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--INSTRUMENTS--
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This little light of mine
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Non classifié
95
Piano & claviers
Piano Facile
28
Piano seul
26
Piano, Voix
14
Piano, Voix et Guitare
9
1 Piano, 6 mains
4
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
Instruments en Do
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
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5
Ukulele
3
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2
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2
Banjo
2
Guitare
1
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1
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36
Chorale 3 parties
23
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9
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9
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4
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3
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3
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2
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2
Chorale SSAA
2
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2
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1
Voix basse, Piano
1
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1
Voix haute, Piano
1
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Clarinette et Piano
13
2 Saxophones (duo)
13
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10
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10
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10
2 Flûtes traversières (duo)
9
Hautbois, Piano (duo)
7
2 Clarinettes (duo)
6
Quatuor de Saxophones: 4 saxophones
5
Saxophone Soprano et Piano
5
Cor anglais, Piano
5
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5
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Baryton, Piano
4
Ensemble de Flûtes
4
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3
Flûte, Clarinette (duo)
3
Clarinette, Violon (duo)
3
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3
Quatuor de Flûtes : 4 flûtes
2
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2
2 Hautbois (duo)
2
Quintette de Saxophone: 5 saxophones
2
3 Clarinettes (trio)
2
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2
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2
Clarinette et Alto
2
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1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Flûte
1
Flûte, Hautbois, Basson
1
Ensemble de saxophones
1
Clarinette
1
Ensemble de Clarinettes
1
3 Saxophones (trio)
1
Trio de Flûtes: 3 flûtes
1
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10
Trompette, Piano
6
Cor anglais, Piano
5
Trompette
4
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4
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4
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4
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3
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3
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3
2 Trompettes (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Cor (duo)
1
Tuba et Piano
1
Trio de Cuivres
1
Quatuor de Cuivres
1
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12
Violoncelle, Piano
11
Alto, Piano
10
2 Violoncelles (duo)
7
Violon, Violoncelle (duo)
7
Quatuor à cordes: 2 violons, alto, violoncelle
6
2 Violons (duo)
6
Violon
4
Violon, Alto (duo)
4
2 Altos (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse, Piano (duo)
2
Contrebasse (partie séparée)
1
Violoncelle
1
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
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15
Ensemble de cuivres
5
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2
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Jazz combo
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Vous avez sélectionné:
This little light of mine
SheetMusicPlus
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This little light of mine
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Chorale SSAA
#
FACILE
#
Wilfried Fischer
#
This little light of mine
#
Schott Music - Digital
#
SheetMusicPlus
Female choir (SSAA) - easy - SKU: S9.Q14885 Gosepelsong. Arranged by Wilfried Fischer. This edition: Sheet music. Downloadable. Schott Music - Di...
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Female choir (SSAA) - easy - SKU: S9.Q14885 Gosepelsong. Arranged by Wilfried Fischer. This edition: Sheet music. Downloadable. Schott Music - Digital #Q14885. Published by Schott Music - Digital (S9.Q14885). English.
$2.99
A Dance In TripleTime
#
Chorale SSAA
#
FACILE
#
Anastasio Rossi
#
Anastasio Rossi
#
A Dance In TripleTime
#
Anastasio Rossi
#
SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
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