Partitions Numériques de An pour Chorale SSAATTBB

An

Scel lem duib (Downloadable Choral Score)
Chorale SSAATTBB

SSAATTBB choir unaccompanied, optional harp - Medium - Digital Download SKU: MQ.1.3470-…(+)

SSAATTBB choir unaccompanied, optional harp - Medium - Digital Download SKU: MQ.1.3470-E Composed by Tawnie Olson. National Collegiate Choral Organization Choral Series. Secular, 20th Century. Instrument part. 41 pages. Duration 6 minutes, 40 seconds. Galaxy Music Corporation - Digital #1.3470-E. Published by Galaxy Music Corporation - Digital (MQ.1.3470-E). UPC: 600313134708. Irish.I bring you tidings; the stag bells; winter pours. The text is in Irish, depicting a catalog of winter images which are reflected in the music-- at times brittle, cold, and stark, yet beautiful. A challenging piece in a contemporary idiom using aleatoric techniques, wind sounds, imitation, and an impressive range of textures and expression. For eight part chorus with harp accompaniment. Duration: 6:40.
$6.80 6.29 € #Chorale SSAATTBB #Tawnie Olson #the stag bells #Scel lem duib #Galaxy Music Corporation - Digital #SheetMusicPlus

Des Abends, da kann ich nicht schlafen gehn

Des Abends, da kann ich nicht schlafen gehn
Chorale SSAATTBB

Mixed choir (SSAATTBB) - intermediate - Digital Download SKU: S9.Q6651 Composed by …(+)

Mixed choir (SSAATTBB) - intermediate - Digital Download SKU: S9.Q6651 Composed by Guido Heidloff. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q6651. Published by Schott Music - Digital (S9.Q6651). German.Hochromantische, als Dialog zwischen Frauen- und MÃ¤nnerchor angelegte Bearbeitung dieses unverbrauchten, stimmungsvollen Volksliedes. Der Bearbeiter war MitbegrÃ¼nder und langjÃ¤hriges Mitglied des Vokalensembles Singer Pur. Er unterrichtet heute an der Musikhochschule Hannover.
$3.99 3.69 € #Chorale SSAATTBB #Guido Heidloff #Des Abends, da kann ich nicht schlafen gehn #Schott Music - Digital #SheetMusicPlus

#Des Abends, da kann ich nicht schlafen gehn

Gegruesset seist du, Maria
Chorale SSAATTBB

Mixed choir (SSAATTBB) a cappella - intermediate - Digital Download SKU: S9.Q7169 (+)

Mixed choir (SSAATTBB) a cappella - intermediate - Digital Download SKU: S9.Q7169 FÃ¼r gemischten Chor (SSAATTBB) a cappella. Composed by Bertold Hummel. This edition: choral score. Schott Choral Music. Downloadable, choral score. Op. 97e, 1. Duration 4 minutes. Schott Music - Digital #Q7169. Published by Schott Music - Digital (S9.Q7169). German.Die Motette GegrÃ¼ÃŸet seist du, Maria komponierte Bertold Hummel am 20. Mai 1993 und widmete sie dem Gedenken seiner tief glÃ¤ubigen Schwester Erika. Mein Vater, der im selben Jahr auch das WÃ¼rzburger Brucknerfest mitbegrÃ¼ndete, verstand diese Motette bewusst auch als GruÃŸ an Anton Bruckner, dessen berÃ¼hmtes 7-stimmiges Ave Maria er anklingen lÃ¤sst: Im ersten Abschnitt wÃ¤hlten beide Komponisten die GegenÃ¼berstellung von Ober- und Unterstimmen, und auf den Namen Jesus zitiert Bertold Hummel die brucknersche Schlusskadenz vor dem Amen. Im Jahr 1997 erstellte er nach dieser Vorlage eine lateinische Version. (C 53543)Der Text dieses sogenannten Englischen GruÃŸes basiert auf den Bibelstellen des Lukas-Evangeliums (Lk 1, 28b, 42) die sich im Laufe der Zeit um ZusÃ¤tze wie Jesus (14. Jh.) und die Anrufung Mariens (16. Jh.) erweiterten. Im Jahr 1568 erhielt er durch die Aufnahme in das Brevier Pius' V. offiziellen Gebetscharakter. Die hier vertonte deutsche Ãœbersetzung entspricht der seit 1968 gebrÃ¤uchlichen Ã¶kumenischen Fassung. Martin Hummel 2009.
$4.99 4.61 € #Chorale SSAATTBB #Bertold Hummel #Gegruesset seist du, Maria #Schott Music - Digital #SheetMusicPlus

Ave Maria
Chorale SSAATTBB

Mixed choir (SSAATTBB) a cappella - intermediate - Digital Download SKU: S9.Q7077 C…(+)

Mixed choir (SSAATTBB) a cappella - intermediate - Digital Download SKU: S9.Q7077 Composed by Bertold Hummel. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Op. 97e, 2. Duration 4 minutes. Schott Music - Digital #Q7077. Published by Schott Music - Digital (S9.Q7077). Latin.This Ave Maria is an arrangement made by Bertold Hummel in December 1997 of his motet GegrÃ¼ÃŸet seist du, Maria [Hail Maria] (C 53714) which he had composed on 20 May 1993 with a dedication in memory of his deeply religioues sister Erika. This Latin version was dedicated to the Cathedral Music Master Siegfried Koesler in Berold Hummel also co-founded the Bruckner Festival in WÃ¼rzburg together with Koesler and Erwin Horn, a specialist in the opening section of their sorks and Bertold Humme quotes Bruckner's final cadence on the name of Jesus prios to the Amen. The text of the so-called Angelic Salutaion is based on the Bible passages from the Gospel of St Luke (luke 1, 28b, 42) which was extended over the centuries with additions such as Jesus (14th century) and the Invocation to Mary. This text was included in the Breviary of Pope Pius V in 1568 which officially confirmed its status as a prayer.
$4.99 4.61 € #Chorale SSAATTBB #Bertold Hummel #Ave Maria #Schott Music - Digital #SheetMusicPlus

Mixed chorus (SSAATTBB) with soloists - intermediate - Digital Download From A Child of Our Time. Composed by Sir Michael Tippett (1905-1998). This edition: choral score. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19288. Published by Schott Music - Digital
English.<br> <br> These five spirituals for unaccompanied chorus, despite the occasional appearance of complexity are basically simple: the harmony, indeed, is of the simplest possible. The apparent complexity arises primarily from the number of parts, which are not however all real parts. These, in fact, seldom comprise more than the traditional four. Lines are frequently doubled at the octave, rather in the manner of organ registration, so that the chorus needs to be thought of as an organ-like body producing a homogeneous sound at many levels of the chords and melodies. Thus, the numbers and even the kinds of voices needed to produce these chords and melodies in the most effective manner must be selected by the conductor from the whole body of the chorus according to the conditions of performance. Great latitude can be taken in this respect, even to the extent of using low female voices for the high registers of written tenor parts, or high male voices for the low registers of written alto parts, etc. The only parts which are strictly differentiated are those marked Leader. These should be an individual voice, standing out from the choir sufficiently to lead the singing, both in the words and in the music. They need not be soloists engaged from outside. If the spirituals are performed in this way the apparent complexity of certain printed pages will disappear. Any reasonably sized chorus with four good leaders can produce the effect required.