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We Will Sing for Joy
Non classifié
181
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104
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61
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21
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17
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7
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3
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2
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2
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1
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1
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7
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4
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56
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29
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14
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6
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2
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1
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1
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56
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52
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11
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9
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8
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7
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7
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6
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6
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6
2 Clarinettes (duo)
6
Flûte, Hautbois, Clarinette, Basson
5
Flûte à bec Tenor
5
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5
Flûte à bec Alto
4
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4
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4
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4
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3
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3
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3
Clarinette
3
Saxophone Alto
3
Flûte traversière
3
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2
Saxophone Baryton
2
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2
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2
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2 Clarinettes, Piano
1
Clarinette Basse, Piano
1
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22
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11
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9
2 Trompettes (duo)
7
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6
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5
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4
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3
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2 Cors (duo)
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2 Violons (duo)
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Violon
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Vous avez sélectionné:
We Will Sing for Joy
Chorale SSAA
Partitions à imprimer
2 partitions trouvées
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Together As One
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1269757 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishi...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1269757 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #862265. Published by MTC Publishing (A0.1269757). Together As One - Choral Composition for SSAA and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience.  It explores how singing gives us both sides of the emotional coin:  from nervousness and even trepidation on one side, to great joy on the other.   We all feel nervous before a performance, and even more so when we are actually standing in front of the audience.  But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing.  And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'.  This original composition for SSAA choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SATB, 2-Part and Unison.
$3.99
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
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We Will Sing for Joy
