Partitions Numériques de How pour Chorale SSAATTBB

How

In the Name of Music (Downloadable)
Chorale SSAATTBB

SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download S…(+)

SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8747-E Composed by Robert Kyr. 15 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8747-E. Published by E. C. Schirmer Music Company - Digital (MQ.8747-E). English.Commissioned by the Radcliffe Choral Society and the Harvard-Radcliffe Collegium Musicum, this piece was created to celebrate the awakening and life-transforming power of music, as a force that enlivens and enlightens us. The original text is by the composer. Although the original was for women's chorus and mixed chorus, this version is for SSAATBB chorus alone. Extensive instructions are provided for the ethereal aleatoric section, addressing stage placement, dynamics, use of a solo group, and how the piece should end. Duration 4:40.
$2.85 2.61 € #Chorale SSAATTBB #Robert Kyr #In the Name of Music #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Yuku haru ya (Spring passes)
Chorale SSAATTBB

Mixed choir (SSAATTBB) a cappella - Digital Download SKU: S9.Q40354 Meditation a…(+)

Mixed choir (SSAATTBB) a cappella - Digital Download SKU: S9.Q40354 Meditation after BashÃ´. Composed by Ivan Bozicevic. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q40354. Published by Schott Music - Digital (S9.Q40354). Japanese.Ivan BoÅ¾iÄeviÄ‡, born in 1961, drew his inspiration for the eight-part meditation 'Yuku haru ya' from the famous haiku 'Departing Spring' by Matsuo BashÃ´. The secular a-cappella work for mixed choir is written in Japanese, yet the short text has been transliterated. This makes it easier to avoid the pitfalls of pronunciation as well as master the example words added to the sheet music edition which provide assistance of how to form vowels. Tone repetitions, sustained notes and subtle vocal sound layers make this Zen-like work on the parting of spring a charming, yet manageable piece even for young people. The jury of the International Competition for Choral Composition shared this view and gave the work the distinction 'Particularly suitable for youth choir' in 2013.
$4.99 4.58 € #Chorale SSAATTBB #Ivan Bozicevic #Yuku haru ya #Schott Music - Digital #SheetMusicPlus

Plainscapes
Chorale SSAATTBB

Mixed choir (SSAATTBB), violin and cello - difficult - Digital Download SKU: S9.Q20949(+)

Mixed choir (SSAATTBB), violin and cello - difficult - Digital Download SKU: S9.Q20949 Composed by Peteris Vasks. This edition: performance score. Schott Chamber Choir. Downloadable, Performance score. Duration 15 minutes. Schott Music - Digital #Q20949. Published by Schott Music - Digital (S9.Q20949). â€œThe beauty of the Latvian landscape inspired many of my works, for it has given me moments of exceptional happiness. The plains are a dominant feature of the Latvian countryside, a place where one can see the horizon and look at the stars in the sky. â€œPlainscapesâ€ is made up of three Vocalises separated by little interludes. The dynamic of this diatonic, meditative composition is piano almost throughout. At the end of the third Vocalise the mood changes, however. A growing crescendo leads to the climax - to the vision of Nature awakening.â€ (PeÂ¯teris Vasks).
$9.99 9.16 € #Chorale SSAATTBB #Peteris Vasks #Plainscapes #Schott Music - Digital #SheetMusicPlus

Plainscapes
Chorale SSAATTBB

Mixed choir (SSAATTBB), violin and cello - difficult - Digital Download SKU: S9.Q9130(+)

Mixed choir (SSAATTBB), violin and cello - difficult - Digital Download SKU: S9.Q9130 Composed by Peteris Vasks. This edition: score for voice and/or instruments. Schott Chamber Choir. Downloadable, Vocal and performing score. Duration 15 minutes. Schott Music - Digital #Q9130. Published by Schott Music - Digital (S9.Q9130). Vocalises.â€œThe beauty of the Latvian landscape inspired many of my works, for it has given me moments of exceptional happiness. The plains are a dominant feature of the Latvian countryside, a place where one can see the horizon and look at the stars in the sky. â€œPlainscapesâ€ is made up of three Vocalises separated by little interludes. The dynamic of this diatonic, meditative composition is piano almost throughout. At the end of the third Vocalise the mood changes, however. A growing crescendo leads to the climax - to the vision of Nature awakening.â€ (PeÂ¯teris Vasks).
$12.99 11.91 € #Chorale SSAATTBB #Peteris Vasks #Plainscapes #Schott Music - Digital #SheetMusicPlus

Hymn to the Creator of Light
Chorale SSAATTBB

Composed by John Rutter (1945-). Sheet music. 16 pages. Oxford University Press Digi…(+)

Composed by John Rutter (1945-). Sheet music. 16 pages. Oxford University Press Digital #9780193556270. Published by Oxford University Press Digital
ISBN 9780193556270.<br> <br> For double SATB choir unaccompanied. John Rutter wrote this anthem for the dedication of the Herbert Howells memorial window in Gloucester Cathedral in 1992. The first section is full of mystical intensity, and, with its iridescent chromatic harmonies is reminiscent of Howells's own music. After a more lively central section, the finale is ingeniously written and incorporates both the chorale melody and the opening motif.
$4.00 3.67 € #Chorale SSAATTBB #John Rutter (1945-) #Hymn to the Creator of Light #Oxford University Press Digital #SheetMusicPlus

Mixed chorus (SSAATTBB) with soloists - intermediate - Digital Download From A Child of Our Time. Composed by Sir Michael Tippett (1905-1998). This edition: choral score. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19288. Published by Schott Music - Digital
English.<br> <br> These five spirituals for unaccompanied chorus, despite the occasional appearance of complexity are basically simple: the harmony, indeed, is of the simplest possible. The apparent complexity arises primarily from the number of parts, which are not however all real parts. These, in fact, seldom comprise more than the traditional four. Lines are frequently doubled at the octave, rather in the manner of organ registration, so that the chorus needs to be thought of as an organ-like body producing a homogeneous sound at many levels of the chords and melodies. Thus, the numbers and even the kinds of voices needed to produce these chords and melodies in the most effective manner must be selected by the conductor from the whole body of the chorus according to the conditions of performance. Great latitude can be taken in this respect, even to the extent of using low female voices for the high registers of written tenor parts, or high male voices for the low registers of written alto parts, etc. The only parts which are strictly differentiated are those marked Leader. These should be an individual voice, standing out from the choir sufficiently to lead the singing, both in the words and in the music. They need not be soloists engaged from outside. If the spirituals are performed in this way the apparent complexity of certain printed pages will disappear. Any reasonably sized chorus with four good leaders can produce the effect required.