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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain Classical
Non classifié
271
Piano & claviers
Piano seul
236
1 Piano, 4 mains
50
2 Pianos, 4 mains
43
Piano, Voix
29
Orgue
8
Piano, Voix et Guitare
4
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
4
2 Pianos, 8 mains
3
1 Piano, 6 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
+ 11 instrumentations
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Guitares
Guitare
47
Guitare notes et tablatures
9
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Banjo
2
Ensemble de guitares
2
Ukulele
2
Mandoline, Piano (duo)
1
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
Orchestre à Plectres
1
Paroles et Accords
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
32
Voix haute
10
Voix Soprano, Piano
6
Voix basse, Piano
6
Voix Baryton, Piano
4
Voix Tenor, Piano
2
Chorale TTBB
2
Chorale 2 parties
1
+ 3 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Quatuor de Saxophones: 4 saxophones
19
Clarinette
18
Flûte traversière et Piano
17
Hautbois (partie séparée)
16
2 Flûtes traversières (duo)
16
Quatuor de Clarinettes: 4 clarinettes
11
Flûte traversière
10
Clarinette et Piano
9
Saxophone Alto et Piano
7
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
5
Flute (partie séparée)
4
Saxophone Tenor et Piano
4
2 Clarinettes (duo)
4
Ensemble de Clarinettes
4
Hautbois, Piano (duo)
4
Flûte, Hautbois, Clarinette, Basson
3
2 Saxophones (duo)
3
3 Clarinettes (trio)
3
Flûte et Guitare
3
Saxophone Alto
3
Flûte, Violon
2
Saxophone Baryton, Piano
2
Quintette de Saxophone: 5 saxophones
2
Ensemble de saxophones
2
Saxophone
2
Ocarina
1
Cor anglais, Piano
1
Saxophone Soprano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Saxophone (duo)
1
Saxophone et Guitare
1
2 Hautbois (duo)
1
Hautbois
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Flûte, Violon, Piano
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Ensemble de Flûtes
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Saxophone Baryton
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Saxophones (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Saxophone (partie séparée)
1
Piccolo
1
+ 48 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
98
Trombone et Piano
16
Trompette
11
2 Cors (duo)
11
Cor
11
Trombone
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor et Piano
7
Tuba
7
Quatuor de cuivres: 4 trombones
7
Tuba et Piano
7
Euphonium
6
Euphonium, Piano (duo)
5
Trombone basse
4
Trompette, Piano
3
Trompette, violon (duo)
3
Ensemble de Trombones
3
2 Trombones (duo)
3
3 Trombones (trio)
2
Trombone basse et Piano
2
Trompette (partie séparée)
2
Trombone (partie séparée)
1
Cor anglais, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Euphoniums
1
Cor Anglais
1
2 Trompettes (duo)
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
26
Violon
24
2 Violons (duo)
17
Violoncelle, Piano
16
Violon, Violoncelle (duo)
15
Alto, Piano
12
Violoncelle
11
Alto seul
7
2 Violoncelles (duo)
7
Violon, Alto (duo)
5
Contre Basse
5
Trio à Cordes: violon, alto, violoncelle
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
Harpe
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
2 Altos (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Alto et Harpe
1
4 Violoncelles
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
94
Orchestre d'harmonie
38
Orchestre à Cordes
28
Orchestre de chambre
28
Ensemble de cuivres
10
Ensemble Jazz
3
Marimba
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
+ 4 instrumentations
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--INSTRUMENTS--
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Vous avez sélectionné:
Ain Classical
expert
Contre Basse
Partitions à imprimer
5 partitions trouvées
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1
Winter Train
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Contre Basse
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AVANCÉ
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One Bass Project
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Winter Train
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Jose Peñarroja Pérez
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1164204 By One Bass Project. By Jose Peñarroja Pérez. Chamber,Classical,Pop,Rock. Individual part...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1164204 By One Bass Project. By Jose Peñarroja Pérez. Chamber,Classical,Pop,Rock. Individual part. 3 pages. Jose Peñarroja Pérez #764553. Published by Jose Peñarroja Pérez (A0.1164204). Winter Train is a piece for solo double bass that arises from the speed of spiccato along with the rhythm of the train. The treatment of some harmonies as well as the use of harmonic sounds, help us to delve into the cold winter landscape.Recorded in Palma on January 2023.
$5.25
Fauré,Massenet,Tchaikovsky,Giovanni Bottesini : Les plus beaux morceaux classiques à jouer à la contrebasse pour la Saint-Valentin, Difficile, Vol. 1
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Contre Basse
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AVANCÉ
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Classique
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Fauré,Massenet,Tchaikov
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Les plus beaux morceaux classi
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Tomplay
Telechargez la partition Contrebasse Les plus beaux morceaux classiques à jouer à la contrebasse pour la Saint-Valentin, Difficile, Vol. 1. Partit...
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Telechargez la partition Contrebasse Les plus beaux morceaux classiques à jouer à la contrebasse pour la Saint-Valentin, Difficile, Vol. 1. Partition pour Duo (Contrebasse-Piano) -- Classique
19.99€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings 
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Barber of Seville Overture for Bass Choir
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Contre Basse
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AVANCÉ
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Gioachino Rossini
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Graham Boag
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Barber of Seville Overture for
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Graham Boag
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.780025 Composed by Gioachino Rossini. Arranged by Graham Boag. Classical,Standards. Individual part. 66...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.780025 Composed by Gioachino Rossini. Arranged by Graham Boag. Classical,Standards. Individual part. 66 pages. Graham Boag #4613349. Published by Graham Boag (A0.780025). One of Rossini's most loved Opera's The Barber of Seville has stood the test of time and is as popular now as the day it was premiered in 1816. The overture is a popular concert item and it has been carefully arranged here for Double Bass Choir (Six players). It will most certainly be a challenge for all but a rewarding one none the less. I hope you enjoy playing it. .
$16.99
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