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--INSTRUMENTS--
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Jazz combo
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Fanfare
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1
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Chorale SSAA
Partitions à imprimer
12 partitions trouvées
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1
Kiss From A Rose SSAA a capella
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Chorale SSAA
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Soul/R&B
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Seal
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Kiss From A Rose SSAA a capell
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Hannah Wickham
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SheetMusicPlus
By Seal. Score. 6 pages. Published by Hannah Wickham
By Seal. Score. 6 pages. Published by Hannah Wickham
Due to the unusual chords and the contrapuntal bridge section, this would make a good challenge for an enterprising choir.
Approx performance time: 3:30
Difficulty: Advanced
Clean?: Yes
Range: S1 B3-C#5, S2 G3(once)-D5, A1 F#3(once)-A4(once), A2 F3-E4
$3.99
Saving All My Love For You
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Chorale SSAA
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FACILE
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Whitney Houston
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Thomas J
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Saving All My Love For You
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Thomas J. West
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.928366 By Whitney Houston. By Michael Masser. Arranged by Thomas J. West. A Cappella,Contemporary,Pop. Octavo. 1...
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Choral Choir (SSAA) - Level 2 - SKU: A0.928366 By Whitney Houston. By Michael Masser. Arranged by Thomas J. West. A Cappella,Contemporary,Pop. Octavo. 11 pages. Thomas J. West #5892529. Published by Thomas J. West (A0.928366). This SSAA a cappella with lead soprano vocalist arrangement of the hit song by Whitney Houston was originally commissioned for an British treble voices barbershop chorus to expand their repertoire past the traditional barbershop homophonic style. The arrangement features a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. This piece would also be a great showcase piece for a treble-voices high school ensemble with a strong lead singer and strong low alto section. The Alto 2 part range is from E3 to F#4. Soprano 1 part range is from C#4 to E5. www.thomasjwestmusic.com
$1.99
Fifty Percent
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Chorale SSAA
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INTERMÉDIAIRE
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Ballroom
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Rebecca (Boo) de Bruin
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Fifty Percent
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.
$1.99
Dance The Night
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Chorale SSAA
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FACILE
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Dua Lipa
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Rebecca (Boo) de Bruin
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Dance The Night
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Rebecca de Bruin
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SheetMusicPlus
SSAA Chorus,Voice - Level 2 - SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Bo...
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SSAA Chorus,Voice - Level 2 - SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. Barbershop Quartet. 8 pages. Rebecca de Bruin #1070309. Published by Rebecca de Bruin (A0.1493616). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
$12.99
Dance The Night
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Chorale SSAA
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FACILE
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Dua Lipa
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Rebecca (Boo) de Bruin
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Dance The Night
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged ...
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Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. 8 pages. Rebecca de Bruin #1070731. Published by Rebecca de Bruin (A0.1494121). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
$2.99
A Little Respect
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Chorale SSAA
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FACILE
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Erasure
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Rebecca (Boo) de Bruin
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A Little Respect
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,P...
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Choral Choir (SSAA) - Level 2 - SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
$1.99
Covid-19 Canon
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Chorale SSAA
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Lorraine Graham, Liz Hah
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Covid-19 Canon
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Elizabeth Hah
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.973288 Composed by Johann Pachelbel. Arranged by Lorraine Graham, Liz Hah. A Cappella,Baroque,Contemporary. Octa...
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Choral Choir (SSAA) - Level 3 - SKU: A0.973288 Composed by Johann Pachelbel. Arranged by Lorraine Graham, Liz Hah. A Cappella,Baroque,Contemporary. Octavo. 9 pages. Elizabeth Hah #6292515. Published by Elizabeth Hah (A0.973288). This 6-part canon for female choirs is the traditional Pachelbel Canon with lyrics added to reflect our experience with the coronavirus pandemic. The parts vary from very slow and easy to fast. As singers only need to sing one phrase throughout, it's quick to put together.Range of parts (lowest to highest): Bass 1 F - F, Bass 2 E - G, Lead 1: A - E, Baritone A-C, Lead 2 D - D, Tenor F - FThis is a per copy price.Learning tracks for individual parts are available. Contact Liz and lizhah303@gmail.com
$1.99
Money, Money, Money
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Chorale SSAA
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AVANCÉ
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ABBA
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Rowena Harper
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Money, Money, Money
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Rowena Harper
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.762509 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,...
