA
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INTERMÉDIAIRE
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Clifford W
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Clifford W
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Mishy Kirby Director
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Wayfaring Stranger
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Clifford W. King
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.912076 By Clifford W. King. By American Folk Song. Arranged by Clifford W. King. A Cappella,Folk,Sacred,Spiritua...
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Choral Choir (SSAA) - Level 3 - SKU: A0.912076 By Clifford W. King. By American Folk Song. Arranged by Clifford W. King. A Cappella,Folk,Sacred,Spiritual,Traditional. Octavo. 6 pages. Clifford W. King #518005. Published by Clifford W. King (A0.912076). Traditional American Folk Song ( s s a ) a cappella For Bonneville High School Lake Unity Women's Choir, 2002; Mishy Kirby Director. Wayfaring Stranger in 4-part women’s voicing is a beautifully pensive arrangement of the traditional folk song. It is one of those pieces that will make a women’s chorus shine. A soloist begins the familiar melody followed by the addition of rich, angelic harmonies. A few stunning chord progressions lend to the unique and reflective quality of this arrangement. Singers and audiences will fall in love with this piece. Duration: 4:00 Clifford W. King is an award-winning Salt Lake City-based composer, teacher and singer. Recent commissions include the Salt Lake Choral Artists, Cantorum Chamber Choir and Wasatch Chorale. His recording credits include the soundtrack to various video games and television programs. His teachers and mentors include Brady Allred, Clayton Furch, Mark Henderson, Evelyn Harris, Miguel Chuaqui, and Igor Iacimciuc among many others His music is published by Carus-Verlag and Hinshaw Music. He is the composer for the popular YouTube series and podcast Profiling Evil. Cliff loves slightly out-of-tune pianos, bighorn sheep, and rooibos tea. www.cliffordwking.com.
$1.99
Der Tag, der ist so freudenreich
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Chorale SSAA
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INTERMÉDIAIRE
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Johannes Eccard
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Der Tag, der ist so freudenrei
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Schott Music - Digital
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SheetMusicPlus
Female choir (SSAA) a cappella - intermediate - SKU: S9.Q19291 Composed by Johannes Eccard. This edition: choral score. Schott Choral Music. Downloadabl...
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Female choir (SSAA) a cappella - intermediate - SKU: S9.Q19291 Composed by Johannes Eccard. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q19291. Published by Schott Music - Digital (S9.Q19291). German.The a cappella choral setting Der Tag, der ist so freudenreich for four-part women's choir written by the 1553-born composer Johannes Eccard from Mühlhausen in Thuringia is, indeed, a real pleasure. The German-language text is borrowed from an old Latin Christmas carol, singing of the miracle of Nativity in two verses. Eccard manages, in an engaging manner, to musically express the joyous atmosphere of this poem. All four female voices (SSAA) join imitatively in the angelic chant of joy one after the other, while central words like 'freudenreich' [joyful], 'Himmelreich' [kingdom of heaven], 'Jungfrau' [virgin] or 'Mutter' [mother] are particularly embellished. This is exhilarating and easy-to-perform utility music for Christmas church services.
$2.99
Do not stand at my grave and weep
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Chorale SSAA
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INTERMÉDIAIRE
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Stephen Chatman
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Do not stand at my grave and w
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAA choir unaccompanied - Medium - SKU: MQ.8902-E Composed by Stephen Chatman. Funeral. 3 pages. E. C. Schirmer Music Company - Digital #8902-E. Publis...
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SSAA choir unaccompanied - Medium - SKU: MQ.8902-E Composed by Stephen Chatman. Funeral. 3 pages. E. C. Schirmer Music Company - Digital #8902-E. Published by E. C. Schirmer Music Company - Digital (MQ.8902-E). English.A moving setting of this gripping and emotional text. In this setting the composer captures the solemnity of the text throughout the thoughtful choral writing.
