ISBN 9790577021201. 190 x 272 mm inches.

Now winter nights by British composer and baritone Roderick Williams uses an evocative poem by Thomas Campion as its text, helping him to pinpoint the excitement of Christmas he felt as a child, and still holds on to. Written for SSAATTBB unaccompanied choir, Now winter nights is suitable for choirs wanting a Christmas/Holiday treat but which requires a medium to higher level of skill. Commissioned by VOCES8 for their LIVE From London festival in 2020.

Mixed choir SSAATTBB - Advanced Intermediate - Digital Download

As performed and recorded by The Swingles. Arranged by Joanna Forbes L'Estrange. Score. 13 pages. Published by Joanna Forbes L'Estrange.

NEW from singer-songwriter Joanna Forbes L'Estrange (former soprano/MD of The Swingles). Jobim?s most popular song in a sexy, Swingles-style a cappella arrangement is now available for your choirs and a cappella groups to sing. Plenty of fun to be had imitating guitar, shaker, muted trumpets and double bass as well as singing in Portuguese and English! There?s also an opportunity for a singer to display his/her jazz scat solo skills.

Check out more of Joanna's compositions and arrangements at www.joannaforbeslestrange.com and follow L'Estrange Music on Facebook.

Latin.

Andrej Makor, currently a master student of composition at the Conservatorio Cesare Pollini in Padua, has already won numerous international composition prizes. The highly respected works by the artist born in Slovenia in 1987 are performed by renowned choirs, ensembles and soloists at prestigious competitions and festivals, among others. His composition O Emmanuel for which he was awarded the 2nd prize of the International Composition Competition 'Musica Sacra Nova' 2016 is based on the original Gregorian chant of the last of a total of seven so-called O antiphons which are sung at the seven Advent days with the Magnificat at Vespers in anticipation of Christmas Eve. Makor's score which follows the traditional motet form but is structured in a more modern form begins with the original Gregorian chorale. Its melody runs through various voice groupings in the course of the piece. In the concluding 'Domine Deus noster' whose pressing character becomes obvious in the constantly recurring triplet figurations of the middle parts, the work imbued with the idea of eternity reaches its extremely impressive climax.