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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bee
Non classifié
500
Piano & claviers
Piano seul
523
Piano, Voix
145
Instruments en Do
25
Orgue
25
2 Pianos, 4 mains
10
1 Piano, 4 mains
10
Piano, Voix et Guitare
10
Accordéon
4
2 Pianos, 8 mains
3
Clavier
3
Piano Facile
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
36
Guitare notes et tablatures
18
2 Guitares (duo)
10
Mandoline, Piano (duo)
7
Orchestre à Plectres
4
Ukulele
3
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
3
Piano, Guitare (duo)
2
Banjo
2
4 Guitares (Quatuor)
1
+ 7 instrumentations
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Voix
Chorale SATB
47
Voix Soprano, Piano
13
Voix haute
12
Chorale TTBB
12
Chorale 3 parties
9
Chorale SSAA
8
Voix basse, Piano
6
Voix Alto, Piano
4
Voix duo, Piano
3
Voix Baryton, Piano
3
Voix basse
2
Chorale SSAATTBB
2
Chorale 2 parties
2
Voix Tenor, Piano
1
Voix, Guitare
1
Voix Tenor
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 13 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
38
Clarinette
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Saxophone
30
Flûte traversière et Piano
30
Clarinette et Piano
27
Flûte traversière
25
Quatuor de Clarinettes: 4 clarinettes
25
Flûte, Hautbois, Clarinette, Basson
18
Hautbois (partie séparée)
17
2 Flûtes traversières (duo)
17
Ensemble de Clarinettes
16
Quintette de Saxophone: 5 saxophones
14
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
11
3 Clarinettes (trio)
11
Ensemble de saxophones
10
Quatuor de Flûtes : 4 flûtes
9
2 Saxophones (duo)
8
Saxophone Soprano et Piano
7
Clarinette Basse, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte et Guitare
6
Flute (partie séparée)
5
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Alto
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois
3
Saxophone et Orgue
2
Ensemble de Flûtes
2
Flûte, Violon
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
2 Clarinettes (duo)
2
Flûte à bec Alto, Piano
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
Piccolo
1
Clarinette, Violon (duo)
1
Saxophone Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Flûte, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette
30
Cor
25
Tuba et Piano
23
Euphonium, Piano (duo)
22
Trombone
21
Ensemble de Trombones
18
Quatuor de cuivres: 4 trombones
16
Trompette, Piano
12
Cor et Piano
12
Ensemble de Trompettes
7
Tuba
6
2 Trombones (duo)
5
Trombone basse
5
Euphonium
4
Trombone basse et Piano
4
Trompette (partie séparée)
4
Quatuor de Cuivres
4
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Instruments en Sib
2
2 Trompettes (duo)
2
2 Tubas (duo)
2
Ensemble de Cors
2
Cor anglais, Piano
1
2 Euphoniums (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon
80
Violon et Piano
52
Violoncelle
43
Violoncelle, Piano
25
Alto, Piano
19
Alto seul
14
Harpe
12
2 Violons (duo)
11
Violon, Violoncelle (duo)
10
Contre Basse
10
Violon, Alto (duo)
9
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Trio à cordes
3
4 Violoncelles
3
2 Altos (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 violins
2
Ensemble d'Altos
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre
93
Orchestre à Cordes
60
Orchestre d'harmonie
45
Ensemble de cuivres
42
Ensemble Jazz
36
Orchestre de chambre
33
Jazz combo
7
Fanfare
4
Ensemble de Percussions
3
Piano et Orchestre
2
Cloches
2
+ 6 instrumentations
Retracter
Autres
Théorie de la musique
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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MANDOLINE
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--INSTRUMENTS--
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METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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Contre Basse
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Jazzy Beethoven Symphony 9 for Bass Duet
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Contre Basse
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Ellen Macpherson
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Jazzy Beethoven Symphony 9 for
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Ellen Macpherson
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.740693 Composed by Ludwig van Beethoven. Arranged by Ellen Macpherson. Concert,Instructional,Jazz. Indi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.740693 Composed by Ludwig van Beethoven. Arranged by Ellen Macpherson. Concert,Instructional,Jazz. Individual part. 2 pages. Ellen Macpherson #5777315. Published by Ellen Macpherson (A0.740693). Jazzy Bass Duet arranged by Ellen Macpherson.
