Partitions Numériques de BASS pour Chorale SSAATTBB

BASS

Nunc dimittis #Chorale SSAATTBB #AVANCÉ #Aribert Reimann #Nunc dimittis #Schott Music - Digital #SheetMusicPlus

Mixed choir (SSAATTBB), baritone and bassflute - difficult - SKU: S9.Q19289 Canticum Simeonis. Composed by Aribert Reimann. This edition: score. ...(+)

Mixed choir (SSAATTBB), baritone and bassflute - difficult - SKU: S9.Q19289 Canticum Simeonis. Composed by Aribert Reimann. This edition: score. Schott Chamber Choir. Downloadable, Score. Duration 10 minutes. Schott Music - Digital #Q19289. Published by Schott Music - Digital (S9.Q19289). German â€¢ Latin.

Ein Stundenbuch #Chorale SSAATTBB #AVANCÉ #Heinrich Poos #Ein Stundenbuch #Schott Music - Digital #SheetMusicPlus

Mixed choir (SSAATTBB), positive organ, cello and double bass - advanced to difficult - SKU: S9.Q46258 Fragmente einer groÃŸen Konfession. Comp...(+)

Mixed choir (SSAATTBB), positive organ, cello and double bass - advanced to difficult - SKU: S9.Q46258 Fragmente einer groÃŸen Konfession. Composed by Heinrich Poos. This edition: score. Downloadable, Score. Duration 24 minutes. Schott Music - Digital #Q46258. Published by Schott Music - Digital (S9.Q46258). Latin â€¢ German.Heinrich PoosÂ´ Ein Stundenbuch is a contribution to the Luther Year 2017. Poos sets relevant passages from the Bible to music, such as Die Seligpreisungen for choir (SSAATTBB), positive organ, violoncello and double-bass. The eight movements, prologue and epilogue contain contemplative, agitated and bombastic passages. With Vater unser and a thunderous Amen, the work would be suitable for the second half of a concert.

Agnus Dei #Chorale SSAATTBB #AVANCÉ #Alwin Michael Schronen #Agnus Dei #Schott Music - Digital #SheetMusicPlus

Mixed choir (SSAATTBB) a cappella - advanced - SKU: S9.Q48010 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downl...(+)

Mixed choir (SSAATTBB) a cappella - advanced - SKU: S9.Q48010 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q48010. Published by Schott Music - Digital (S9.Q48010). Latin.Alwin Michael Schronen has long been known for his versatility and ability to compose works of varying degrees of difficulty. His setting of the Agnus Dei for eight-part mixed choir a cappella (SSAATTBB), which is more suitable for concert use despite the liturgical leaps in texture, represents a real, but extremely rewarding challenge for any concert choir. As it is bolero-like, this composition oozes completely split basses, therefore, providing an important, responsible foundation. The rest of the voices give this urgent, imploring character tonal repetitions, secondary parts, third-, fourth-, and fifths, as well as whispered or spoken passages to this extremely atmospheric piece of music. Eight parts, multiple key changes (F minor, F sharp minor, G minor) and the high note B'' in soprano 1, on which the longing for peace unloads, require an powerful and very intonationally-secure ensemble.

Libera me, Domine #Chorale SSAATTBB #AVANCÉ #Irina Rebhuna #Libera me, Domine #Schott Music - Digital #SheetMusicPlus

Mixed choir (SSAATTBB) - advanced - SKU: S9.Q46154 Composed by Irina Rebhuna. This edition: choral score. Distinguished Choral Music. Downloadable, Chor...(+)

Mixed choir (SSAATTBB) - advanced - SKU: S9.Q46154 Composed by Irina Rebhuna. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 4' 40. Schott Music - Digital #Q46154. Published by Schott Music - Digital (S9.Q46154). Latin.As a singing teacher, choir director and not least as a passionate professional choir singer, Irina Rebhuna is perfectly familiar with the possibilities of the human voice. And so it is hardly surprising that the Latvian musician born in 1988 has devoted herself especially to the composition of vocal music. Her sacred choral work Libera me, Domine for mixed a cappella choir (SSAATTBB) won the special prize for the 'best composition for 4-6 voices' at the International Composition Competition 'Musica Sacra Nova' 2016. This church music gem, in which the eponymous Gregorian chorale is intonated by one of the (two) bass baritone sections at the beginning â€“ over a musical tapestry woven by the remaining voices - and taken up again by all tenors at the end, is ideal for ambitious amateur choirs. The idea behind this work, says the composer, is 'the human reflection on the uncertain â€“ on death, on Judgment Day or on what is inexplicable to us. Such as humility, excitement, fear,and atonement. The chant ends without ending, there is no solution. Life goes on because we ask the following question again and again: What will happen next?'.