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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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MARIMBA
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XYLOPHONE
Working for the Man
Non classifié
382
Piano & claviers
Piano seul
66
Accordéon
34
Instruments en Do
26
Piano Facile
25
Piano, Voix
18
Piano, Voix et Guitare
16
1 Piano, 4 mains
3
Orgue
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
+ 9 instrumentations
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Guitares
Guitare
40
Guitare notes et tablatures
25
Mandoline
5
Dulcimer
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
Paroles et Accords
2
Ligne De Mélodie, (Paroles) et Accords
2
2 Dulcimers (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
34
Chorale 3 parties
11
Voix Soprano, Piano
10
Chorale 2 parties
5
Chorale SSAA
3
Voix duo, Piano
2
Chorale TTBB
2
Voix moyenne, Piano
2
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix, Guitare
1
Voix Alto, Piano
1
Voix haute
1
Chorale Unison
1
+ 9 instrumentations
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Vents
Flûte traversière et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
2 Saxophones (duo)
11
Clarinette et Piano
10
Quintette de Saxophone: 5 saxophones
9
Clarinette
9
Saxophone Alto et Piano
9
Quatuor de Saxophones: 4 saxophones
7
Flûte traversière
7
Saxophone (partie séparée)
7
Hautbois, Piano (duo)
7
Flûte, Clarinette (duo)
6
Saxophone Alto
5
3 Saxophones (trio)
4
Saxophone, Clarinette (duo)
4
Flûte, Violon
4
2 Clarinettes (duo)
4
Saxophone Tenor et Piano
4
Saxophone Tenor
3
Ensemble de Clarinettes
3
Quintette de Flûte : 5 flûtes
3
Quatuor de Clarinettes: 4 clarinettes
3
Ensemble de Flûtes
3
Hautbois (partie séparée)
3
Hautbois, Flûte
3
Flûte, Hautbois, Clarinette, Basson
2
3 Clarinettes (trio)
2
Hautbois, Basson (duo)
2
Ensemble de saxophones
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
2 Flûtes traversières (duo)
2
Flûte à bec Alto
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes à bec
1
Flute (partie séparée)
1
2 Flûte à bec (duo)
1
Saxophone Baryton, Piano
1
Clarinette, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Flute, alto, violoncelle et guitare
1
5 Flûtes à bec
1
2 Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à Bec
1
Hautbois, Clarinette (duo)
1
Cor anglais, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
+ 47 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette
8
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Cor et Piano
4
Ensemble de Trombones
3
Ensemble de Trompettes
3
Trombone
3
Trombone et Piano
3
Trompette, Trombone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
Tuba (partie séparée)
1
Tuba et Piano
1
3 Euphoniums
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse
1
Cor (partie séparée)
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Trompette, Piano
1
2 Trombones (duo)
1
3 Trombones (trio)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
122
Violon et Piano
49
Alto, Piano
20
Violoncelle, Piano
18
Violon
13
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
10
Alto seul
7
2 Violons (duo)
7
Contrebasse, Piano (duo)
6
Violon, Violoncelle (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Harpe
5
2 Altos (duo)
4
Violon, Alto (duo)
3
2 Violoncelles (duo)
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Ensemble d'Altos
2
Alto (partie séparée)
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
1
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
2 Harpes (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
52
Ensemble Jazz
39
Orchestre à Cordes
25
Orchestre
14
Jazz combo
6
Orchestre de chambre
5
Ensemble de cuivres
5
Batterie
4
Cloches
1
Orchestre, Violon
1
Fanfare
1
2 Marimbas
1
Marimba
1
Batterie (partie séparée)
1
Vibraphone
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
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BANJO
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Vous avez sélectionné:
Working for the Man
Chorale SSAA
Partitions à imprimer
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La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
She Works Hard For No Money
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Donna Summer and Michael Omart
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Kathleen McGuire
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She Works Hard For No Money
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Kathleen McGuire
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1168471 Composed by Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco,Pop. Octavo. 11 pages...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1168471 Composed by Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco,Pop. Octavo. 11 pages. Kathleen McGuire #768805. Published by Kathleen McGuire (A0.1168471). ***40th ANNIVERSARY***A Donna Summer hit from post-disco / new wave era (1983), She Works Hard for the Money is more than a fun pop piece. The song tells a story of a hard-working blue-collar woman, based on inspiration Summer found after the 25th Annual Grammy Awards ceremony (23 Feb 1983) when she attended an after-party. She encountered a restroom attendant named Onetta Johnson (whose name is mentioned in the song) whom she found sound asleep - despite a blaring TV - exhausted from working long hours. Summer related the story in an interview: I looked at her and my heart just filled up with compassion for this lady, and I thought to myself: God, she works hard for the money, cooped up in this stinky little room all night. Then I thought about it, and I said, She works hard for the money... She works hard for the money...This is it! This is it! I know this is it! The arrangement opens with an a cappella introduction in full harmony. The melody moves between the altos and sopranos, with each part otherwise providing rhythmic support (echoing the instrumental accompaniment). The sopranos divide into 3 parts occasionally, allowing some high voices (A-flat) to shine. There are no solos in this arrangement -- your women all have opportunity to sing this powerful, true story that serves more broadly as an allegory for women's rights and socioeconomic hardship. The arrangement is a show-stopper, bound to get audiences clapping and even up out of their seats! Set of band parts & full conductor's score available separately: Trumpet, Tenor Sax, Synth, Electric Guitar, Bass Guitar, Drum Set.
$1.99
Grace Kelly
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Chorale SSAA
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AVANCÉ
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6...
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Choral Choir (SSAA) - Level 5 - SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99
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