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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It
Non classifié
1 187
Piano & claviers
Piano seul
1 532
Piano, Voix
87
Orgue
56
Piano, Voix et Guitare
31
1 Piano, 4 mains
24
2 Pianos, 4 mains
20
Piano Trio: piano, violon, violoncelle
18
Clavecin
16
Instruments en Do
13
Accordéon
12
Piano Facile
11
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
4
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
Accordéon et Orchestre
1
Orgue, Piano (duo)
1
+ 14 instrumentations
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Guitares
Guitare
128
Guitare notes et tablatures
70
Basse electrique
14
Ukulele
10
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
6
Mandoline
4
4 Guitares (Quatuor)
3
Banjo
1
Ensemble de guitares
1
Mandoline, Piano (duo)
1
+ 6 instrumentations
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232
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65
Chorale SSAA
35
Chorale 3 parties
16
Voix Soprano, Piano
15
Voix haute
12
Voix basse, Piano
7
Chorale SSAATTBB
7
Voix Tenor, Piano
5
Voix Alto, Piano
5
Voix duo, Piano
3
Voix duo
3
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Voix Baryton, Piano
2
Chorale SAATB A Cappella
1
Voix Tenor
1
Voix, Guitare
1
Voix moyenne, Piano
1
Voix seule
1
+ 15 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
123
Saxophone
85
Flûte traversière et Piano
72
Quatuor de Saxophones: 4 saxophones
71
Flûte traversière
68
Clarinette
64
Quatuor de Clarinettes: 4 clarinettes
48
Flûte, Hautbois, Clarinette, Basson
40
Ensemble de Clarinettes
37
Clarinette et Piano
36
Saxophone Alto
34
Hautbois, Piano (duo)
27
Saxophone Alto et Piano
25
Quintette de Saxophone: 5 saxophones
24
Hautbois (partie séparée)
22
2 Flûtes traversières (duo)
21
Quatuor de Flûtes : 4 flûtes
18
Ensemble de saxophones
17
Saxophone Soprano et Piano
16
Quintette de Clarinettes: 5 clarinettes
15
Saxophone Tenor
13
Saxophone Tenor et Piano
13
3 Clarinettes (trio)
13
Ensemble de Flûtes
10
2 Saxophones (duo)
9
Clarinette Basse, Piano
6
2 Clarinettes (duo)
6
Saxophone (partie séparée)
6
Flute (partie séparée)
5
Flûte et Guitare
5
Quintette de Flûte : 5 flûtes
4
Hautbois
3
Saxophone Soprano
3
Cor anglais, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Piano
3
Saxophone Baryton, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon
3
Trio de Flûtes: 3 flûtes
3
Quatuor de Flûtes à bec
3
Clarinette, Violoncelle, Piano (trio)
2
2 Clarinettes, Piano
2
Saxophone et Guitare
2
Cor Anglais
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Violoncelle
2
Flûte à bec Tenor
2
Flûte, Alto et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Basson et Piano
1
Flûte, Saxophone (duo)
1
2 Saxophones, Piano
1
Hautbois, Flûte
1
Flûte à bec Alto, Piano
1
Saxophone, Clarinette (duo)
1
Clarinette, Violon (duo)
1
Flûte et Trio à cordes
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois et Orchestre
1
Flûte, Trompette (duo)
1
Piccolo
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
5 Flûtes à bec
1
Flûte, Clarinette (duo)
1
Flûte à Bec
1
Clarinette et Alto
1
Piccolo, Piano
1
3 Saxophones (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
Clarinette, Basson (duo)
1
+ 71 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
155
Quatuor de Cuivres : 2 trompettes, trombone, tuba
82
Trombone et Piano
73
Trompette
50
Ensemble de Trombones
45
Trombone
42
Tuba et Piano
32
Cor
30
Euphonium, Piano (duo)
28
Trompette, Piano
28
Quatuor de cuivres: 4 trombones
27
Cor et Piano
25
Tuba
15
Quatuor de cuivres: 4 cors
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Euphoniums et 2 Tubas
12
Quatuor de Cuivres
10
2 Trombones (duo)
8
Ensemble de Trompettes
8
2 Trompettes (duo)
8
2 Cors (duo)
7
4 Tubas
6
Trombone basse
5
Euphonium
4
Trompette, violon (duo)
3
Cor anglais, Piano
3
3 Trombones (trio)
3
2 Tubas (duo)
3
Trompette (partie séparée)
3
Trombone basse et Piano
2
Quatuor de cuivres: 4 trompettes
2
Cor Anglais
2
Trombone, Orgue
1
Trombone et orchestre
1
Ensemble de Cors
1
Trompette, Saxophone (duo)
1
Trombone (partie séparée)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Tubas (trio)
1
Trompette, Trombone (duo)
1
+ 36 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
299
Violon et Piano
94
Violon
66
Violoncelle, Piano
59
Violoncelle
45
Harpe
41
Violon, Violoncelle (duo)
36
Trio à Cordes: violon, alto, violoncelle
32
Alto, Piano
31
2 Violons (duo)
20
Alto seul
18
Violon, Alto (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
2 Violoncelles (duo)
10
Contre Basse
9
Alto (partie séparée)
7
2 Altos (duo)
7
Harpe, Violon (duo)
6
Harpe, Flûte (duo)
6
4 Violoncelles
6
Violon, Guitare (duo)
6
Violoncelle, Contrebasse (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à cordes: 3 violins
4
Quatuor à cordes : 4 altos
4
Contrebasse, Piano (duo)
4
Alto, Violoncelle (duo)
4
Harpe, Quatuor à cordes
3
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes
2
Ensemble d'Altos
2
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Ensemble de Violons
1
Trio à cordes: 3 altos
1
Violon (partie séparée)
1
Harpe, Violoncelle (duo)
1
Violon, Orgue
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Jazz combo
291
Orchestre
258
Orchestre d'harmonie
151
Ensemble Jazz
110
Orchestre à Cordes
110
Ensemble de cuivres
100
Orchestre de chambre
84
Batterie
38
Cloches
21
Ensemble de Percussions
15
Fanfare
13
Marimba
5
Piano et Orchestre
3
Xylophone
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
+ 11 instrumentations
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings 
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
Barber of Seville Overture for Bass Choir
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Contre Basse
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AVANCÉ
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Gioachino Rossini
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Graham Boag
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Barber of Seville Overture for
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Graham Boag
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.780025 Composed by Gioachino Rossini. Arranged by Graham Boag. Classical,Standards. Individual part. 66...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.780025 Composed by Gioachino Rossini. Arranged by Graham Boag. Classical,Standards. Individual part. 66 pages. Graham Boag #4613349. Published by Graham Boag (A0.780025). One of Rossini's most loved Opera's The Barber of Seville has stood the test of time and is as popular now as the day it was premiered in 1816. The overture is a popular concert item and it has been carefully arranged here for Double Bass Choir (Six players). It will most certainly be a challenge for all but a rewarding one none the less. I hope you enjoy playing it. .
