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207
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525
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94
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70
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68
Orgue
13
Accordéon
5
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5
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2
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2
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2
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano grosses notes
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27
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26
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21
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11
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11
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10
2 Guitares (duo)
3
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1
Banjo
1
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31
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16
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15
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14
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5
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4
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3
Voix seule
2
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1
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21
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19
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16
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15
Clarinette et Piano
14
Saxophone Baryton, Piano
9
Saxophone Soprano et Piano
6
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5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
2 Flûtes traversières (duo)
3
Saxophone Alto
3
Quatuor de Saxophones: 4 saxophones
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Clarinette
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Saxophone Tenor
3
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2
Cor anglais, Guitare (duo)
2
Flûte traversière
2
Saxophone et Guitare
2
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2
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2
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2
Clarinette Basse, Piano
2
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto, Piano
1
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1
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1
Quatuor de Flûtes : 4 flûtes
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3 Clarinettes (trio)
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Hautbois, Basson (duo)
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Cor anglais, Piano
1
Ensemble de Flûtes
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Flûte irlandaise
1
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1
2 Saxophones (duo)
1
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1
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1
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1
Flûte à bec Tenor
1
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27
Cor et Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette, Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trompette
9
Euphonium, Piano (duo)
4
Tuba et Piano
4
Trombone
3
2 Cors (duo)
3
Ensemble de Trombones
2
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2
Tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Trompette, Cor (duo)
1
Cor
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Alto, Piano
22
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22
Violon et Piano
13
Contrebasse, Piano (duo)
5
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5
Violoncelle
5
Harpe
5
Violon
5
Piano Trio: Violon, Alto, Piano
3
Alto seul
3
2 Violons (duo)
3
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3
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2
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2
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2
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2
2 Altos (duo)
2
2 Violoncelles (duo)
2
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1
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1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Harpe, Violon (duo)
1
4 Violoncelles
1
Alto (partie séparée)
1
Alto et Harpe
1
+ 23 instrumentations
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Ensemble de cuivres
44
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27
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20
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17
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14
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9
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8
Cloches
8
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5
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2
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Orchestre, Violon
1
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Vous avez sélectionné:
Hold On - Full Score
Contre Basse
Partitions à imprimer
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Christmas Time Is Here
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Contre Basse
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INTERMÉDIAIRE
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Jazz
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Vince Guaraldi
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Mark W
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Christmas Time Is Here
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Mark Wayne Music, LLC
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - SKU: A0.808442 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Individual part. 1 pages. Mark Wa...
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Double Bass,String Bass Solo - Level 3 - SKU: A0.808442 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Individual part. 1 pages. Mark Wayne Music, LLC #3688839. Published by Mark Wayne Music, LLC (A0.808442). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses.
$4.99
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
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