Partitions Numériques de parts pour Chorale SSAATTBB

parts

Agnus Dei #Chorale SSAATTBB #AVANCÉ #Alwin Michael Schronen #Agnus Dei #Schott Music - Digital #SheetMusicPlus

Mixed choir (SSAATTBB) a cappella - advanced - SKU: S9.Q48010 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downl...(+)

Mixed choir (SSAATTBB) a cappella - advanced - SKU: S9.Q48010 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q48010. Published by Schott Music - Digital (S9.Q48010). Latin.Alwin Michael Schronen has long been known for his versatility and ability to compose works of varying degrees of difficulty. His setting of the Agnus Dei for eight-part mixed choir a cappella (SSAATTBB), which is more suitable for concert use despite the liturgical leaps in texture, represents a real, but extremely rewarding challenge for any concert choir. As it is bolero-like, this composition oozes completely split basses, therefore, providing an important, responsible foundation. The rest of the voices give this urgent, imploring character tonal repetitions, secondary parts, third-, fourth-, and fifths, as well as whispered or spoken passages to this extremely atmospheric piece of music. Eight parts, multiple key changes (F minor, F sharp minor, G minor) and the high note B'' in soprano 1, on which the longing for peace unloads, require an powerful and very intonationally-secure ensemble.

Na poljach #Chorale SSAATTBB #AVANCÉ #Nikolai Andreyevich Roslavets #Na poljach #Schott Music - Digital #SheetMusicPlus

Mixed choir (SSAATTBB) - advanced - SKU: S9.Q7311 (In the Fields). Composed by Nikolai Andreyevich Roslavets. This edition: choral score. Schott ...(+)

Mixed choir (SSAATTBB) - advanced - SKU: S9.Q7311 (In the Fields). Composed by Nikolai Andreyevich Roslavets. This edition: choral score. Schott Choral Music. Le poÃ¨me Na poljach (Dans les champs) a Ã©tÃ© Ã©crit par le poÃ¨te russe Piotr Oreschin. Sans Ãªtre difficile Ã chanter, la piÃ¨ce produit son effet tant sur les interprÃ¨tes que sur l'auditoire. Downloadable, Choral score. Duration 2 minutes. Schott Music - Digital #Q7311. Published by Schott Music - Digital (S9.Q7311). Russian.In the days of Roslawez, the use of lyrical texts in Russian choral music was an exception. Traditionally, sacred liturgical texts were preferred in choral singing. Roslawez composed only a few choral works anyway, so this excellent cantabile piece is a real treasure. The poem 'Na poljach' (In the Fields) was written by the Russian poet Pyotr Oreshin. Little solo parts answered by the tutti, charming harmonies and a floating rhythm result in an Impressionist tonal image. The piece is quite easy to sing and will bring pleasure to both performers and listeners. Roslawez studied composition and violin in Moscow. He was among the leading figures of the musical scene in the 1920s. Treated more and more with hostility for political reasons and eventually barred from pursuing his career, he spent the last years of his life in poverty.

vergehn wie Rauch #Chorale SSAATTBB #AVANCÉ #Benjamin Schweitzer #vergehn wie Rauch #Schott Music - Digital #SheetMusicPlus

0 Â· 0 Â· 0 Â· 0 - 1 Â· 1 Â· 1 Â· 1 mixed choir (SSAATTBB), trumpet in Bb, horn in F, trombone and tuba - difficult - SKU: S9.Q17487 Mixe...(+)

0 Â· 0 Â· 0 Â· 0 - 1 Â· 1 Â· 1 Â· 1 mixed choir (SSAATTBB), trumpet in Bb, horn in F, trombone and tuba - difficult - SKU: S9.Q17487 Mixed choir (SSAATTBB) and optional brass quartet based on texts by German Baroque poets. Composed by Benjamin Schweitzer. This edition: score. Schott Chamber Choir. Downloadable, Score. Duration 16 minutes. Schott Music - Digital #Q17487. Published by Schott Music - Digital (S9.Q17487). German.The acerbic and bizarre opulence of Baroque lyrical poetry sets the tone for vergehn wie Rauch (vanish like smoke). The interlinked themes running through the poems, expressed with similar linguistic devices, enables the interlacing of the various texts. The choral timbre remains â€™intactâ€™ in the traditional sense of the term. An absence of spectacular effects focuses the attention on the fine-tuned differentiation in harmony, dynamics, vocal coupling and the textual structure in the individual vocal parts. The optional brass ensemble blends almost throughout with the choral texture: this enables vergehn wie Rauch to be performed a capella according to both the modern and original meanings of the term. Benjamin Schweitzer.