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TRI ET FILTRES

Tri et filtres :

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Non classifié 31

PIANO & CLAVIERS

Piano Facile 128 Piano seul 44 Instruments en Do 4 Piano, Voix et Guitare 2 Piano, Voix 1

1 Piano, 4 mains 1

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GUITARES

Guitare notes et tablatures 2 Guitare 1 2 Guitares (duo) 1

VOIX

Chorale SATB 3 Chorale 3 parties 2 Chorale SSAA 1 Chorale 2 parties 1

VENTS

2 Clarinettes (duo) 4 2 Flûtes traversières (duo) 3 Flûte, Hautbois, Clarinette (trio) 3 Saxophone Tenor et Piano 1 Clarinette 1

Flûte, Hautbois, Clarinette, Basson 1 Flûte traversière 1 Quatuor de Flûtes : 4 flûtes 1 2 Saxophones (duo) 1

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CUIVRES

Trombone 3 Ensemble de Trombones 1 Trombone, Tuba (duo) 1 Trompette 1

CORDES

Harpe 6 Violoncelle 4 2 Harpes (duo) 3 Quatuor à cordes: 2 violons, alto, violoncelle 3 Violon et Piano 2

Alto, Piano 2 Violoncelle, Piano 2 2 Violons (duo) 1 Contre Basse 1 2 Altos (duo) 1 Contrebasse, Piano (duo) 1 Ensemble de Violoncelles 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 5 Batterie 4 Orchestre 4 Cloches 2 Ensemble de Percussions 1

Ensemble de cuivres 1

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AUTRES

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dynamics are not included

Chorale 3 parties

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2 partitions trouvées

The Way We Meet

Chorale 3 parties

Choral Choir,Choral,SSA Chorus - Level 4 - Digital Download SKU: A0.1423515 Compose…(+)

Choral Choir,Choral,SSA Chorus - Level 4 - Digital Download SKU: A0.1423515 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Multicultural,Spiritual,World. 12 pages. Adrienne Inglis (ASCAP) #1004756. Published by Adrienne Inglis (ASCAP) (A0.1423515). An English/Ojibwe poem that invites us to meet one another to be at peace in our heartsThe Way We Meet (2024)SSA (some divisi) and pianoCommissioned by Inversion Da Capo for Inversion at the LibraryText — “The Way We Meet” by Margaret Noodin from Weweni published by Wayne State University PressDuration — about 6:40Difficulty 4 (Auditioned chorus)Language — English with one Ojibwe word, pronunciation guide includedCommissioned by Inversion Da Capo for its Inversion at the Library concert in April 2024, The Way We Meet (2024) sets excerpts from the poem of the same name by Margaret Noodin from her book of bilingual Anishinaabemowin/English poetry, Weweni. The narrative spans the creation arc, from the beginning of time through the emergence of organisms and proliferation of species. The challenge we face is living together peacefully with all beings in order to leave behind a legacy of understanding and love. The piece opens with a bit of an uncomfortable pentatonic scale and haunting vocal solos, followed by G minor pentatonic with a tenacious rhythmic ostinato, closing with rich divisi harmonies and aleatoric texture.Soloists may shape the unmetered solos as they wish. Singers may spread the glissandi evenly over the duration of the note. In choral ad lib sections, you may stagger your entrances and shape the musical arc by varying note order, dynamics, duration of notes, number of singers, and frequency, not pointillistic but expressive. In piano ad lib sections, you may play the indicated notes in a pointillistic style, scrambling the order of pitches to create a celestial soundscape over the held chord. All ad lib sections may take about 10-15” but shorter or longer is fine.

$2.99 2.74 € #Chorale 3 parties #Adrienne Inglis #The Way We Meet #Adrienne Inglis #SheetMusicPlus

Born To Be Yours

Chorale 3 parties

Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1279417 By Imagine Dragons …(+)

Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1279417 By Imagine Dragons feat. Kygo. By Ben McKee, Dan Reynolds, Daniel Platzman, Kyrre Gorvell-Dahll, and Wayne Sermon. Arranged by Julian Hay. 21st Century,A Cappella,Contemporary,Pop,Rock. Octavo. 8 pages. Julian Hay #870899. Published by Julian Hay (A0.1279417). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, for one of our Junior Ensembles. It is fun and catchy and features a Vocal Percussion part (Beatboxing).VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. The Vocal Percussion (Beatboxing) should be a feature, and they provide the arrangement with much of the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).RHYTHM & BASS:This Beatboxing part is suitable for medium level vocal percussionists, and is made up of groupings of patterns. Specific Beatboxing notes are included in their own section.If your ensemble is without a lower voice or a beatboxer you could consider the following options.- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentIf using clicks or claps, do so on the off beats (2 and 4).PERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E. Â hello@voicesco.nzW. Â www.voicesco.nz.

$2.49 2.28 € #Chorale 3 parties #Imagine Dragons feat #Julian Hay #Born To Be Yours #Julian Hay #SheetMusicPlus