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Amazin Grace
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34
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84
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19
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5
1 Piano, 4 mains
4
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3
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2
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1
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1
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1
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1
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1
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8
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19
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6
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3
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3
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3
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2
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2
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2
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2
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2
Clarinette
2
Flûte, Clarinette, Piano (trio)
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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15
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7
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4
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3
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3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
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3
Trombone
2
Tuba et Piano
2
3 Trompettes (trio)
1
Trompette
1
3 Trombones (trio)
1
Cor
1
Trompette, Trombone (duo)
1
+ 9 instrumentations
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17
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7
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7
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5
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5
4 Violoncelles
3
Alto seul
2
2 Violons (duo)
2
Violoncelle
1
Harpe, Voix
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 9 instrumentations
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5
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3
Ensemble de cuivres
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2
Orchestre à Cordes
2
Ensemble Jazz
2
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
Amazin Grace
avancé
Chorale 3 parties
Partitions à imprimer
5 partitions trouvées
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Blessed Assurance (with “Amazing Grace”) SSA Choir, Piano Accompaniment
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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John Newton, Music: Phoebe P
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Cathy Stamegna
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Blessed Assurance
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Cathy Stamegna
#
SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.1114125 Composed by John Newton, Music: Phoebe P. Knapp, Traditional American Melody, and Words: Frances J. Crosb...
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Choral Choir (SSA) - Level 4 - SKU: A0.1114125 Composed by John Newton, Music: Phoebe P. Knapp, Traditional American Melody, and Words: Frances J. Crosby. Arranged by Cathy Stamegna. Christian,Contest,Festival,Praise & Worship,Sacred,Traditional. Octavo. 14 pages. Cathy Stamegna #716053. Published by Cathy Stamegna (A0.1114125). Two beloved hymns unite in this nearly six-minute performance. Blessed Assurance, with a 12/8 Gospel feel, transitions to Amazing Grace with tranquil harmonies in 3/4. A modulation from D Major to Ab Major hails a triumphant return of the refrain of Blessed Assurance and eventually pairs the hymns toward a surprisingly quiet ending. Appropriate for a prelude, offertory, concert finale. Will heighten any worship service. Performance Time: approx. 5:47.
$2.25
Blessed Assurance (with “Amazing Grace”) TTB Choir, Piano Accompaniment
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Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
John Newton, Music: Phoebe P
#
Cathy Stamegna
#
Blessed Assurance
#
Cathy Stamegna
#
SheetMusicPlus
Choral Choir (3-Part) - Level 4 - SKU: A0.1114126 Composed by John Newton, Music: Phoebe P. Knapp, Traditional American Melody, and Words: Frances J. Cr...
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Choral Choir (3-Part) - Level 4 - SKU: A0.1114126 Composed by John Newton, Music: Phoebe P. Knapp, Traditional American Melody, and Words: Frances J. Crosby. Arranged by Cathy Stamegna. Christian,Contest,Festival,Praise & Worship,Sacred,Traditional. Octavo. 14 pages. Cathy Stamegna #716054. Published by Cathy Stamegna (A0.1114126). Two beloved hymns unite in this nearly six-minute performance. Blessed Assurance, with a 12/8 Gospel feel, transitions to Amazing Grace with tranquil harmonies in 3/4. A modulation from D Major to Ab Major hails a triumphant return of the refrain of Blessed Assurance and eventually pairs the hymns toward a surprisingly quiet ending. Appropriate for a prelude, offertory, concert finale. Will heighten any worship service. Performance Time: approx. 5:47.
$2.25
Blessed Assurance (with “Amazing Grace”) SAB Choir, Piano Accompaniment
#
Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
John Newton, Music: Phoebe P
#
Cathy Stamegna
#
Blessed Assurance
#
Cathy Stamegna
#
SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1114124 Composed by John Newton, Music: Phoebe P. Knapp, Traditional American Melody, and Words: Frances J. Crosb...
(+)
Choral Choir (SAB) - Level 4 - SKU: A0.1114124 Composed by John Newton, Music: Phoebe P. Knapp, Traditional American Melody, and Words: Frances J. Crosby. Arranged by Cathy Stamegna. Christian,Contest,Festival,Praise & Worship,Sacred,Traditional. Octavo. 14 pages. Cathy Stamegna #716052. Published by Cathy Stamegna (A0.1114124). Two beloved hymns unite in this nearly six-minute performance. Blessed Assurance, with a 12/8 Gospel feel, transitions to Amazing Grace with tranquil harmonies in 3/4. A modulation from D Major to Ab Major hails a triumphant return of the refrain of Blessed Assurance and eventually pairs the hymns toward a surprisingly quiet ending. Appropriate for a prelude, offertory, concert finale. Will heighten any worship service. Performance Time: approx. 5:47.
$2.25
Amazing Grace
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
John Coates, Jr
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Maurizio Chiavaroli
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Amazing Grace
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Maurizio Chiavaroli
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.790663 Composed by John Coates, Jr. and Traditional American Melody. Arranged by Maurizio Chiavaroli. Contemporar...
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Choral Choir (SSA) - Level 4 - SKU: A0.790663 Composed by John Coates, Jr. and Traditional American Melody. Arranged by Maurizio Chiavaroli. Contemporary. Octavo. 5 pages. Maurizio Chiavaroli #4841121. Published by Maurizio Chiavaroli (A0.790663). Arrangiamento per 2 soprani, contralto e pianoforteArrangement for 2 soprano voice, alto voice and piano.
$5.99
How Tedious and Tasteless the Hours (SSA trio)
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Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Early American Tune
#
Richard Joseph Barber
#
How Tedious and Tasteless the
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Barber Music Company
#
SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.915697 Composed by Early American Tune. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred,Spiritua...
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Choral Choir (SSA) - Level 4 - SKU: A0.915697 Composed by Early American Tune. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred,Spiritual. Octavo. 7 pages. Barber Music Company #3879693. Published by Barber Music Company (A0.915697). This piece lasts two minutes and nineteen seconds. John Newton, 1725 - 1807, author of Amazing Grace, also wrote, How Tedious and Tasteless the Hours. The hymn tune is GREEN FIELDS, and depending on the hymnal or other source in which you find it, opinions vary about who originally composed it. Most, I believe, will call it an Early American Melody, but some attribute it to J. S. Bach, and say that it is found in his Peasant Cantata. However, I listened to the entire Peasant Cantata recently to see if that true, and, although I did hear fragments in one aria that sounded reminiscent of GREEN FIELDS, it seems a bit of a stretch to me to say that the hymn tune has its original version in Bach's cantata. If someone can point me to the portion of the cantata where Bach gives us a clearly identifiable early version, I would be very appreciative. Bach is essentially my favorite composer, and I wouldn't mind attributing the origin of this and many other great melodies to him. -Richard Barber
$3.50
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Amazin Grace