$2.15
Orphan Girl
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Chorale SSAA
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INTERMÉDIAIRE
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Celtique/Irlandais
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Brendan Graham
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Orphan Girl
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1396191 Composed by Brendan Graham. Arranged by arranged for solo and SSAA choir by Desmond Earley. Celti...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1396191 Composed by Brendan Graham. Arranged by arranged for solo and SSAA choir by Desmond Earley. Celtic,Irish. 8 pages. Seolta Music Limited #979575. Published by Seolta Music Limited (A0.1396191). Arranged for solo female voice, SSAA choir and piano, this is a song of hope, the hope of a girl to escape the workhouse during the Irish Famine years and to travel to make a new life in Australia. At the time the British Crown was encouraging girls to emigrate as a means to redress the gender balance in the colonies – there were too many men and not enough women. Over four thousand young women took this journey between 1848 and 1850. The composer Brendan Graham expressed his own hope that this song might have significance for the descendants of those girls, many of whom were present at the song’s first performance in 2012 at the Irish Famine Commemoration in Sydney.
$2.75
Two by Two (Downloadable)
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Chorale SSAA
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INTERMÉDIAIRE
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Robert Applebaum
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Two by Two
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SSA/SSAA choir, 2-part treble voices - Medium - SKU: MQ.7.0643-E Composed by Robert Applebaum. Secular, 21st Century, Creation/Nature. 15 pages. Duratio...
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SSA/SSAA choir, 2-part treble voices - Medium - SKU: MQ.7.0643-E Composed by Robert Applebaum. Secular, 21st Century, Creation/Nature. 15 pages. Duration 4 minutes, 8 seconds. Galaxy Music Corporation - Digital #7.0643-E. Published by Galaxy Music Corporation - Digital (MQ.7.0643-E). UPC: 600313706431. English.With lyrics written by the composer, Two by Two is a light-hearted take on Noah's Ark. It features the usual animals, but also many unexpected ones including extinct and even mythical ones. The music is filled with fun rhythmic and melodic ideas sure to entertain singers and audiences alike. Duration: 4:08.
$2.85
Sparrow
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Chorale SSAA
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INTERMÉDIAIRE
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Folk Rock
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Simon And Garfunkel
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Elise Letourneau
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Sparrow
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Elise Letourneau
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1396982 By Simon And Garfunkel. By Paul Simon. Arranged by Elise Letourneau. Folk,Pop,Rock,Singer/Songwri...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1396982 By Simon And Garfunkel. By Paul Simon. Arranged by Elise Letourneau. Folk,Pop,Rock,Singer/Songwriter. 12 pages. Elise Letourneau #980323. Published by Elise Letourneau (A0.1396982). As sung by Vox Eclectica Women's Choir. Stirring SSAA arrangement of the poignant song composed by Paul Simon, recorded by Simon and Garfunkel on their debut studio album . Rich harmonies, with lines carefully considered for approachability. Five-stave system with chord symbols and optional bass line. 12 pages. Duration about 4:25. Programming themes include: sparrows, birds, nature, human nature, refugees, Earth, good global citizenshipElise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com
$2.00
A Merry Heart
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Chorale SSAA
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INTERMÉDIAIRE
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Musique Sacrée
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Carolyn Hamlin
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A Merry Heart
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Leatherman Music Services
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.829475 Composed by Carolyn Hamlin. Christian,Sacred. Octavo. 11 pages. Leatherman Music Services #6091087. Publi...
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Choral Choir (SSAA) - Level 3 - SKU: A0.829475 Composed by Carolyn Hamlin. Christian,Sacred. Octavo. 11 pages. Leatherman Music Services #6091087. Published by Leatherman Music Services (A0.829475). Many of you know Carolyn Hamlin for her roles as organist, organ clinician, and arranger of stellar pieces for organ. But are you aware that she is also a choral composer of renown? For example, her anthem Grace was a best-seller for many years with Lorenz. Now, as we are starting to see signs of new choral life amid the Covid scare, here is a delightful uplifting piece for women's voices: A Merry Heart. Accompanied by piano and a flute obbligato, the anthem is sure to be well-received by singers and hearers alike...whether in church, school, or community settings. Duration: 2:30
$1.99
I Live For Joy
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Kira Zeeman Rugen
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I Live For Joy
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Self Publishing
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 4 - SKU: A0.1490354 Composed by Kira Zeeman Rugen. 21st Century,Contemporary,Pop. 14 pages. Self Publishing #105...
