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Vous avez sélectionné:
All About That Bass - Violin 3
Contre Basse
Partitions à imprimer
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What Was I Made For?
Contre Basse
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1273308 By Billie…
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1273308 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865460. Published by Milanov (A0.1273308). What Was I Made For? From Barbie by Billie Eilish for string bass. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.5 €
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
What Was I Made For?
Contre Basse
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1273306 By Billie…
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1273306 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865457. Published by Milanov (A0.1273306). What Was I Made For? From Barbie by Billie Eilish for string bass. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.5 €
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Contre Basse
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
The Sneak
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1414808 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1414808 Composed by Stanley M Hoffman. 21st Century,Classical. Individual part. 1 pages. Stanleymhoffman.com #996583. Published by stanleymhoffman.com (A0.1414808). THE SNEAK depicts a big old sneaky guy lurking around in the dark. Spying what he wants to purloin, he makes a go for it and, successful, he scampers away in much the same way in which he first arrived.---THE SNEAK was premiered on April 5th, 2024 in celebration of the 150th anniversary of Serge Koussevitzky's Birth, at Winifred Smith Hall, Claire Trevor Schools of the Arts, University of California at Irvine, by bassist Matt Hare. The concert included works composed by Koussevitzky, dedicated to him, commissioned by the Koussevitzky Foundation. Matt Hare performed on Koussevitzky's personal instrument, on special loan for that recital. The concert was presented in association with the ongoing Fifteen Minutes of Fame concert series of Vox Novus which is headed by Robert Voisey. Information about Matt Hare can be found at: https://music.arts.uci.edu/faculty/matt-hare; information about this concert can be found at: http://www.voxnovus.com/15_Minutes_of_Fame/featuring/150_Anniversary_of_Serge_Koussevitzky/.---THE SNEAK for Contrabass Solo by Stanley M. Hoffman. Music: © Copyright 2023 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved.---#NewMusic #InstrumentalSolos #Bass #Contrabass #DoubleBass #StringBass.
$2.00
1.84 €
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Stanley M Hoffman
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The Sneak
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stanleymhoffman.com
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Kommos
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SheetMusicPlus
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