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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Think of One
Sheetmusicplus
Non classifié
321
Piano & claviers
Piano seul
232
Piano, Voix
85
Piano, Voix et Guitare
45
Piano Facile
14
Instruments en Do
10
2 Pianos, 4 mains
7
Accompagnement Piano
4
Orgue
4
Piano grosses notes
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
15
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
Mandoline
1
Guitare (partie séparée)
1
Ukulele
1
3 Guitares (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
21
Chorale TTBB
13
Chorale 2 parties
10
Chorale SSAA
5
Voix seule
4
Voix duo
3
Voix Soprano, Piano
2
Chorale Unison
2
Voix duo, Piano
2
Chorale SSATTB
1
Voix basse
1
Voix Baryton
1
Voix haute
1
Voix Alto, Piano
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
39
Saxophone (partie séparée)
37
Quintette de Saxophone: 5 saxophones
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
2 Saxophones (duo)
19
Saxophone Alto
18
Saxophone Tenor
17
Ensemble de saxophones
17
Saxophone Alto et Piano
15
Flûte traversière et Piano
11
Ensemble de Clarinettes
10
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Tenor et Piano
9
Flûte traversière
9
Hautbois, Piano (duo)
9
Clarinette
9
Clarinette et Piano
9
2 Flûtes traversières (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Ensemble de Flûtes
7
Clarinette, Trompette (duo)
6
Saxophone, Clarinette (duo)
6
2 Clarinettes (duo)
5
Flûte à bec Soprano
5
3 Saxophones (trio)
5
Saxophone Soprano et Piano
5
Clarinette, Violon (duo)
4
Cor Anglais
4
Flûte et Guitare
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Basson (duo)
3
Flûte, Saxophone (duo)
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Hautbois, Clarinette (duo)
3
Hautbois (partie séparée)
3
Clarinette, Harpe (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Baryton, Piano
2
3 Clarinettes (trio)
2
Clarinette et Alto
2
Clarinette Basse, Piano
2
Cor anglais, Piano
1
Saxophone, Tuba (duo)
1
Saxophone Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Orgue
1
Flute (partie séparée)
1
Clarinette, Guitare (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone (partie séparée)
19
Trombone
12
Trompette (partie séparée)
11
Trombone et Piano
10
Ensemble de Trompettes
9
Trompette
8
Ensemble de Trombones
8
Trompette, Saxophone (duo)
6
Cor Anglais
4
2 Trompettes (duo)
4
Cor et Piano
4
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
2 Trombones (duo)
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Cor anglais, Piano
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Ensemble de Cors
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
17
Violon
16
Violoncelle
16
Harpe
6
2 Violons (duo)
5
Violoncelle, Piano
5
Alto, Piano
5
Violon, Violoncelle (duo)
5
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Ensemble d'Altos
4
Violon, Alto (duo)
4
Ensemble de Violons
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Violon (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
Harpe, Voix
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
91
Ensemble Jazz
32
Orchestre
21
Orchestre à Cordes
21
Ensemble de cuivres
14
Orchestre de chambre
12
Batterie
8
Jazz combo
7
Ensemble de Percussions
3
Cloches
3
Piano et Orchestre
2
Percussion (partie séparée)
1
Xylophone
1
Fanfare
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
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LIVRES
LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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TROMPETTE
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VIOLONCELLE
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OPERA
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Vous avez sélectionné:
Think of One
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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1
That Don't Impress Me Much
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Chorale SSAA
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INTERMÉDIAIRE
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Country
#
Shania Twain
#
Liz Garnett
#
That Don't Impress Me Much
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Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Country. Octavo. 9 ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Country. Octavo. 9 pages. Liz Garnett #3863255. Published by Liz Garnett (A0.856162). From Shania Twain's 1997 album Come on Over, this song is a reminder that such an inviting title does not mean the singer has abandoned her critical faculties. There has rarely been such a clear statement of womankind's general indifference to the things men use to jostle for status with each other.The arrangement contrasts stark sections that are mostly in two parts (occasionally blossoming out into more for effect) with sections in full four-part harmony. The splitting and joining of parts makes me think of it as more suitable for an ensemble with multiple voices per part than a quartet.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: B flat 3 - E flat 5
$2.99
A Dance In TripleTime
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Chorale SSAA
#
FACILE
#
Anastasio Rossi
#
Anastasio Rossi
#
A Dance In TripleTime
#
Anastasio Rossi
#
SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
A Dance In TripleTime
#
Chorale SSAA
#
FACILE
#
Anastasio Rossi
#
Anastasio Rossi
#
A Dance In TripleTime
#
Anastasio Rossi
#
SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Q...
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Voice (SSAA) - Level 2 - SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
Make Believe
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Jerome Kern
#
Rebecca J
#
Make Believe
#
Rebecca J. Wood
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.996572 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #583...
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Choral Choir (SSAA) - Level 4 - SKU: A0.996572 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #5835855. Published by Rebecca J. Wood (A0.996572). Beginning in a childlike, sing-song style to set up the make-believe theme, this arrangement is full of beautiful chords and my most-often signature, a modulation. Though I hear this as a quartet arrangement, I think it can be used as a Chorus arrangement. I recommend that in the Intro, in the Bari part, where they have the repeated notes and the one note that goes up a third, keep the upper note at the same mental level as the repeated notes, so there's not a note note note note SKIP, rather note note note note skip. I know directors know that, but, I'm a control freak and love to develop the beauty of music. ALSO, at mm 11 and 19, I give the low note to the Basses, for smooth flow of voices. This is a fun piece and I hope you will try it.
$12.99
Make Believe
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Jerome Kern
#
Rebecca J
#
#
Make Believe
#
Rebecca J. Wood
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.996571 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #583...
(+)
Choral Choir (SSAA) - Level 4 - SKU: A0.996571 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #5835581. Published by Rebecca J. Wood (A0.996571). Beginning in a childlike, sing-song style to set up the make-believe theme, this arrangement is full of beautiful chords and my most-often signature, a modulation. Though I hear this as a quartet arrangement, I think it can be used as a Chorus arrangement. I recommend that in the Intro, in the Bari part, where they have the repeated notes and the one note that goes up a third, keep the upper note at the same mental level as the repeated notes, so there's not a note note note note SKIP, rather note note note note skip. I know directors know that, but, I'm a control freak and love to develop the beauty of music. ALSO, at mm 11 and 19, I give the low note to the Basses, for smooth flow of voices. This is a fun piece and I hope you will try it.
$1.99
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Think of One 