$3.99
Beethoven : Traits d'orchestre, Symphonie n° 3, Op. 55 - II. Marche funèbre. Adagio assai (mes. 160-166)
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Contre Basse
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AVANCÉ
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Classique
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Beethoven
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Op. 55 - II. Marche funèbre. Adagio assai (mes. 160-166) de Beethoven. ...
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Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Op. 55 - II. Marche funèbre. Adagio assai (mes. 160-166) de Beethoven. Partition pour Avec accompagnement orchestre -- Classique
3.99€
Beethoven : Traits d'orchestre, Symphonie n° 3, Opus 55 - III. Allegro vivace (mes. 1-130)
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Contre Basse
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AVANCÉ
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Classique
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Beethoven
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Opus 55 - III. Allegro vivace (mes. 1-130) de Beethoven. Partition pour Avec a...
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Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Opus 55 - III. Allegro vivace (mes. 1-130) de Beethoven. Partition pour Avec accompagnement orchestre -- Classique
4.99€
Beethoven : Traits d'orchestre, Symphonie n° 3, Op. 55 - I. Allegro con brio (mes. 109-123, mes. 303-330)
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Contre Basse
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AVANCÉ
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Classique
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Beethoven
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Op. 55 - I. Allegro con brio (mes. 109-123, mes. 303-330) de Beethoven. Partit...
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Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Op. 55 - I. Allegro con brio (mes. 109-123, mes. 303-330) de Beethoven. Partition pour Avec accompagnement orchestre -- Classique
4.99€
Beethoven : Traits d'orchestre, Symphonie n° 3, Opus 55 - IV. Finale (mes. 290-322)
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Contre Basse
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AVANCÉ
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Classique
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Beethoven
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Opus 55 - IV. Finale (mes. 290-322) de Beethoven. Partition pour Avec accompag...
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Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Opus 55 - IV. Finale (mes. 290-322) de Beethoven. Partition pour Avec accompagnement orchestre -- Classique
3.99€
Recitative and Lament
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Contre Basse
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AVANCÉ
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Contemporain
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Igor Korneitchouk
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Recitative and Lament
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Studio at the Post
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1124419 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 6 pages. Studio at t...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1124419 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 6 pages. Studio at the Post #723415. Published by Studio at the Post (A0.1124419). Duration: 4 minutes, 4pp. Description: Recitative and Lament for Solo Double Bass and Voice is for a single performer, self-accompanied. Dedicated to Bert Turetzky. An alien's concept of a work of art, according to the science-fiction novelist Robert Heinlein: It could have been a poem, a musical opus, or a philosophical treatise; it was a series of emotions arranged in tragic, logical necessity. (Stranger in a Strange Land). NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$2.01
Barber of Seville Overture for Bass Choir
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Contre Basse
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AVANCÉ
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Gioachino Rossini
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Graham Boag
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Barber of Seville Overture for
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Graham Boag
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.780025 Composed by Gioachino Rossini. Arranged by Graham Boag. Classical,Standards. Individual part. 66...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.780025 Composed by Gioachino Rossini. Arranged by Graham Boag. Classical,Standards. Individual part. 66 pages. Graham Boag #4613349. Published by Graham Boag (A0.780025). One of Rossini's most loved Opera's The Barber of Seville has stood the test of time and is as popular now as the day it was premiered in 1816. The overture is a popular concert item and it has been carefully arranged here for Double Bass Choir (Six players). It will most certainly be a challenge for all but a rewarding one none the less. I hope you enjoy playing it. .
$16.99
25 Movements
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Contre Basse
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AVANCÉ
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Contemporain
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Nicholas Lens
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25 Movements
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Schott Music - Digital
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SheetMusicPlus
For double bass. Composed by Nicholas Lens. This edition: single sheet. Essential Exercises. Acknowledging the lack of original repertoire for his ins...
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For double bass. Composed by Nicholas Lens. This edition: single sheet. Essential Exercises. Acknowledging the lack of original repertoire for his instrument, Nicholas Lens wrote this collection of individual studies and movements. Having been written specifically for the double bass, they expertly showcase the capabilities of the instrument. Downloadable, single sheet. Duration 60 minutes. Schott Music - Digital #Q47103. Published by Schott Music - Digital
$24.99
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