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--INSTRUMENTS--
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Can\\\'t Believe
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58
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56
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24
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17
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5
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3
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3
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1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
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33
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13
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7
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5
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2
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18
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8
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7
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6
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5
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3
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1
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1
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1
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1
Voix duo, Piano
1
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24
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13
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1
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1
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1
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1
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1
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1
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1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
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1
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1
Hautbois, Basson (duo)
1
Saxophone Alto et Piano
1
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1
Flûte, Saxophone (duo)
1
Clarinette et Alto
1
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12
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7
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1
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1
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1
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1
Trompette
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5
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3
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3
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3
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2
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Violon
2
2 Altos (duo)
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
Alto seul
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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14
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9
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4
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3
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3
Jazz combo
2
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1
Ensemble de Percussions
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Can\\\'t Believe
Chorale 3 parties
Partitions à imprimer
7 partitions trouvées
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They Didn’t Believe Me (TTB, a cappella)
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Herbert Reynolds and Jerome D
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Cathy Stamegna
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They Didn’t Believe Me
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (3-Part) - Level 4 - SKU: A0.1076271 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Conte...
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Choral Choir (3-Part) - Level 4 - SKU: A0.1076271 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Wedding. Octavo. 8 pages. Cathy Stamegna #680426. Published by Cathy Stamegna (A0.1076271). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Performance Time: approx. 2:35.
$2.25
They Didn’t Believe Me (SAB, a cappella)
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Herbert Reynolds and Jerome D
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Cathy Stamegna
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They Didn’t Believe Me
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1076273 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,...
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Choral Choir (SAB) - Level 4 - SKU: A0.1076273 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Wedding. Octavo. 8 pages. Cathy Stamegna #680428. Published by Cathy Stamegna (A0.1076273). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Performance Time: approx. 2:35.
$2.25
Ani Ma'amin (I Believe) (Tenor solo with SAB)
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Chorale 3 parties
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FACILE
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Stephen DeCesare
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Ani Ma'amin
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Exultet Music
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1138286 By Stephen DeCesare. By Stephen DeCesare. 20th Century,Contemporary,Jewish,Multicultural,Sacred,World. Oc...
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Choral Choir (SAB) - Level 2 - SKU: A0.1138286 By Stephen DeCesare. By Stephen DeCesare. 20th Century,Contemporary,Jewish,Multicultural,Sacred,World. Octavo. 14 pages. Exultet Music #738556. Published by Exultet Music (A0.1138286). The words that were sung by dozens of Jews as they marched into the gas chambers combined with the words that were scratched into a wall at Auschwitz: I believe in the sun even when it’s not shining. I believe in love even when I don’t feel it. I believe in God even when He is silent. comprise this haunting and beautiful song. Can be used for Holocaust Remembrance Day services or in a concert setting. Scored for Tenor Solo, Violin, SAB and Piano.
$3.99
I Don't Have a Star (Soprano Solo, SAA Choir, and Piano)
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Chorale 3 parties
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INTERMÉDIAIRE
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Jayne Nitz
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I Don't Have a Star
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Jayne Nitz
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SheetMusicPlus
Choral Choir (SAA) - Level 3 - SKU: A0.922893 Composed by Jayne Nitz. Christian,Christmas,Contemporary. Octavo. 10 pages. Jayne Nitz #6434297. Published...
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Choral Choir (SAA) - Level 3 - SKU: A0.922893 Composed by Jayne Nitz. Christian,Christmas,Contemporary. Octavo. 10 pages. Jayne Nitz #6434297. Published by Jayne Nitz (A0.922893). We weren’t there when Jesus was born; we haven’t seen the stable or the star, but through his Word God gives us faith to believe that it happened. This song is intended for a youth choir of solo soprano accompanied by SAA voices. The backing vocals can be as small as a trio, but the solo should remain a solo. Includes reproducible lyric sheet.Fitting for: Christmas, Epiphany
$1.99
The Glorious Day
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Chorale 3 parties
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Christian contemporain
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Musique Sacrée
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Jane Dang
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The Glorious Day
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Jane Dang
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SheetMusicPlus
Choral Choir (SAB) - SKU: A0.922168 Composed by Jane Dang. Christian,Contemporary,Easter. Octavo. 10 pages. Jane Dang #5372953. Published by Jane Dang (...
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Choral Choir (SAB) - SKU: A0.922168 Composed by Jane Dang. Christian,Contemporary,Easter. Octavo. 10 pages. Jane Dang #5372953. Published by Jane Dang (A0.922168). An easy choir piece for Easter! What is the difference between my God and Buddha? What makes my atheistic friends believe Jesus is God? Jesus is not dead like all the other gods! His resurrection, the evidence of His victory over the power of sin, gives the unbeliever hope of eternal life and the believer hope of glorification. All the toils and loss of this life can turn to abundant joy if we choose to meditate on the truth that Christ lives in our heart. And isn’t it true that the only right response to Christ’s resurrection is to give your life as a living sacrifice to Him every moment?Slowly they traveled to the tomb. Grief hangs as black as deepest night. They have come to mourn Jesus’s death; But the dark is shattered by light! Chorus: Jesus lives what a glorious day! Jesus lives why do you still weep? God is here! Christ arose, and He dwells with you. Give your life to honor His name! Death claims a soldier of the cross. Don’t weep as though it were the end. Comfort draws from words filled with hope. You will meet your loved ones again. Christ will return in glorious light. Angels and men will join to sing. All our griefs are slain by delight. When the Lord is crowned as our King.
$2.50
How Tedious and Tasteless the Hours (SSA trio)
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Early American Tune
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Richard Joseph Barber
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How Tedious and Tasteless the
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Barber Music Company
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.915697 Composed by Early American Tune. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred,Spiritua...
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Choral Choir (SSA) - Level 4 - SKU: A0.915697 Composed by Early American Tune. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred,Spiritual. Octavo. 7 pages. Barber Music Company #3879693. Published by Barber Music Company (A0.915697). This piece lasts two minutes and nineteen seconds. John Newton, 1725 - 1807, author of Amazing Grace, also wrote, How Tedious and Tasteless the Hours. The hymn tune is GREEN FIELDS, and depending on the hymnal or other source in which you find it, opinions vary about who originally composed it. Most, I believe, will call it an Early American Melody, but some attribute it to J. S. Bach, and say that it is found in his Peasant Cantata. However, I listened to the entire Peasant Cantata recently to see if that true, and, although I did hear fragments in one aria that sounded reminiscent of GREEN FIELDS, it seems a bit of a stretch to me to say that the hymn tune has its original version in Bach's cantata. If someone can point me to the portion of the cantata where Bach gives us a clearly identifiable early version, I would be very appreciative. Bach is essentially my favorite composer, and I wouldn't mind attributing the origin of this and many other great melodies to him. -Richard Barber
$3.50
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Can\\\'t Believe