$16.99
Elegant Strength (for solo contrabass)
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Contre Basse
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AVANCÉ
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Contemporain
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Paul SanGregory
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Elegant Strength
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Distant Engraver Music
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.977037 Composed by Paul SanGregory. Contemporary. Individual part. 8 pages. Distant Engraver Music #353...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.977037 Composed by Paul SanGregory. Contemporary. Individual part. 8 pages. Distant Engraver Music #3538061. Published by Distant Engraver Music (A0.977037). This is a unique and challenging solo piece for bass virtuosos that combines Chinese musical expression with various other bass techniques. As well as using pizzicato in a quasi guitar-like way to produce different contrapuntal voices, it utilizes the bass' melodic expressiveness (its elegance) and ability to produce heavy aggressive textures (its strength). The expressive techniques of Chinese guqin and erhu music also appear as special types of vibrato and pitch bends. Though it isn't really Chinese music, it does mimic the elegant phrasing and flexible expression of such Chinese music.
$5.00
Recitative and Lament
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Contre Basse
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AVANCÉ
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Contemporain
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Igor Korneitchouk
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Recitative and Lament
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Studio at the Post
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1124419 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 6 pages. Studio at t...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1124419 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 6 pages. Studio at the Post #723415. Published by Studio at the Post (A0.1124419). Duration: 4 minutes, 4pp. Description: Recitative and Lament for Solo Double Bass and Voice is for a single performer, self-accompanied. Dedicated to Bert Turetzky. An alien's concept of a work of art, according to the science-fiction novelist Robert Heinlein: It could have been a poem, a musical opus, or a philosophical treatise; it was a series of emotions arranged in tragic, logical necessity. (Stranger in a Strange Land). NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$2.01
Nicolo Paganini, Melodia per Contrabasso, transcribed and edited by Klaus Stoll.
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Contre Basse
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AVANCÉ
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Classique
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Nicolo Paganini
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Klaus Stoll
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Nicolo Paganini, Melodia per C
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Mesa Music Publishing
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.892489 Composed by Nicolo Paganini. Arranged by Klaus Stoll. Romantic Period. Individual part. 4 pages....
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Double Bass,String Bass Solo - Level 5 - SKU: A0.892489 Composed by Nicolo Paganini. Arranged by Klaus Stoll. Romantic Period. Individual part. 4 pages. Mesa Music Publishing #5197873. Published by Mesa Music Publishing (A0.892489). A Paganini Caprice for double bass. This short, theme and variations is perfect for an encore or a student recital. It uses all natural harmonics making it a good introduction to playing them for the student bassist. This work is attributed to Paganini although the surviving manuscript is in Bottesini’s hand.
$9.50
Giovanni Bottesini, Nocturne, transcribed and edited by Klaus Stoll
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Contre Basse
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AVANCÉ
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Classique
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Giovanni Bottesini
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Klaus Stoll
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Giovanni Bottesini, Nocturne,
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Mesa Music Publishing
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.892490 Composed by Giovanni Bottesini. Arranged by Klaus Stoll. Romantic Period. Individual part. 14 pa...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.892490 Composed by Giovanni Bottesini. Arranged by Klaus Stoll. Romantic Period. Individual part. 14 pages. Mesa Music Publishing #5197883. Published by Mesa Music Publishing (A0.892490). This early Bottesini work in G minor for double bass and piano includes piano parts in both solo and orchestra tuning. The original manuscript is in B flat minor which means Bottesini tuned his bass up a minor third when performing this piece. The bass part is written as it sounds which requires the performer to play it up an octave.Includes piano parts in both solo and orchestra tuning.
$16.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Little Elegie for Solo Bass, in memory of Fr. Ralph March.
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Contre Basse
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AVANCÉ
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Contemporain
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Gregory Hamilton
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Little Elegie for Solo Bass, i
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Dr. Gregory Hamilton
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.771759 Composed by Gregory Hamilton. 20th Century,Concert,Contemporary. Individual part. 3 pages. Dr. G...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.771759 Composed by Gregory Hamilton. 20th Century,Concert,Contemporary. Individual part. 3 pages. Dr. Gregory Hamilton #2001593. Published by Dr. Gregory Hamilton (A0.771759). Little Elegie, is written in memory of Fr. Ralph March, O. Cist + 2016. It is for Solo double Bass. to be played very freely, Adagio, impassioned and expressively. Duration about 4:15 www.gregoryhamilton.org.
$25.00
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