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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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The Second Coming
Non classifié
123
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57
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57
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13
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11
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10
Orgue
8
2 Pianos, 4 mains
2
Instruments en Do
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
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Guitare
8
Ligne De Mélodie, (Paroles) et Accords
4
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1
Voix
Chorale SATB
73
Chorale 2 parties
40
Chorale Unison
29
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29
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19
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9
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7
Chorale SSAA
4
Voix haute
2
Voix Alto, Piano
1
Chorale
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
+ 9 instrumentations
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Vents
Flûte traversière et Piano
11
Hautbois, Piano (duo)
8
Saxophone Alto et Piano
8
Flûte traversière
7
Saxophone Tenor et Piano
6
Clarinette et Piano
5
Saxophone Alto
5
Saxophone Tenor
4
Saxophone Baryton, Piano
4
2 Clarinettes (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette Basse, Piano
2
Saxophone (partie séparée)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
3 Saxophones (trio)
2
2 Saxophones (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Clarinette (duo)
1
Saxophone Soprano et Piano
1
Hautbois (partie séparée)
1
2 Flûtes traversières (duo)
1
Ensemble de saxophones
1
Ensemble de Clarinettes
1
Saxophone
1
Quintette de Saxophone: 5 saxophones
1
Quintette de Flûte : 5 flûtes
1
+ 21 instrumentations
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Cuivres
Trompette, Piano
9
Trombone et Piano
9
Cor et Piano
6
Trompette
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Cor (duo)
2
2 Cors (duo)
2
2 Trombones (duo)
1
Tuba et Orgue
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone
1
Cor
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Violon et Piano
13
Violon
11
Alto, Piano
9
Violoncelle, Piano
5
Contrebasse (partie séparée)
4
2 Violoncelles (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle
2
Violoncelle , Guitare (duo)
1
Harpe
1
4 Violoncelles
1
2 Violons (duo)
1
Alto seul
1
+ 11 instrumentations
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Orchestre d'harmonie
19
Ensemble de cuivres
8
Orchestre
6
Orchestre à Cordes
5
Cloches
3
Orchestre de chambre
3
Ensemble de Percussions
1
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
BASSE
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CHORALE - CHAN…
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CLAIRON
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Vous avez sélectionné:
The Second Coming
Chorale SSAA
Partitions à imprimer
4 partitions trouvées
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La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Candlemas Carol
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Alan Wagstaff
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Alan Wagstaff
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Candlemas Carol
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Tradition...
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Choral Choir (SSAA) - Level 4 - SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.
$100.00
We Are the Stars from Stargazing (Downloadable)
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Chorale SSAA
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James Granville Eakin
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We Are the Stars from Stargazi
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SSAA choir and piano - Moderately Difficult - SKU: MQ.1.3488-E Composed by James Granville Eakin. Advanced/Collegiate. Secular, 21st Century, Creation/N...
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SSAA choir and piano - Moderately Difficult - SKU: MQ.1.3488-E Composed by James Granville Eakin. Advanced/Collegiate. Secular, 21st Century, Creation/Nature, Evening. Octavo. 14 pages. Duration 2 minutes, 55 seconds. Galaxy Music Corporation - Digital #1.3488-E. Published by Galaxy Music Corporation - Digital (MQ.1.3488-E). UPC: 600313134883. English.In 2002, I was commissioned by the Turtle Creek Chorale to compose a three-movement star-themed piece for their upcoming 'celestial' concert. I immediately knew that I wanted strings and celeste to serve as my 'heavenly' accompaniment; but what text should I choose? After immersing myself in poetry, I whittled it down to three that sang to me: Creator of the Universe, a Plato translation; We Are the Stars, an Algonquin Native-American poem; and (I couldn’t resist) Twinkle, Twinkle, Little Star.
$2.85
O Come, O Come Emmanuel
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Chorale SSAA
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INTERMÉDIAIRE
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Julie Hinton
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Julie Hinton
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O Come, O Come Emmanuel
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Red Tape Productions
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1394975 By Julie Hinton. By Traditional. Arranged by Julie Hinton. A Cappella,Advent,Christian,Christmas,...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1394975 By Julie Hinton. By Traditional. Arranged by Julie Hinton. A Cappella,Advent,Christian,Christmas,Sacred. 4 pages. Red Tape Productions #978463. Published by Red Tape Productions (A0.1394975). SSAA acapella. This haunting arrangement of the familiar Advent tune will show off the voices as modified chord structures draw attention from the audience. S1 takes the melody in the first verse over an SAA drone. The second verse highlights an A1 repetitive chant as the S2 takes over the melody halfway through and keeps it the rest of the piece. S1 floats a descant in the third verse as the altos reprise the first-verse drone, with everyone coming together in the end, culminating in a unison final tone. Great for church groups, holiday women's choirs and women's caroling quartets!This setting is also available in SATB, SSATBB and SSAATTBB acapella, as well as SATB, SAB and SSA with piano accompaniment.
$2.25
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The Second Coming
