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AUTOHARPE
BANJO
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BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
CLAVECIN
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COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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Non classifié
457
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Piano seul
1 986
Accordéon
376
Piano, Voix
167
Piano, Voix et Guitare
28
Piano Facile
22
Instruments en Do
9
1 Piano, 4 mains
7
Orgue
4
Accompagnement Piano
2
2 Pianos, 8 mains
2
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 11 instrumentations
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Guitares
Guitare
747
Guitare notes et tablatures
149
Ukulele
57
Basse electrique
29
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
2
3 Guitares (trio)
2
2 Guitares (duo)
1
Orchestre à Plectres
1
Guitare, Quatuor à cordes
1
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Voix seule
149
Chorale SATB
58
Chorale TTBB
13
Chorale 3 parties
11
Chorale SSAA
4
Chorale 2 parties
3
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2
Voix duo
2
Soli, choeur mixte et accompagnement
2
Chorale, Orgue
1
Chorale Unison
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Chorale
1
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Saxophone
1 586
Clarinette
612
Flûte traversière
599
Flûte à Bec
218
Saxophone Alto
118
Saxophone Tenor
114
Hautbois
82
Saxophone Soprano
69
Flûte traversière et Piano
22
Flûte et Guitare
21
Clarinette et Piano
19
Saxophone Alto et Piano
10
Hautbois, Piano (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Clarinette, Guitare (duo)
7
Quatuor de Saxophones: 4 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Cor anglais, Piano
6
Saxophone Tenor et Piano
5
2 Flûtes traversières (duo)
5
2 Clarinettes (duo)
5
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Flûtes à bec
3
Saxophone Soprano et Piano
3
Cor anglais, Guitare (duo)
3
Ensemble de saxophones
3
Clarinette, Orchestre
2
Trio de Flûtes: 3 flûtes
2
Saxophone (partie séparée)
2
Flûte, Clarinette (duo)
2
Ensemble de Clarinettes
2
3 Clarinettes (trio)
2
Clarinette Basse, Piano
2
Harmonica, Piano
1
2 Flûte à bec (duo)
1
Hautbois, Harpe
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
Flûte, Violoncelle, Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
Ensemble de Flûtes
1
Flûte à bec Alto
1
Harmonica
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Baryton, Piano
1
Flute (partie séparée)
1
+ 42 instrumentations
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Cuivres
Trompette
570
Trombone
534
Euphonium
88
Cor
83
Tuba
62
Trompette, Piano
12
Cor et Piano
7
Cor anglais, Piano
6
Euphonium, Piano (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone et Piano
4
Tuba et Piano
4
Quatuor de cuivres: 4 cors
3
Cor anglais, Guitare (duo)
3
2 Trombones (duo)
1
Trio de Cuivres
1
Ensemble de Trombones
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
+ 19 instrumentations
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Cordes
Violon
256
Violoncelle
242
Alto seul
232
Violoncelle, Piano
32
Violon et Piano
26
Alto, Piano
14
Harpe
13
Contre Basse
12
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon (partie séparée)
3
Alto (partie séparée)
3
Violoncelle, Orchestre
3
Violon, Violoncelle (duo)
3
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
2 Violons (duo)
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
4 Harpes
2
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
2 Altos (duo)
1
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136
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31
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11
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9
Ensemble Jazz
8
Ensemble de cuivres
5
Jazz combo
5
Piano et Orchestre
2
Fanfare
1
Orchestre, Violon
1
Cloches
1
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--INSTRUMENTS--
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Chorale SSAA
Partitions à imprimer
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What Was I Made For?
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie E…
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Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00
5.53 €
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Chorale SSAA
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Billie Eilish
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Dylan Tran
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What Was I Made For?
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Dylan Trần
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.68 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Warum?
Chorale SSAA
Female choir (SSAA) - easy to intermediate - Digital Download SKU: S9.Q48883 Geo…
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Female choir (SSAA) - easy to intermediate - Digital Download SKU: S9.Q48883 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Christian Maria Schmidt. This edition: choral score. Georg Kreisler für Chor. Downloadable, Choral score. Duration 2' 15. Schott Music - Digital #Q48883. Published by Schott Music - Digital (S9.Q48883). German.Georg Kreisler - das ist scharfer, tiefsinnig schwarzer Humor! Die Singphoniker haben Georg Kreislers bekannteste Lieder für Männerensemble arrangiert und auf CD aufgenommen. Die zugehörige Notenausgabe für Frauenchor SSAA mit Klavierbegleitung ist bei Schott Music erschienen (Georg Kreisler - Lieder und Chansons, ED 22736). Ergänzend dazu sind Einzelausgaben aller Lieder aus dem Notenalbum erhältlich: Warum sind die Leute so feige? Nach Gesellschaftskritik folgt Resignation. Kreislers sonst so humoristisch-kritische Art mündet hier in die schlichte Frage: Warum? Er fragt nach dem Grund für Trägheit, Fügsamkeit und Anpassung in der Gesellschaft. Die Forderung nach Ausbruch aus dieser Lethargie, die jedoch eher halbherzig ausgesprochen wird, beschließt das Werk.
$2.99
2.76 €
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Chorale SSAA
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Georg Kreisler
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Christian Maria Schmidt
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Warum?
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Schott Music - Digital
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SheetMusicPlus
I stood here in my dark dreams: (Ich stand in dunklen Träumen)
Chorale SSAA
SSAA choir and piano - Medium - Digital Download SKU: MQ.1.3599-E Composed by Clara…
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SSAA choir and piano - Medium - Digital Download SKU: MQ.1.3599-E Composed by Clara Wieck-Schumann and James McCullough. Funeral, African American Heritage. Score. 6 pages. Galaxy Music Corporation - Digital #1.3599-E. Published by Galaxy Music Corporation - Digital (MQ.1.3599-E). English, German.One of Clara Schumann’s inspired settings of a Heine text. In the original key of E-flat major, the score opens with four full measures of introductory music. Chromatic harmony is stated and is soon followed with traditional dominant/tonic cadences. The ending is the same as the beginning: Sad, but comfortingly satisfying.
$2.25
2.07 €
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Chorale SSAA
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Clara Wieck-Schumann and James McCullough
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I stood here in my dark dreams:
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Galaxy Music Corporation - Digital
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SheetMusicPlus
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