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VENTS
2 Saxophones (duo)
124
Flûte traversière et Piano
77
2 Clarinettes (duo)
72
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68
2 Flûtes traversières (duo)
66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
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56
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46
Flûte, Hautbois, Clarinette, Basson
45
Flûte traversière
40
Clarinette, Trompette (duo)
38
Quatuor de Clarinettes: 4 clarinettes
37
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35
Saxophone Alto et Piano
33
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31
Clarinette
31
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29
Hautbois, Piano (duo)
28
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26
Flûte, Violon
26
2 Hautbois (duo)
25
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25
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23
Hautbois, Clarinette (duo)
23
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22
Saxophone Soprano et Piano
21
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20
Clarinette et Alto
20
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19
3 Clarinettes (trio)
19
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19
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18
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18
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17
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12
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11
3 Saxophones (trio)
10
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9
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7
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7
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
72
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45
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42
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26
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26
Cor et Piano
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23
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23
Trombone (partie séparée)
21
Cor
19
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
16
Euphonium, Piano (duo)
14
Cor (partie séparée)
9
Tuba
8
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7
Quatuor de Cuivres
7
Cor anglais, Piano
7
Euphonium
5
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3
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3
2 Cors (duo)
3
3 Trombones (trio)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
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Trombone basse et Piano
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Trombone basse
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2 Euphoniums (duo)
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2 Cors Anglais Et Pianoforte
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Quatuor de cuivres: 4 trompettes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
168
Violon et Piano
113
Violon
63
Harpe
53
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51
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47
2 Violons (duo)
41
Violoncelle, Piano
40
2 Violoncelles (duo)
34
Alto, Piano
33
Violoncelle
31
Violon, Alto (duo)
30
Violon (partie séparée)
26
2 Altos (duo)
25
Alto seul
19
Trio à Cordes: violon, alto, violoncelle
18
Alto (partie séparée)
15
Contrebasse (partie séparée)
12
Contrebasse, Piano (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Contre Basse
7
2 Harpes (duo)
6
4 Violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Harpe, Trombone (duo)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Alto et orchestre
1
Alto et Harpe
1
Ensemble de Violoncelles
1
4 Harpes
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes
1
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1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
699
Orchestre à Cordes
141
Orchestre
84
Ensemble Jazz
74
Ensemble de cuivres
53
Cloches
49
Batterie
43
Jazz combo
26
Fanfare
23
Orchestre de chambre
18
Percussion (partie séparée)
12
Ensemble de Percussions
10
Ensemble d'École
6
Vibraphone
4
Marimba
3
Batterie (partie séparée)
3
Percussion
2
Piano et Orchestre
1
Voix Mezzo-Soprano, Orchestre
1
Xylophone, Piano
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AUTRES
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Contre Basse
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Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
9.15 €
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Contre Basse
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Piano
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Thomas Oboe Lee
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SheetMusicPlus
Sub-Bass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.998814 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.998814 Composed by Robert A. Howard. 20th Century,Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard #6078477. Published by Robert A. Howard (A0.998814). Sub-Bass explores the whole range of the 5-string solo double bass. The piece demands much agility from the performer, alternating in fast sections of arco and pizzicato. The work is in a rondo form, with the opening theme recurring between contrasting ideas, all related to the overall tonal centre of G. Most themes are characterised by the use of the seventh degree (in addition to the notes of the triad), which gives a touch of the blues style. There is much use of changing and irregular time signatures, as the piece explores rhythmic interplay and displacement. The work also plays with tonal ambiguity between major, minor and modality, in an almost jazz-like manner that is befitting to the double bass. This work is accessible for the listener and is appropriate for advanced double bassists, including students and professional players. Sub-Bass can even be used as a virtuosic encore.
$3.49
3.2 €
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Contre Basse
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Robert A
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Sub-Bass
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Robert A. Howard
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Contre Basse
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Contre Basse
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Benjamin Harry Sajo
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Strings 
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Razzleberry Rag
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1026120 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1026120 Composed by Jo Asker. 20th Century,Contemporary,Instructional,Ragtime. Individual part. 2 pages. Jo Asker Publishing #5946327. Published by Jo Asker Publishing (A0.1026120). A fast, syncopated ragtime inspired piece for solo double bass. .
$3.99
3.65 €
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Contre Basse
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Jo Asker
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Razzleberry Rag
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Jo Asker Publishing
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SheetMusicPlus
Tarantella
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.926893 Composed b…
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.926893 Composed by Traditional. Arranged by Jeremy Glaser. Wedding. Individual part. 1 pages. Jeremy Glaser #2998489. Published by Jeremy Glaser (A0.926893). This lively traditional Tarantella is a favorite at Italian weddings and restaurants. It is rather fast and requires careful bowing. While this arrangement is intended for double bass it could be played on any bass clef instrument.
$3.99
3.65 €
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Contre Basse
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Traditional
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Jeremy Glaser
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Tarantella
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Jeremy Glaser
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SheetMusicPlus
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