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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Gin
Non classifié
1 622
Piano & claviers
Piano seul
1 353
Piano, Voix
143
Orgue
77
1 Piano, 4 mains
37
Instruments en Do
35
Piano, Voix et Guitare
33
2 Pianos, 4 mains
25
Piano Trio: piano, violon, violoncelle
12
Piano Facile
10
Clavecin
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Accordéon
7
Accompagnement Piano
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
2 Pianos, 8 mains
3
Orgue, Piano (duo)
2
1 Piano, 6 mains
2
Orgue, Trompette (duo)
2
2 Accordéons
1
Ensemble de Pianos
1
Orgue et Orchestre
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 18 instrumentations
Retracter
Guitares
Guitare
176
Guitare notes et tablatures
98
Basse electrique
57
2 Guitares (duo)
10
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
4
Piano, Guitare (duo)
2
Mandoline
2
Ukulele
2
Mandoline, Piano (duo)
1
+ 6 instrumentations
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Voix
Chorale SATB
245
Chorale TTBB
72
Chorale SSAA
38
Voix Soprano, Piano
33
Chorale 3 parties
19
Chorale SSAATTBB
10
Voix seule
8
Voix Alto, Piano
7
Voix Baryton, Piano
7
Voix duo, Piano
5
Voix haute
4
Voix basse, Piano
4
Chorale Unison
3
Voix Tenor, Piano
3
Voix duo
3
Chorale 2 parties
2
Chorale SSATTB
2
Voix moyenne, Piano
2
Voix Baryton
1
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
Chorale
1
Voix duo, Orgue
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Saxophone
64
Quatuor de Saxophones: 4 saxophones
54
Flûte traversière et Piano
50
Clarinette
46
Clarinette et Piano
42
Quatuor de Clarinettes: 4 clarinettes
38
Ensemble de Clarinettes
34
Flûte traversière
32
Flûte, Hautbois, Clarinette, Basson
26
Quintette de Saxophone: 5 saxophones
24
Ensemble de saxophones
22
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
21
Saxophone (partie séparée)
18
Saxophone Alto
16
Saxophone Soprano et Piano
14
Quintette de Clarinettes: 5 clarinettes
14
3 Clarinettes (trio)
12
2 Flûtes traversières (duo)
12
Hautbois (partie séparée)
11
Flûte et Guitare
11
2 Saxophones (duo)
11
Flute (partie séparée)
9
Ensemble de Flûtes
9
Saxophone Tenor et Piano
9
Saxophone Baryton, Piano
8
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
8
Flûte à bec Alto, Piano
7
Trio de Flûtes: 3 flûtes
7
Clarinette (partie séparée)
6
Quatuor de Flûtes à bec
6
2 Clarinettes (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Saxophones (trio)
5
Flûte à bec Alto
5
3 Flûtes à bec (trio)
5
Flûte à bec Alto, Basse continue
5
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
Hautbois
4
Flûte, Clarinette, Piano (trio)
4
Clarinette Basse, Piano
4
Flûte, Violon, Piano
3
2 Flûte à bec (duo)
3
Flûte, Violon
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes, Piano
2
Hautbois, Basson et Piano
2
5 Flûtes à bec
2
Cor Anglais
2
Flûte à bec Soprano
2
Saxophone, Clarinette (duo)
2
Saxophone et Orgue
2
Flûte traversière, Orchestre
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Ensemble De Flûte à bec
1
Hautbois, Flûte
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte, Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Guitare (duo)
1
2 Flûtes à bec, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes, Basse continue
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
132
Trombone et Piano
77
Trompette
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Euphonium, Piano (duo)
40
Cor
39
Tuba et Piano
37
Ensemble de Trombones
33
Quatuor de cuivres: 4 trombones
31
Trombone
31
Cor et Piano
27
Trompette, Piano
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Trompette (partie séparée)
17
Tuba
15
Quatuor de Cuivres
14
Quatuor de cuivres: 4 cors
14
Cor (partie séparée)
8
Trompette, Cor (duo)
7
Ensemble de Trompettes
7
Trombone (partie séparée)
7
2 Euphoniums et 2 Tubas
7
Trombone basse et Piano
6
Quatuor de cuivres: 4 trompettes
6
2 Cors (duo)
6
Euphonium
6
Trombone basse
5
2 Trombones (duo)
5
Cor anglais, Piano
4
Ensemble de Cors
4
4 Tubas
3
Trombone, Orgue
3
2 Tubas (duo)
3
Euphonium, Tuba (duo)
3
Trompette, violon (duo)
3
3 Trombones (trio)
3
Trompette, Trombone (duo)
2
Trombone et orchestre
2
Cor Anglais
2
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Sib
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
261
Violon et Piano
99
Violon
65
Violoncelle, Piano
46
Alto, Piano
39
Violoncelle
34
Trio à Cordes: violon, alto, violoncelle
32
Violon, Violoncelle (duo)
31
Harpe
31
Violon, Alto (duo)
19
Alto seul
17
2 Violons (duo)
16
Violon, Guitare (duo)
13
2 Violoncelles (duo)
11
Harpe, Violon (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle , Guitare (duo)
8
Contrebasse, Piano (duo)
7
Contre Basse
7
Violoncelle, Contrebasse (duo)
5
4 Violoncelles
4
2 Altos (duo)
4
Trio à cordes
3
Harpe, Quatuor à cordes
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
3
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violoncelles
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Violon (partie séparée)
2
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
4 Harpes
1
Alto et Harpe
1
Ensemble de Violons
