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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He\\\'s A Man
Non classifié
1 358
Piano & claviers
Piano seul
463
Piano, Voix
261
Piano, Voix et Guitare
89
Piano Facile
68
Orgue
55
Instruments en Do
41
Accordéon
35
Piano Trio: piano, violon, violoncelle
23
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
12
1 Piano, 4 mains
9
Accompagnement Piano
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
2
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
95
Guitare notes et tablatures
28
Ukulele
10
Piano, Guitare (duo)
8
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
6
Mandoline
5
Mandoline, Guitare (duo)
4
4 Guitares (Quatuor)
2
Basse electrique
2
Banjo
2
Ensemble de guitares
1
3 Guitares (trio)
1
Paroles et Accords
1
Dulcimer
1
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
354
Chorale 3 parties
51
Chorale TTBB
31
Chorale 2 parties
31
Chorale Unison
20
Chorale SSAA
17
Voix Alto, Piano
12
Voix duo
7
Voix duo, Piano
7
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix Soprano, Piano
5
Voix haute
5
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Tenor
2
Soli, choeur mixte et accompagnement
2
Chorale SSAATTBB
2
Chorale
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
160
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Clarinette et Piano
113
Saxophone Alto et Piano
98
Quintette de Saxophone: 5 saxophones
98
2 Saxophones (duo)
84
Hautbois, Piano (duo)
81
Quatuor de Saxophones: 4 saxophones
76
Saxophone Soprano et Piano
69
Saxophone Tenor et Piano
67
Ensemble de saxophones
49
Saxophone Baryton, Piano
48
2 Flûtes traversières (duo)
46
Clarinette
45
2 Clarinettes (duo)
43
Quatuor de Clarinettes: 4 clarinettes
39
Cor anglais, Piano
39
Flûte, Hautbois, Clarinette, Basson
37
Flûte, Violon, Piano
32
Ensemble de Clarinettes
32
Clarinette Basse, Piano
30
Quatuor de Flûtes : 4 flûtes
26
Hautbois (partie séparée)
24
Saxophone, Clarinette (duo)
24
Flûte traversière
23
Clarinette, Violon (duo)
19
Hautbois, Basson (duo)
19
Ensemble de Flûtes
16
3 Clarinettes (trio)
15
Quintette de Flûte : 5 flûtes
14
Flûte, Violon
14
Clarinette, Trompette (duo)
13
Flûte, Clarinette (duo)
12
2 Hautbois (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Flute (partie séparée)
11
3 Saxophones (trio)
11
Flûte, Saxophone (duo)
10
Saxophone (partie séparée)
10
Saxophone Alto
10
Flûte, Alto (duo)
9
Flûte et Guitare
9
Hautbois, Flûte
9
Flûte, Trompette (duo)
9
2 Flûte à bec (duo)
8
Clarinette et Alto
8
Saxophone Tenor
7
Hautbois, Clarinette (duo)
7
Flûte à bec Soprano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Piccolo, Piano
6
Clarinette, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
5
Quatuor de Flûtes à bec
4
Clarinette, Guitare (duo)
4
Clarinette, Violoncelle (duo)
4
Trio de Flûtes: 3 flûtes
3
3 Flûtes à bec (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
5 Flûtes à bec
2
Hautbois, Guitare (duo)
2
Flûte, Alto et Piano
2
Flûte à Bec
2
Saxophone
2
Flûte, Violoncelle, Guitare
1
Flûte à bec Alto
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte traversière, Basse continue
1
Clarinette, Alto et Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette (partie séparée)
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Piccolo
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
Flûte, Violoncelle
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Flûte irlandaise
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
120
Quatuor de Cuivres : 2 trompettes, trombone, tuba
108
Trombone et Piano
74
Euphonium, Piano (duo)
59
Cor et Piano
52
Trompette, Piano
46
Cor anglais, Piano
39
Trompette
32
Ensemble de Trombones
28
Quatuor de Cuivres
20
Trompette, Saxophone (duo)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Ensemble de Trompettes
18
2 Trombones (duo)
16
Tuba et Piano
15
Quatuor de cuivres: 4 trombones
15
2 Trompettes (duo)
14
Trompette, Trombone (duo)
13
Cor
12
Ensemble de Cors
7
Trompette (partie séparée)
6
Trombone
6
Tuba
6
2 Cors (duo)
6
Quatuor de cuivres: 4 cors
5
Trio de Cuivres
4
Tuba et Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, violon (duo)
3
2 Euphoniums (duo)
3
4 Tubas
2
Trombone basse et Piano
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
1
Ensemble de Tubas
1
Trombone et orchestre
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
Trombone (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
288
Violon et Piano
181
Violoncelle, Piano
123
Alto, Piano
109
Trio à Cordes: violon, alto, violoncelle
72
Violon
54
Violon, Violoncelle (duo)
35
Harpe
34
2 Violons (duo)
34
Violoncelle
33
2 Violoncelles (duo)
25
Violon, Alto (duo)
22
Violon, Guitare (duo)
21
2 Altos (duo)
19
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
13
Ensemble de Violons
12
4 Violoncelles
11
Ensemble d'Altos
11
Alto (partie séparée)
10
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
7
Contrebasse, Piano (duo)
7
Harpe, Flûte (duo)
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Flûte, Contrebasse (duo)
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
3
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
2 Contrebasses (duo)
2
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Basse continue
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
148
Orchestre à Cordes
134
Orchestre
106
Orchestre de chambre
80
Ensemble de cuivres
74
Ensemble Jazz
37
Cloches
17
Jazz combo
12
Ensemble de Percussions
7
Vibraphone
4
Orchestre, Violon
3
Batterie
2
Fanfare
2
2 Marimbas
1
Marimba
1
Percussion
1
+ 11 instrumentations
Retracter
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ACCORDEON
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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PIANO
SAXOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
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PATRIOTIQUE