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Choral Choir (SSAA) - Level 5 - SKU: A0.762509 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 7 pages. Rowena Harper #6341475. Published by Rowena Harper (A0.762509). A full bodied ABBA spectacular with a few twists and turns that make this a fun chart to sing thanks to some interesting chord additions and treatments. The verse starts squarely in low baritone land to kick the song off. Some interesting embellishments are used to mimic the instrumental sections of the song, the key change is there, as is the final flourish - all hallmarks of the song, which add interest but also complexity for the singer. Not for the faint hearted, but the potential to be dramatic, as well as the potential for corn-row performance elements should a chorus wish to mimic Mamma Mia the stage show with chorus members peeking out from behind and popping out for that's too bad! Have a lot of fun with this one!Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-D, Baritone B-B, Lead C-D, Tenor G-F#.Key = GThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
$3.00
Sway (Quien Sera)
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dean Martin
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Liz Garnett
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Sway
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856158 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Liz Garnett. Jazz. O...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856158 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Liz Garnett. Jazz. Octavo. 5 pages. Liz Garnett #3664791. Published by Liz Garnett (A0.856158). I had been listening to the Shaft version of this song since 1999, thinking 'ooh that dance tune would arrange a treat' when I eventually realised (somewhere around 2005) that it was a Dean Martin classic from the 1950s, and its arrange-ability suddenly became much less surprising. This version starts with a mysterious opening, then the rhythm gradually insinuates itself into your blood. It is moderately demanding vocally, but then the song itself demands a certain degree of panache and sexual bravado from its performers.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges: Tenor: E#4 - F#5Lead: Fx3 - D#5Bari: A flat 3 - C#4Bass: F3 - A4www.HelpingYouHarmonise.com
$2.99
Break Me Out
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Chorale SSAA
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INTERMÉDIAIRE
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The Rescues
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Celine Durney
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Break Me Out
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Celine Mireille Durney
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.945543 By The Rescues. By Adrianne Gonzalez, Gabriel Mann, Gabriel Rutman, Kyler Austin England, Kyler England, ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.945543 By The Rescues. By Adrianne Gonzalez, Gabriel Mann, Gabriel Rutman, Kyler Austin England, Kyler England, and Rob Giles. Arranged by Celine Durney. A Cappella. Octavo. 6 pages. Celine Mireille Durney #5987653. Published by Celine Mireille Durney (A0.945543). From Crazy Ever After (2008) by The Rescues~LOVELY piece for treble-voice a cappella groups~If performed by more than 4 singers, mm.1-10 are typically sung by soloists, and then the ensemble joins in at m. 11. The Soprano 2s sing the melody of each verse until it is then passed on to the Soprano 1s within the refrain sections; all throughout, the arrangement contains rich and vibrant harmonies within a more folk-like, homophonic style~Can be performed for end-of-year choral concerts, graduation ceremonies, funerals, etc. as its reflective lyrics and vulnerable vocal textures cater to honoring the thought of maintaining connection with loved ones while moving on to new and exciting things in lifeRanges:S1 - B3-E5S2 - A3-C#5A1 - F#3-G#4A2 - E3 - E4.
$2.99
This Is Me
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Chorale SSAA
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FACILE
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Contemporain
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Benj Pasek and Justin Paul
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Helping You Harmonise
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This Is Me
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856161 Composed by Benj Pasek and Justin Paul. Arranged by Helping You Harmonise. Contemporary. Octavo. 9 pages....
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Choral Choir (SSAA) - Level 2 - SKU: A0.856161 Composed by Benj Pasek and Justin Paul. Arranged by Helping You Harmonise. Contemporary. Octavo. 9 pages. Liz Garnett #3674081. Published by Liz Garnett (A0.856161). This ballad from The Greatest Showman carries a powerful message of the inherent worth of all humans that resonates far beyond the context of the film's story. The arrangement includes an optional double descant for the final passage to add extra opulence to the ending.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges: Tenor: D4 - G5Lead: A3 - E5Bari: C#4 - D4Bass: G3 - E4Descant 1: D4 - F#5Descant 2: D4 - D5www.HelpingYouHarmonise.com
$2.99
Dance The Night
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Chorale SSAA
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FACILE
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Dua Lipa
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Rowena Harper
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Dance The Night
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Rowena Harper
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1492475 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged ...
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Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1492475 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rowena Harper. A Cappella,Barbershop,Contemporary,Pop. 6 pages. Rowena Harper #1069151. Published by Rowena Harper (A0.1492475). From the Barbie movie, this arrangement is a fun dance number. It features a bass solo as well as incrementally layered voice parts, building into the chorus. It should be a fun arrangement, which would also suit young singers due to the F-lowest bass part.Purchasing allows printing of one copy, and one copy per singer is required.Key: C minorRange (Lowest-Highest): Bass F3-F4, Baritone C4-C5, Lead C4-C5, Tenor A4-Eb5. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.)Contact: acappellatenor@gmail.com or on Facebook: Rowena Harper ArrangementsOriginal Song YouTube Link https://www.youtube.com/watch?v=OiC1rgCPmUQ.
$2.99
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