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5
Ensemble d'Altos
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Harpe, Violon (duo)
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4 Harpes
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4 Violoncelles
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Giovanni Bottesini : Concerto pour contrebasse n° 2 en si mineur - I. Allegro moderato
Contre Basse
Téléchargez la partition Contrebasse Concerto pour contrebasse n° 2 en s…
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Téléchargez la partition Contrebasse Concerto pour contrebasse n° 2 en si mineur - I. Allegro moderato de Giovanni Bottesini. Partition pour Contrebasse avec accomp. orchestre -- Classique
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Concerto pour contrebasse n°
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Tomplay
Giovanni Bottesini : Concerto pour contrebasse n° 2 en si mineur - II. Andante
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Téléchargez la partition Contrebasse Concerto pour contrebasse n° 2 en si mineur - II. Andante de Giovanni Bottesini. Partition pour Contrebasse avec accomp. orchestre -- Classique
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Giovanni Bottesini
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Concerto pour contrebasse n°
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Giovanni Bottesini : Concerto pour contrebasse n° 2 en si mineur - III. Finale. Allegro
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Téléchargez la partition Contrebasse Concerto pour contrebasse n° 2 en si mineur - III. Finale. Allegro de Giovanni Bottesini. Partition pour Contrebasse avec accomp. orchestre -- Classique
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Giovanni Bottesini
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Concerto pour contrebasse n°
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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Contre Basse
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Contre Basse
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Benjamin Harry Sajo
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Strings 
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Giovanni Bottesini, Nocturne, transcribed and edited by Klaus Stoll
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.892490 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.892490 Composed by Giovanni Bottesini. Arranged by Klaus Stoll. Romantic Period. Individual part. 14 pages. Mesa Music Publishing #5197883. Published by Mesa Music Publishing (A0.892490). This early Bottesini work in G minor for double bass and piano includes piano parts in both solo and orchestra tuning. The original manuscript is in B flat minor which means Bottesini tuned his bass up a minor third when performing this piece. The bass part is written as it sounds which requires the performer to play it up an octave.Includes piano parts in both solo and orchestra tuning.
$16.00
14.7 €
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Contre Basse
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Giovanni Bottesini
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Klaus Stoll
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Giovanni Bottesini, Nocturne, transcribed and edited by Klaus Stoll
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Mesa Music Publishing
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SheetMusicPlus
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