Partitions Numériques de Where pour Contre Basse

Where

Perfect
Perfect #Contre Basse #INTERMÉDIAIRE/AVANCÉ #Pop musique #Ed Sheeran #Perfect #Music Geeks Sheets #SheetMusicPlus

Double Bass,String Bass Solo - Level 4 - SKU: A0.977622 By Ed Sheeran. By Ed Sheeran. Arranged by Music Geeks Sheets, Bertie Webb. Pop. Individual part....(+)

Double Bass,String Bass Solo - Level 4 - SKU: A0.977622 By Ed Sheeran. By Ed Sheeran. Arranged by Music Geeks Sheets, Bertie Webb. Pop. Individual part. 11 pages. Music Geeks Sheets #4615657. Published by Music Geeks Sheets (A0.977622). Full version of Ed Sheeranâ€™s Perfect arranged for solo double bass with piano accompaniment. This version is at the same pitch as the recording. You can play the bass part along to the original recording or any karaoke version in the correct key. Immediate PDF download with both parts (piano score) included. Original arrangement transcribed for Music Geeks Sheets. You wonâ€™t find this arrangement anywhere else! Weâ€™d love to hear your playing! Send us your recordings at www.musicgeekssheets.com

Double Bass,String Bass Solo - Level 4 - SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethovenâ€™s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove thatâ€™s just began to overflow its bubbles.â€ƒThe first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen Kingâ€™s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.â€ƒTaken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:â€ƒBenjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.