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Vous avez sélectionné:
He\\\'s A Man
Contre Basse
Partitions à imprimer
9 partitions trouvées
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1
Aubade: A Pairing with Beethoven's Symphony #1 - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018919 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018919 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064803. Published by Benjamin Sajo (A0.1018919). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Contre Basse
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Contrabass
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Contre Basse
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Contre Basse
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Benjamin Harry Sajo
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Strings 
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Contre Basse
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
The Sneak
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1414808 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1414808 Composed by Stanley M Hoffman. 21st Century,Classical. Individual part. 1 pages. Stanleymhoffman.com #996583. Published by stanleymhoffman.com (A0.1414808). THE SNEAK depicts a big old sneaky guy lurking around in the dark. Spying what he wants to purloin, he makes a go for it and, successful, he scampers away in much the same way in which he first arrived.---THE SNEAK was premiered on April 5th, 2024 in celebration of the 150th anniversary of Serge Koussevitzky's Birth, at Winifred Smith Hall, Claire Trevor Schools of the Arts, University of California at Irvine, by bassist Matt Hare. The concert included works composed by Koussevitzky, dedicated to him, commissioned by the Koussevitzky Foundation. Matt Hare performed on Koussevitzky's personal instrument, on special loan for that recital. The concert was presented in association with the ongoing Fifteen Minutes of Fame concert series of Vox Novus which is headed by Robert Voisey. Information about Matt Hare can be found at: https://music.arts.uci.edu/faculty/matt-hare; information about this concert can be found at: http://www.voxnovus.com/15_Minutes_of_Fame/featuring/150_Anniversary_of_Serge_Koussevitzky/.---THE SNEAK for Contrabass Solo by Stanley M. Hoffman. Music: © Copyright 2023 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved.---#NewMusic #InstrumentalSolos #Bass #Contrabass #DoubleBass #StringBass.
$2.00
1.84 €
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Contre Basse
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Stanley M Hoffman
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The Sneak
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stanleymhoffman.com
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SheetMusicPlus
Birdland
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.779967 By Manhatt…
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.779967 By Manhattan Transfer. By Joe Zawinul. Arranged by Graham Boag. Jazz. Individual part. 22 pages. Graham Boag #3482741. Published by Graham Boag (A0.779967). Birdland marked the peak of Weather Report's commercial career with the release of Heavy Weather. With the addition of Jaco Pastorius, the band was able to push its music to the height of its popularity, and with that came Birdland. Weather Report's most commercially successful composition, Birdland served as a tribute to the New York City jazz club on 52nd street that housed many famous jazz musicians. The song was also named in honor of the man after whom the club was named, Charlie Parker, the 'Bird' himself. It was this club, which he frequented almost daily, that inspired Zawinul to write the song. Looking back, Zawinul claimed, The old Birdland was the most important place in my life.This arrangement has an 'optional' Kit part that may or may not be used for performances but it does set the whols picture.
$15.99
14.72 €
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Contre Basse
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Manhattan Transfer
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Graham Boag
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Birdland
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Graham Boag
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SheetMusicPlus
Bass String Sampler
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Double Bass,String Bass Solo - Digital Download SKU: A0.902210 Arranged by Robin Ka…
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Double Bass,String Bass Solo - Digital Download SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355069. Published by Global Music School String Publications (A0.902210). String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99
4.59 €
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Contre Basse
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Robin Kay Deverich
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Bass String Sampler
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Global Music School String Publications
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SheetMusicPlus
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
9.19 €
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Contre Basse
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Piano
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Thomas Oboe Lee
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SheetMusicPlus
THE DEEP for solo DOUBLE BASS
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Ed…
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
18.41 €
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Contre Basse
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
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