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Batterie
595
Orchestre
307
Orchestre d'harmonie
219
Ensemble Jazz
145
Jazz combo
113
Orchestre à Cordes
108
Orchestre de chambre
95
Ensemble de cuivres
82
Cloches
27
Ensemble de Percussions
12
Fanfare
11
Big band
8
Marimba
5
Vibraphone
3
Percussion (partie séparée)
2
Piano et Orchestre
2
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Timbales (partie séparée)
1
+ 15 instrumentations
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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Contre Basse
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1
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
25 Movements
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Contre Basse
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AVANCÉ
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Contemporain
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Nicholas Lens
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25 Movements
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Schott Music - Digital
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SheetMusicPlus
For double bass. Composed by Nicholas Lens. This edition: single sheet. Essential Exercises. Acknowledging the lack of original repertoire for his ins...
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For double bass. Composed by Nicholas Lens. This edition: single sheet. Essential Exercises. Acknowledging the lack of original repertoire for his instrument, Nicholas Lens wrote this collection of individual studies and movements. Having been written specifically for the double bass, they expertly showcase the capabilities of the instrument. Downloadable, single sheet. Duration 60 minutes. Schott Music - Digital #Q47103. Published by Schott Music - Digital
$24.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Sub-Bass
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Contre Basse
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AVANCÉ
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Jazz
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Contemporain
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Robert A
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Sub-Bass
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Robert A. Howard
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.998814 Composed by Robert A. Howard. 20th Century,Contemporary,Jazz,Standards. Individual part. 4 pages...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.998814 Composed by Robert A. Howard. 20th Century,Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard #6078477. Published by Robert A. Howard (A0.998814). Sub-Bass explores the whole range of the 5-string solo double bass. The piece demands much agility from the performer, alternating in fast sections of arco and pizzicato. The work is in a rondo form, with the opening theme recurring between contrasting ideas, all related to the overall tonal centre of G. Most themes are characterised by the use of the seventh degree (in addition to the notes of the triad), which gives a touch of the blues style. There is much use of changing and irregular time signatures, as the piece explores rhythmic interplay and displacement. The work also plays with tonal ambiguity between major, minor and modality, in an almost jazz-like manner that is befitting to the double bass. This work is accessible for the listener and is appropriate for advanced double bassists, including students and professional players. Sub-Bass can even be used as a virtuosic encore.
$3.49
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Giovanni Bottesini, Nocturne, transcribed and edited by Klaus Stoll
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Contre Basse
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AVANCÉ
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Classique
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Giovanni Bottesini
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Klaus Stoll
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Giovanni Bottesini, Nocturne,
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Mesa Music Publishing
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.892490 Composed by Giovanni Bottesini. Arranged by Klaus Stoll. Romantic Period. Individual part. 14 pa...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.892490 Composed by Giovanni Bottesini. Arranged by Klaus Stoll. Romantic Period. Individual part. 14 pages. Mesa Music Publishing #5197883. Published by Mesa Music Publishing (A0.892490). This early Bottesini work in G minor for double bass and piano includes piano parts in both solo and orchestra tuning. The original manuscript is in B flat minor which means Bottesini tuned his bass up a minor third when performing this piece. The bass part is written as it sounds which requires the performer to play it up an octave.Includes piano parts in both solo and orchestra tuning.
$16.00
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