English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
3
Librairie
Musicale
8
Matériel
de Musique
148
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1304
PIANO & CLAVIERS
Piano seul
302
Piano, Voix
152
Piano, Voix et Guitare
138
Piano Facile
53
Instruments en Do
47
Orgue
47
2 Pianos, 4 mains
10
Piano grosses notes
9
1 Piano, 4 mains
7
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
3
Accordéon
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
39
Ligne De Mélodie, (Paroles) et Accords
27
Guitare
24
Paroles et Accords
10
Ukulele
8
Basse electrique
8
Piano, Guitare (duo)
3
Guitare (partie séparée)
3
4 Guitares (Quatuor)
3
Mandoline
2
Mandoline, Guitare (duo)
2
2 Guitares (duo)
1
Banjo
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
225
Chorale TTBB
89
Chorale 3 parties
41
Voix Soprano, Piano
25
Chorale Unison
24
Voix Baryton, Piano
18
Chorale 2 parties
18
Voix Alto, Piano
17
Voix Tenor, Piano
16
Chorale SSAA
14
Chorale
3
Voix seule
3
Pack Instrumental pour Chorale
2
Voix duo
2
Voix duo, Piano
1
Chorale SSATTB
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Quintette de Saxophone: 5 saxophones
82
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
69
Ensemble de saxophones
49
Flûte, Hautbois, Clarinette, Basson
30
Ensemble de Clarinettes
28
Quatuor de Clarinettes: 4 clarinettes
23
Quatuor de Saxophones: 4 saxophones
17
Ensemble de Flûtes
16
2 Flûtes traversières (duo)
15
Clarinette
11
Flûte traversière
10
3 Clarinettes (trio)
9
Quintette de Flûte : 5 flûtes
9
Hautbois, Piano (duo)
9
Flûte traversière et Piano
9
Clarinette et Piano
9
Hautbois, Basson (duo)
7
Clarinette et Alto
5
Flûte, Violoncelle
5
Saxophone (partie séparée)
5
Flûte, Alto (duo)
5
Hautbois (partie séparée)
5
Flûte et Guitare
5
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Flute (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette, Basson (duo)
3
2 Clarinettes (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano et Piano
3
Flûte irlandaise
2
Saxophone Tenor
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Alto
2
Flute, harpe et violon
2
2 Hautbois (duo)
2
3 Saxophones (trio)
1
2 Saxophones (duo)
1
Flûte, Clarinette et Basson
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
5 Flûtes à bec
1
Harmonica
1
Quatuor de Flûtes à bec
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Ensemble de Trompettes
45
Ensemble de Trombones
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Quatuor de Cuivres
15
Trompette
9
Trompette, Trombone (duo)
7
Cor
6
Cor et Piano
5
Trombone (partie séparée)
4
Trombone et Piano
4
Ensemble de Cors
3
Quatuor de cuivres: 4 cors
3
Trombone
3
Tuba
3
Quatuor de cuivres: 4 trombones
3
2 Cors (duo)
3
2 Trompettes (duo)
3
Trompette, Piano
3
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
Trio de Cuivres
2
Instruments en Sib
2
Cor (partie séparée)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
Trompette (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Cors (trio)
1
2 Trombones (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
260
Violon, Violoncelle (duo)
167
Trio à Cordes: violon, alto, violoncelle
137
Violon
133
Harpe
73
Violon et Piano
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violoncelle
17
Violon, Alto (duo)
16
Trio à Cordes: 2 violons, violoncelle
15
Ensemble de Violons
11
Ensemble d'Altos
11
2 Harpes (duo)
10
Violoncelle, Piano
8
Alto, Piano
7
Violoncelle, Contrebasse (duo)
6
Flûte, Contrebasse (duo)
5
Alto seul
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à cordes: 3 altos
3
Contrebasse, Piano (duo)
3
2 Violoncelles (duo)
3
Contre Basse
3
Harpe, Violon (duo)
3
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Harpe, Voix
2
Ensemble de Violoncelles
2
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Violons (duo)
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
161
Orchestre d'harmonie
54
Orchestre
33
Ensemble Jazz
28
Orchestre de chambre
24
Ensemble de cuivres
16
Cloches
14
Batterie
7
Ensemble de Percussions
6
Fanfare
6
Vibraphone
3
Jazz combo
3
Batterie (partie séparée)
2
Percussion
1
Xylophone, Piano
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
All I Need
Contre Basse
Partitions à imprimer
3 partitions trouvées
<
1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
(+)
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.19 €
#
Contre Basse
#
Benjamin Harry Sajo
#
Strings 
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Mendelssohn String Octet - Bass Part
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.914444 Composed b…
(+)
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.914444 Composed by Felix Bartholdy Mendelssohn. Arranged by Bryan Starkweather. Romantic Period. Individual part. 17 pages. Bryan Starkweather #6416903. Published by Bryan Starkweather (A0.914444). 9th part for Mendelssohn's String Octet in Eb Major, Op. 20. This arrangement adds a string bass part, and is extracted from the cello parts. The bass is intended to add to, but not change the sound of the original arrangement.For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all info, or visit https://www.facebook.com/Canvas-Music-Productions-134274459972325/ I love hearing from my customers! I'm always happy to help in any way I can, including modifying a piece to suit your needs.
$3.99
3.63 €
#
Contre Basse
#
Felix Bartholdy Mendelssohn
#
Bryan Starkweather
#
Mendelssohn String Octet - Bass Part
#
Bryan Starkweather
#
SheetMusicPlus
DIRT SIMPLE UPRIGHT BASS
Contre Basse
Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sh…
(+)
Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sheet Music #30888MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
$9.99
9.1 €
#
Contre Basse
#
DIRT SIMPLE UPRIGHT BASS
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale