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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Turn To Me
Non classifié
181
Piano & claviers
Piano seul
162
Piano, Voix et Guitare
97
Piano, Voix
44
Instruments en Do
35
Piano Facile
21
Orgue
9
Accordéon
5
Piano grosses notes
5
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
30
Guitare
15
Ukulele
9
Guitare notes et tablatures
9
Paroles et Accords
2
Basse electrique
2
Ensemble de guitares
1
Banjo
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
105
Chorale 3 parties
17
Chorale SSAA
9
Chorale TTBB
9
Chorale Unison
5
Voix seule
4
Chorale 2 parties
4
Voix Soprano, Piano
2
Voix Alto, Piano
2
Voix haute
1
Voix duo
1
Voix Tenor
1
Chorale
1
Voix duo, Piano
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière
7
Flûte traversière et Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Clarinette
6
2 Flûtes traversières (duo)
5
Clarinette et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Hautbois, Piano (duo)
5
Saxophone Tenor
3
Flûte à Bec
2
Ensemble de Flûtes
2
Saxophone Alto et Piano
2
2 Clarinettes (duo)
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Saxophone Alto
2
Quintette de Saxophone: 5 saxophones
1
Hautbois, Guitare (duo)
1
Saxophone (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Ensemble de saxophones
1
Flûte, Violon, Piano
1
2 Saxophones (duo)
1
Saxophone Soprano et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois (partie séparée)
1
Flûte, Clarinette (duo)
1
+ 24 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trombone et Piano
7
Trompette, Piano
6
Trompette
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette (partie séparée)
3
Quatuor de cuivres: 4 trombones
3
Trombone
2
Quatuor de Cuivres
2
Cor
2
Euphonium, Piano (duo)
2
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor et Piano
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
10
Violon
6
Violoncelle, Piano
6
Violon, Violoncelle (duo)
6
Harpe
5
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
5
2 Violons (duo)
3
Alto, Piano
3
Alto seul
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violoncelle (duo)
1
2 Harpes (duo)
1
Violon, Alto (duo)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle (partie séparée)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
29
Orchestre
19
Ensemble Jazz
14
Orchestre de chambre
8
Ensemble de cuivres
6
Cloches
5
Orchestre à Cordes
5
Jazz combo
3
Fanfare
3
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Batterie
1
+ 8 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
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CLARINETTE
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Turn To Me
Chorale SSAA
Partitions à imprimer
9 partitions trouvées
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1
Me Too
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Chorale SSAA
#
INTERMÉDIAIRE
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Meghan Trainor
#
Jane Patterson
#
Me Too
#
Jane Patterson
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1471354 By Meghan Trainor. By Eric Frederic, Jacob Kasher Hindlin, Jason Desrouleaux, Meghan Trainor...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1471354 By Meghan Trainor. By Eric Frederic, Jacob Kasher Hindlin, Jason Desrouleaux, Meghan Trainor, and Peter Svensson. Arranged by Jane Patterson. A Cappella,Contemporary,Pop. 10 pages. Jane Patterson #1049085. Published by Jane Patterson (A0.1471354). Your girl group will love singing this empowering banger by Meghan Trainor! This arrangement packs a punch with a beefy bass line from the Alto 2s and all parts getting a turn to get their swagger on with the melody. Simple but effective vocal percussion is worked seamlessly into the parts to create a full and impactful pop a cappella arrangemnet. If I was you, I'd wanna sing this arrangement too!Range: E3 (Alto 2) - E5 (Soprano 1).
$1.99
Call Me Maybe
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Carly Rae Jepsen
#
Jane Patterson
#
Call Me Maybe
#
Jane Patterson
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1472253 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Jane ...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1472253 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Jane Patterson. A Cappella,Contemporary,Pop. 10 pages. Jane Patterson #1049955. Published by Jane Patterson (A0.1472253). A super fun and singable arrangement of this pop smash hit! Simple but effective vocal percussion is weaved seamlessly into the parts to give the arrangement a full sound and a rhythmic feel. Each voice part gets their turn to shine on the melody. Originally arranged for Australian female a cappella quartet, Ginger and Tonic. Range: G3 - G5.
$1.99
Dance Me To The End Of Love
#
Chorale SSAA
#
AVANCÉ
#
Madeleine Peyroux
#
Joyce Todd McBride
#
Dance Me To The End Of Love
#
Buckwheat Music
#
SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.1271651 By Madeleine Peyroux. By Leonard Cohen. Arranged by Joyce Todd McBride. A Cappella,Chamber,Singer/Songwr...
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Choral Choir (SSAA) - Level 5 - SKU: A0.1271651 By Madeleine Peyroux. By Leonard Cohen. Arranged by Joyce Todd McBride. A Cappella,Chamber,Singer/Songwriter. Octavo. 14 pages. Buckwheat Music #864041. Published by Buckwheat Music (A0.1271651). Treble-voice a cappella arrangement of Dance Me To The End Of Love, by Leonard Cohen. SSAA, with S1 and S2 solos. This arrangement begins with an unmeasured, medieval music-influenced statement of the opening 2 phrases sung by the whole the choir split into 2 parts. The arrangement as a whole is lush, with lovely rhythmic variations, including a swing section inspired by Boswell sisters or other female vocal groups from the 1930's and 40's. It is a bit of an epic treatment of this song, really builds nicely throughout, returning to the opening material at the end of the song. Stunning.
