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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
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BASSE
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PIANO & CLAVIERS
Piano, Voix
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13
Piano, Voix et Guitare
12
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5
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3
Instruments en Do
2
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GUITARES
Guitare (partie séparée)
37
Basse electrique
5
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4
Ligne De Mélodie, (Paroles) et Accords
4
Basse électrique (partie séparée)
1
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Chorale SATB
105
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12
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6
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5
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2
Soli, choeur mixte et accompagnement
1
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1
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1
Chorale
1
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187
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58
Flute (partie séparée)
14
Clarinette (partie séparée)
10
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6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette et Piano
4
Quatuor de Saxophones: 4 saxophones
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte traversière et Piano
2
Ensemble de Clarinettes
2
Flûte, Trombone (duo)
1
2 Saxophones (duo)
1
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Tenor et Piano
1
Clarinette Basse, Piano
1
Ensemble à vent
1
Flûte traversière
1
Ensemble de Flûtes
1
Hautbois, Piano (duo)
1
Saxophone Tenor
1
Ensemble de saxophones
1
Saxophone Baryton, Piano
1
Hautbois (partie séparée)
1
Flûte, Violoncelle, Piano (trio)
1
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CUIVRES
Quatuor de cuivres: 4 trombones
263
Trombone (partie séparée)
263
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
194
Bass Clef Instruments
160
Quatuor de Cuivres : 2 trompettes, trombone, tuba
76
Trompette (partie séparée)
72
Trombone et Piano
71
Ensemble de Trombones
54
Trombone basse
50
Trombone
41
Trombone basse et Piano
41
2 Trombones (duo)
39
3 Trombones (trio)
29
Trompette, Basson (duo)
26
Trio de Cuivres
20
Quatuor de Cuivres
18
Trompette, Trombone (duo)
15
Tuba et Piano
10
Euphonium, Tuba (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor (partie séparée)
7
Tuba et Orgue
6
Quatuor de cuivres: 4 cors
5
Tuba (partie séparée)
5
Trompette, Euphonium (duo)
3
Tuba
3
Trombone, Tuba (duo)
2
Trompette, Piano
2
Trombone et orchestre
2
Cor et Piano
2
Trombone, Cor (duo)
2
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette
2
3 Trompettes (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
Euphonium
1
Cor, Trompette, Trombone (trio)
1
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CORDES
Contrebasse (partie séparée)
96
2 Violoncelles (duo)
8
Violon et Piano
4
Violoncelle, Piano
4
Violon (partie séparée)
3
Alto, Piano
2
Contre Basse
2
Violon
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Violoncelle (partie séparée)
1
Violoncelle
1
2 Contrebasses (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1125
Orchestre
569
Ensemble Jazz
386
Ensemble de cuivres
188
Fanfare
100
Jazz combo
84
Orchestre de chambre
50
Batterie (partie séparée)
12
Big band
9
Ensemble de Percussions
9
Batterie
9
Orchestre à Cordes
7
Ensemble d'École
5
Percussion (partie séparée)
4
Cloches
3
Piano et Orchestre
2
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AUTRES
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1 Bass Trombone
Basson
Partitions à imprimer
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1
Long Ago and Far Away: Bassoon
Basson
Bassoon - Digital Download SKU: AX.00-PC-0014967_B1 Bassoon. Composed by Jer…
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Bassoon - Digital Download SKU: AX.00-PC-0014967_B1 Bassoon. Composed by Jerome Kern. Arranged by Mark Hayes. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014967_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014967_B1). UPC: 038081399478.This popular song from the 1944 film Cover Girl has been recorded by tons of popular artists from Gene Kelly to Rod Stewart. Just listen as Mark Hayes puts his special signature touch on his richly-orchestrated arrangement. Parts include Score, Flute, Oboe, Clarinet, Bassoon, Horns in F 1 and 2, Trumpet 1, Trumpets 2 and 3, Trombones 1 and 2, Bass Trombone, Tuba, Pitched Percussion (Bells), Non-Pitched Percussion (Sus. Cymbal, Mark Tree), Harp, Piano, Electric Guitar, Bass/Drums, Violin 1, Violin 2, Viola, Cello, Double Bass.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.69 €
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Basson
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Jerome Kern
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Mark Hayes
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Recorded Acc. Available.
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Long Ago and Far Away: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 1
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018908 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018908 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064763. Published by Benjamin Sajo (A0.1018908). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Basson
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 1
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 2
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018909 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018909 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064765. Published by Benjamin Sajo (A0.1018909). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Basson
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 2
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Benjamin Sajo
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble - Bassoon 2
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.567876 Composed by Thomas Graf. A…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.567876 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Individual part. 8 pages. Thomas Graf - the-hit-factory.com #1986057. Published by Thomas Graf - the-hit-factory.com (A0.567876). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00
2.69 €
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Basson
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble - Bassoon 2
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Basson
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser.…
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Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.48 €
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Basson
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Slide Ride
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SheetMusicPlus
Grand March (Aida) - Giuseppe Verdi (Trombone)
Basson
Bassoon Solo - Level 1 - Digital Download SKU: A0.1295183 Composed by Giuseppe Verd…
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Bassoon Solo - Level 1 - Digital Download SKU: A0.1295183 Composed by Giuseppe Verdi. Arranged by Digital Book Music. Classical. Individual part. 1 pages. Digital Book Music #885504. Published by Digital Book Music (A0.1295183). Grand March (Aida) - Giuseppe Verdi (Trombone).
$2.99
2.68 €
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Basson
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Giuseppe Verdi
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Digital Book Music
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Grand March
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Digital Book Music
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Basson
Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harr…
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Basson
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bassoon 1
Basson
Bassoon Solo - Level 5 - Digital Download SKU: A0.1018880 Composed by Benjamin Harr…
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1018880 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056089. Published by Benjamin Sajo (A0.1018880). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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Basson
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bassoon 1
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Benjamin Sajo
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SheetMusicPlus
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