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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Great to Me
Sheetmusicplus
Non classifié
473
Piano & claviers
Piano seul
335
Piano, Voix
118
Piano, Voix et Guitare
100
Piano Facile
97
Instruments en Do
42
Orgue
29
2 Pianos, 4 mains
25
Piano (partie séparée)
8
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
3
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
Clavecin
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
53
Guitare
22
Ligne De Mélodie, (Paroles) et Accords
20
Guitare (partie séparée)
16
Piano, Guitare (duo)
9
Ukulele
9
Basse electrique
4
Paroles et Accords
2
2 Guitares (duo)
2
Mandoline
2
Ensemble de guitares
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
214
Chorale 3 parties
64
Chorale SSAA
39
Chorale TTBB
37
Chorale 2 parties
34
Chorale Unison
18
Voix duo, Piano
11
Voix haute
5
Voix seule
4
Voix Alto, Piano
4
Voix Tenor
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Chorale SSATTB
1
+ 9 instrumentations
Retracter
Vents
Saxophone (partie séparée)
43
Quatuor de Saxophones: 4 saxophones
40
Clarinette et Piano
36
Hautbois, Piano (duo)
36
Flûte traversière
34
Flûte traversière et Piano
31
Clarinette
28
2 Saxophones (duo)
24
Saxophone Alto et Piano
22
Saxophone Alto
19
Saxophone Tenor et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
2 Clarinettes (duo)
16
Ensemble de Flûtes
15
Saxophone Tenor
15
Flûte, Hautbois, Clarinette, Basson
14
Saxophone Soprano et Piano
12
2 Flûtes traversières (duo)
11
Hautbois (partie séparée)
9
Quatuor de Flûtes : 4 flûtes
9
Ensemble de Clarinettes
8
Flûte, Clarinette (duo)
8
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois, Basson (duo)
6
Ensemble de saxophones
6
Flute (partie séparée)
6
Quintette de Saxophone: 5 saxophones
5
Saxophone, Clarinette (duo)
5
Saxophone Baryton, Piano
5
Cor anglais, Piano
4
Clarinette, Violon (duo)
4
2 Hautbois (duo)
4
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
3
Clarinette, Basson (duo)
3
3 Saxophones (trio)
3
3 Clarinettes (trio)
3
Clarinette et Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Alto et Piano
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Trompette (duo)
2
2 Saxophones, Piano
2
Hautbois, Flûte
2
Hautbois, Violoncelle
2
Flûte à bec Soprano
1
Flûte, Violon
1
Clarinette, Guitare (duo)
1
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
Hautbois, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
Quatuor de Flûtes à bec
1
Hautbois
1
Flûte à bec Alto
1
Saxophone et Guitare
1
Saxophone
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Trombone (partie séparée)
37
Trompette (partie séparée)
35
Trombone
26
Trombone et Piano
23
Trompette
23
Trompette, Piano
21
Cor et Piano
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 trombones
7
2 Trombones (duo)
7
2 Trompettes (duo)
5
Cor
5
Cor anglais, Piano
4
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
4
Tuba et Piano
4
Tuba
4
Ensemble de Trombones
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 cors
2
3 Trombones (trio)
2
Quatuor de Cuivres
2
2 Cors (duo)
2
Ensemble de Tubas
1
Trompette, Trombone (duo)
1
Trompette, Trombone, Piano
1
Ensemble de Cors
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon et Piano
42
Alto, Piano
38
Violoncelle, Piano
35
Violon, Violoncelle (duo)
24
Violon
19
2 Violons (duo)
17
Harpe
17
Violon, Alto (duo)
13
2 Altos (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Contrebasse (partie séparée)
9
Alto seul
8
Violoncelle
6
Trio à cordes: 3 violins
5
Contre Basse
5
Alto, Violoncelle (duo)
4
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Harpe, Voix
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Violon (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
2 Harpes (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
68
Ensemble Jazz
64
Orchestre
47
Jazz combo
38
Orchestre à Cordes
33
Ensemble de cuivres
24
Orchestre de chambre
14
Ensemble de Percussions
11
Fanfare
10
Batterie
9
Cloches
7
Batterie (partie séparée)
7
Marimba
1
Xylophone, Piano
1
Piano et Orchestre
1
+ 10 instrumentations
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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Vous avez sélectionné:
Great to Me
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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All Of Me
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Contre Basse
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FACILE
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John Legend
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Valdir Maia
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All Of Me
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Valdir Maia
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SheetMusicPlus
Double Bass,String Bass Solo - Level 2 - SKU: A0.1159896 By John Legend. By John Stephens and Toby Gad. Arranged by Valdir Maia. Contemporary,Pop,Singer...
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Double Bass,String Bass Solo - Level 2 - SKU: A0.1159896 By John Legend. By John Stephens and Toby Gad. Arranged by Valdir Maia. Contemporary,Pop,Singer/Songwriter,Standards,Wedding. Individual part. 3 pages. Valdir Maia #760158. Published by Valdir Maia (A0.1159896). Fans of John Legend's emotive ballad 'All of Me' can now easily learn to play with this double bass easy sheet music. Whether you're just starting out on double bass or are a seasoned musician, this easy double bass sheet music is a great way to bring the timeless hit to life. Â
$9.99
All Of Me
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Contre Basse
#
FACILE
#
John Legend
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Valdir Maia
#
All Of Me
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Valdir Maia
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 2 - SKU: A0.1159898 By John Legend. By John Stephens and Toby Gad. Arranged by Valdir Maia. Contemporary,Pop,Singer...
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Double Bass,String Bass Solo - Level 2 - SKU: A0.1159898 By John Legend. By John Stephens and Toby Gad. Arranged by Valdir Maia. Contemporary,Pop,Singer/Songwriter,Standards,Wedding. Individual part. 3 pages. Valdir Maia #760161. Published by Valdir Maia (A0.1159898). Fans of John Legend's emotive ballad 'All of Me' can now easily learn to play with this double bass easy sheet music with chords. Whether you're just starting out on double bass or are a seasoned musician, this easy double bass sheet music with chords is a great way to bring the timeless hit to life. Â
$9.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Contrabass
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Contre Basse
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 4 - SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
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Great to Me