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Choral Choir,Choral,SSAA Chorus - Level 4 - SKU: A0.1490354 Composed by Kira Zeeman Rugen. 21st Century,Contemporary,Pop. 14 pages. Self Publishing #1056134. Published by Self Publishing (A0.1490354). I Live for Joy - SSAA Piano, BassWords and Music by Kira Zeeman RugenCommissioned for the WACDA conference performance by Arizona composer Kira Zeeman Rugen, I Live for Joy was performed by Ad Astra - Chandler Children's Chorus, directed by Aimee Stewart. As said by the group of their new favorite piece: The more we sing it, the more nuance we find in the music and lyrics, which were written by Dr. Rugen during the pandemic about her family, friends, and experiences. Reflecting on pain and tragedy, yet choosing joy and finding rebirth is the message we want to share. Fresh, thought-provoking, and endlessly appealing, we've chosen to end our set with joy!*This piece originally comes from an album by Kira Zeeman Rugen called Sanctuary. Each piece on the album sets the listener on a journey from darkness into light.
$2.99
Auferstehn
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Chorale SSAA
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Heinrich Poos
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Auferstehn
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Schott Music - Digital
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SheetMusicPlus
Female choir (SSAA) a cappella - SKU: S9.Q21337 Composed by Heinrich Poos. This edition: choral score. Schott Choral Music. Downloadable, Choral score. ...
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Female choir (SSAA) a cappella - SKU: S9.Q21337 Composed by Heinrich Poos. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q21337. Published by Schott Music - Digital (S9.Q21337). German.Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt.
$3.99
Pater noster
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Chorale SSAA
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INTERMÉDIAIRE
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Pascal Martine
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Pater noster
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Schott Music - Digital
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SheetMusicPlus
Female choir (SSAA) a cappella - intermediate - SKU: S9.Q25991 Two settings of the Lord's Prayer (Old High German/Latin). Composed by Pascal Mart...
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Female choir (SSAA) a cappella - intermediate - SKU: S9.Q25991 Two settings of the Lord's Prayer (Old High German/Latin). Composed by Pascal Martine. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q25991. Published by Schott Music - Digital (S9.Q25991). Middle High German.Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our new composer Pascal Martiné – personally recommended by the editors of your choral department!Über dem zentralen Gebet des Christentums entwickelt Pater noster mit dichten Klängen und atmosphärischen Farben eine Stimmung tiefgründiger Ehrfurcht und Stärke. Fater unser spielt mit minnesängerischen Harmonien und verzaubert auf mittelalterliche Weise.
$3.99
Nächtlicher Himmel
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Chorale SSAA
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Rolf Rudin
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Nächtlicher Himmel
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Schott Music - Digital
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SheetMusicPlus
Female choir (SSAA) and piano - SKU: S9.Q20916 Nach Worten aus einem Brief von Vincent van Gogh. Composed by Rolf Rudin. This edition: choral sco...
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Female choir (SSAA) and piano - SKU: S9.Q20916 Nach Worten aus einem Brief von Vincent van Gogh. Composed by Rolf Rudin. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Op. 59a. Schott Music - Digital #Q20916. Published by Schott Music - Digital (S9.Q20916). German.With his musical setting Nächtlicher Himmel based on words from a letter by Vincent van Gogh, Rolf Rudin ventures into downright impressionist terrain. Just as the famous painter creates literary images with his letters and knows how to visualize landscapes and frames of mind, the award-winning composer knows how to musically capture such moods and atmospheres. His composition for two- to four-part women's choir (SSAA) and piano lives on dynamic nuances, changes of time, chromaticism and triplet figures as well as harp-like arpeggios which give the work a mystical quality. Due to its chord progressions with great chromaticism, the choral part of this c. 4-minute work contains some intonational obstacles which are worth negotiating while holding out the prospect of a unique sound experience.
$4.99
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