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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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ORCHESTRE
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UKULELE
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XYLOPHONE
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Non classifié
256
Piano & claviers
Piano seul
612
Piano, Voix
26
Instruments en Do
14
Orgue
10
Accordéon
10
Piano, Voix et Guitare
8
2 Pianos, 4 mains
3
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare
37
Guitare notes et tablatures
25
Basse electrique
24
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
4
2 Guitares (duo)
2
Piano, Guitare (duo)
1
Mandoline
1
+ 3 instrumentations
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Voix
Chorale SATB
43
Voix Soprano, Piano
11
Chorale TTBB
9
Chorale SSAA
4
Voix haute
3
Voix seule
3
Voix duo, Piano
2
Chorale 3 parties
1
Voix basse, Piano
1
Voix Baryton, Piano
1
Voix duo
1
Voix Alto, Piano
1
+ 7 instrumentations
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Vents
Saxophone
177
Clarinette
104
Flûte traversière
99
Saxophone Alto
17
Hautbois (partie séparée)
16
Saxophone Tenor
15
Quatuor de Saxophones: 4 saxophones
14
2 Flûtes traversières (duo)
13
Flûte traversière et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte à Bec
9
Saxophone Soprano
8
Hautbois
7
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois, Piano (duo)
7
Saxophone Alto et Piano
6
Clarinette et Piano
5
Saxophone Tenor et Piano
5
Flute (partie séparée)
5
Ensemble de Clarinettes
4
2 Saxophones (duo)
4
2 Clarinettes (duo)
3
Flûte, Violon, Piano
3
Saxophone Soprano et Piano
2
Flûte à bec Alto, Piano
2
Clarinette, Violon (duo)
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Violon
2
Ensemble de Flûtes
1
3 Clarinettes (trio)
1
Quatuor de Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
Saxophone Baryton, Piano
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
2 Hautbois (duo)
1
Piccolo
1
Cor Anglais
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Orgue
1
+ 45 instrumentations
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Cuivres
Trompette
76
Trombone
66
Cor
19
Trombone et Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Tuba et Piano
5
Ensemble de Trombones
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
4
Tuba
3
2 Tubas (duo)
2
Euphonium, Piano (duo)
2
Trompette (partie séparée)
2
Trombone (partie séparée)
1
Trombone et orchestre
1
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trombones
1
Euphonium
1
Trombone basse et Piano
1
Ensemble de Trompettes
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
Cor Anglais
1
+ 20 instrumentations
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Cordes
Violon
91
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violoncelle
51
Alto seul
36
Violon et Piano
17
Contre Basse
9
Harpe
9
Violoncelle, Piano
9
2 Violons (duo)
7
Alto, Piano
7
Trio à Cordes: violon, alto, violoncelle
5
Violon, Guitare (duo)
4
2 Violoncelles (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Flûte (duo)
3
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
Harpe, Violon, Violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orgue
1
Contrebasse, Piano (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre
81
Batterie
53
Orchestre de chambre
37
Orchestre d'harmonie
28
Orchestre à Cordes
24
Ensemble Jazz
15
Ensemble de cuivres
14
Jazz combo
7
Ensemble de Percussions
5
Marimba
2
Cloches
2
Piano et Orchestre
1
Orchestre, Violon
1
+ 8 instrumentations
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Instruments
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COR ANGLAIS
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DOBRO - GUI…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Contre Basse
Partitions à imprimer
9 partitions trouvées
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Giovanni Bottesini : Concerto pour contrebasse n° 2 en si mineur - I. Allegro moderato
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Contre Basse
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AVANCÉ
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Classique
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Giovanni Bottesini
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Concerto pour contrebasse n°
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Tomplay
Telechargez la partition Contrebasse Concerto pour contrebasse n° 2 en si mineur - I. Allegro moderato de Giovanni Bottesini. Partition pour Contrebasse ave...
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Telechargez la partition Contrebasse Concerto pour contrebasse n° 2 en si mineur - I. Allegro moderato de Giovanni Bottesini. Partition pour Contrebasse avec accomp. orchestre -- Classique
6.99€
Bach : Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro
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Contre Basse
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AVANCÉ
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Classique
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Bach
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Concerto brandebourgeois n° 3
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Tomplay
Telechargez la partition Contrebasse Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro de Bach. Partition pour Avec accompagnement orchestr...
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Telechargez la partition Contrebasse Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro de Bach. Partition pour Avec accompagnement orchestre -- Classique
6.99€
Schubert : Quintette pour piano en la majeur 'La Truite', D. 667 - I. Allegro vivace
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Contre Basse
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AVANCÉ
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Classique
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Schubert
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Quintette pour piano en la maj
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Tomplay
Telechargez la partition Contrebasse Quintette pour piano en la majeur 'La Truite', D. 667 - I. Allegro vivace de Schubert. Partition pour Quintette -...
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Telechargez la partition Contrebasse Quintette pour piano en la majeur 'La Truite', D. 667 - I. Allegro vivace de Schubert. Partition pour Quintette -- Classique
13.99€
Beethoven : Traits d'orchestre, Symphonie n° 3, Op. 55 - I. Allegro con brio (mes. 109-123, mes. 303-330)
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Contre Basse
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AVANCÉ
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Classique
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Beethoven
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Op. 55 - I. Allegro con brio (mes. 109-123, mes. 303-330) de Beethoven. Partit...
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Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 3, Op. 55 - I. Allegro con brio (mes. 109-123, mes. 303-330) de Beethoven. Partition pour Avec accompagnement orchestre -- Classique
4.99€
Mozart : Traits d'orchestre, Symphonie n° 39, K.543 - I. Adagio - Allegro (mes. 13-21, mes. 40-97)
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Contre Basse
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AVANCÉ
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Classique
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Mozart
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 39, K.543 - I. Adagio - Allegro (mes. 13-21, mes. 40-97) de Mozart. Partition pou...
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Telechargez la partition Contrebasse Traits d'orchestre, Symphonie n° 39, K.543 - I. Adagio - Allegro (mes. 13-21, mes. 40-97) de Mozart. Partition pour Avec accompagnement orchestre -- Classique
5.99€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
WHALE SONGS for DOUBLEBASS
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Contre Basse
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AVANCÉ
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Contemporain
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Humpback whales
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Alan Edgar
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WHALE SONGS for DOUBLEBASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1322399 Composed by Humpback whales. Arranged by Alan Edgar. Contemporary. Individual part. 3 pages. Al...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1322399 Composed by Humpback whales. Arranged by Alan Edgar. Contemporary. Individual part. 3 pages. Alan Edgar Ted Moon #910698. Published by Alan Edgar Ted Moon (A0.1322399). These pieces were inspired by the whales and by Leon Bosch's playing and enthusiasm. I have tried to edit or transcribe each of these two humpback whale songs for doublebass. The first is based on a youtube video Humpback Whale Orchestrated Vocalisations: Alexander Liebermann offers a notated version of this male's song which can be seen while playing the video. I could not find tonality, but there are recurring motifs with slight variations.The second song sounds more like F major moving to Bb. I tried to transcribe the early phrases of a 30-minute song recorded off Hawaii in 1998.The later sounds are less positive and I ignored them.DURATION: 4 minutes.INSTRUMENTATION: Virtuoso doublebass (extension not required).
$15.00
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