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2 Violoncelles (duo)
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5
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Harpe, Voix
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2 Violons, Piano
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Alto et Harpe
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Violoncelle , Guitare (duo)
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Trio à cordes: 3 violins
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2 Harpes (duo)
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Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
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Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
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4 Violoncelles
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Contre Basse
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Orchestre d'harmonie
178
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139
Orchestre
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5
Fanfare
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AUTRES
Vous avez sélectionné:
Here With Me
Basson
Partitions à imprimer
7 partitions trouvées
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1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Basson
Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harr…
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Basson
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
When I Get There
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1199218 By Pink. By Amy Wadge and…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1199218 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #798287. Published by Samuel Sequeira (A0.1199218). When I Get There - Pink - BassoonPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for solo bassoon in the key of D Major.The bassoon part has been meticulously crafted to include the vocal melody while also showcasing the beauty and versatility of the instrument. Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play.Whether you're a bassoonist looking to perform the song solo or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.61 €
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Basson
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harr…
(+)
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
All Too Well
Basson
Bassoon Solo - Level 1 - Digital Download SKU: A0.1208014 By Taylor Swift. By Liz R…
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Bassoon Solo - Level 1 - Digital Download SKU: A0.1208014 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Valdir Maia. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Valdir Maia #806141. Published by Valdir Maia (A0.1208014). All Too Well, by Taylor Swift in an arrangement for BASSOON.You can find this arrangement in three versions:> INSTRUMENT SOLO + CHORDS> INSTRUMENT WITH PIANO ACCOMPANIMENT> INSTRUMENT WITH PIANO ACCOMPANIMENT + CHORDSCheck out my catalogue and find the best sheet music for you.You also can see my work on youtube.com/@easysheetmusic and see the video score and play along.Come on and follow me there! =).
$4.99
4.61 €
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Basson
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Taylor Swift
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Valdir Maia
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All Too Well
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Valdir Maia
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SheetMusicPlus
Star Trek: The Next Generation Main Title - Bassoon Solo
Basson
Bassoon - Intermediate - Digital Download By Jerry Goldsmith, Alexander Courage. Arra…
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Bassoon - Intermediate - Digital Download By Jerry Goldsmith, Alexander Courage. Arranged by JoLaYo. Individual Part, Solo Part. 4 pages. Published by Josiah Yowell
This is a Bassoon Solo arrangement of the TV Show song "Main Title" from Star Trek: The Next Generation by Jerry Goldsmith and Alexander Courage. I have included musical directional guidance such as dynamics, expression markings, etc. These help the performer play it with as much ease as possible while being faithful to the original song!<br> <br> As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements! Also, if there is anything you dislike about the arrangement, or edits you believe are necessary, I will definitely consider adding them/updating the arrangement if you contact me!<br> Email me at: sebbyomusic@gmail.com
$4.99
4.61 €
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Basson
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Jerry Goldsmith, Alexander Courage
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JoLaYo
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Star Trek: The Next Generation Main Title - Bassoon Solo
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Josiah Yowell
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SheetMusicPlus
Star Trek: Picard Main Title - Bassoon Solo
Basson
Bassoon - Early Intermediate - Digital Download By Jeff Russo, Jay Chataway, Jerry Go…
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Bassoon - Early Intermediate - Digital Download By Jeff Russo, Jay Chataway, Jerry Goldsmith. Arranged by JoLaYo. Individual Part, Solo Part. 3 pages. Published by Josiah Yowell
This is a Bassoon Solo arrangement of the TV Show song "Main Title" from Star Trek Picard by Jeff Russo, Jay Chataway, and Jerry Goldsmith. I have included musical directional guidance such as dynamics, expression markings, etc. These help the performer play it with as much ease as possible while being faithful to the original song!<br> <br> As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements! Also, if there is anything you dislike about the arrangement, or edits you believe are necessary, I will definitely consider adding them/updating the arrangement if you contact me!<br> Email me at: sebbyomusic@gmail.com
$4.99
4.61 €
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Basson
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Jeff Russo, Jay Chataway, Jerry Goldsmith
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JoLaYo
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Star Trek: Picard Main Title - Bassoon Solo
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Josiah Yowell
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SheetMusicPlus
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