$1.99
You Don't Own Me
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Grace Featuring G-eazy
#
Liz Garnett
#
You Don't Own Me
#
Liz Garnett
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1344227 By Grace Featuring G-eazy. By Grace. Arranged by Liz Garnett. A Cappella,Barbershop,Pop. 5 pages....
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1344227 By Grace Featuring G-eazy. By Grace. Arranged by Liz Garnett. A Cappella,Barbershop,Pop. 5 pages. Liz Garnett #929713. Published by Liz Garnett (A0.1344227). This is a song that, paradoxically, feels both evocative of a particular historical moment and timeless. In it's first guise, as sung by Lesley Gore in 1963, it is a harbinger of both the sexual revolution and Second Wave feminism. Three decades later, as the closing sequence to the movie The First Wives Club, it is full of  confidence and joie de vivre, but by 2016, when released by Grace, it has turned darker, as G-Eazy's rap dramatises the controlling man the song addresses.This arrangement positions the song as a statement of strength and defiance, and re-appropriates material from the rap to craft an original bridge.n.b. This arrangement is notated in treble and bass alta (i.e. sounding an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: G3 - D5Bari: G3 - C5Bass: D3 - F#4www.HelpingYouHarmonise.com
$2.99
Who Can I Turn To (when Nobody Needs Me)
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Anthony Newley and Leslie Bric
#
Scott Kitzmiller
#
Who Can I Turn To
#
Scott W. Kitzmiller
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.880139 Composed by Anthony Newley and Leslie Bricusse. Arranged by Scott Kitzmiller. A Cappella,Broadway,Film/TV...
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Choral Choir (SSAA) - Level 4 - SKU: A0.880139 Composed by Anthony Newley and Leslie Bricusse. Arranged by Scott Kitzmiller. A Cappella,Broadway,Film/TV,Musical/Show,Standards. Octavo. 3 pages. Scott W. Kitzmiller #4978355. Published by Scott W. Kitzmiller (A0.880139). From The Roar of the Greasepaint, the Smell of the Crowd, Anthony Newley and Lesley Bricusse. SSAA a cappella, as sung by GQ.
$4.50
Who Can I Turn To (when Nobody Needs Me)
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Anthony Newley and Leslie Bric
#
Kevin Keller
#
SAI - check.
#
Who Can I Turn To
#
Kevin Keller
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.816198 Composed by Anthony Newley and Leslie Bricusse. Arranged by Kevin Keller. 20th Century,A Cappella,Barbers...
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Choral Choir (SSAA) - Level 3 - SKU: A0.816198 Composed by Anthony Newley and Leslie Bricusse. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Broadway,Musical/Show. Octavo. 5 pages. Kevin Keller #5223007. Published by Kevin Keller (A0.816198). Women's arrangement (SSAA - barbershop - melody in S2) - suitable for women's barbershop competition. SAI - check.
$2.99
The Mystery
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Stephen Chatman
#
The Mystery
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SSAA choir and piano - Medium - SKU: MQ.8810-E Composed by Stephen Chatman. Instrument part. 9 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Mus...
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SSAA choir and piano - Medium - SKU: MQ.8810-E Composed by Stephen Chatman. Instrument part. 9 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8810-E. Published by E. C. Schirmer Music Company - Digital (MQ.8810-E). English.Sara Teasdale’s poem, The Mystery, depicts deep lasting love - “Your eyes drink of me†and “We have long been loversâ€. It also raises a question - “Can I ever know you / Or you know me?†Stephen Chatman’s expressive setting begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the initial melody. One of a set of six of Teasdale's love songs. Duration: 2:30.
$2.65
Company
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Stephen Sondheim
#
Glenda Lloyd
#
Company
#
Glenda Lloyd
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.752252 Composed by Stephen Sondheim. Arranged by Glenda Lloyd. A Cappella. Octavo. 3 pages. Glenda Lloyd #459654...
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Choral Choir (SSAA) - Level 4 - SKU: A0.752252 Composed by Stephen Sondheim. Arranged by Glenda Lloyd. A Cappella. Octavo. 3 pages. Glenda Lloyd #4596541. Published by Glenda Lloyd (A0.752252). Four part a cappella harmony in the barbershop style.This quirky song would make a great show opener for a chorus or quartet...the chords twist and turn and move in unexpected directions!Visit www.lloydsong.com to see more of my work, or see me on Facebook at https://www.facebook.com/Glenda.LloydSong/
$1.99
Do As You Will
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Alan Wagstaff
#
Alan Wagstaff
#
Do As You Will
#
Alan Wagstaff
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.
$20.00
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