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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BATTERIE
BOUZOUKI
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I Want You Back - Tuba
Non classifié
87
Piano & claviers
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102
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39
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21
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14
1 Piano, 4 mains
5
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3
Instruments en Do
3
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
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Basse electrique
31
Guitare notes et tablatures
19
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9
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7
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6
Ukulele
6
2 Guitares (duo)
2
Banjo
1
Basse électrique (partie séparée)
1
Mandoline
1
+ 5 instrumentations
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Chorale 3 parties
165
Chorale SATB
28
Chorale TTBB
17
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9
Chorale 2 parties
9
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8
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4
Chorale Unison
3
+ 3 instrumentations
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Vents
Saxophone
36
Clarinette
14
Flûte traversière
14
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12
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9
Saxophone Alto
8
Saxophone Tenor
8
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5
Saxophone Alto et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Hautbois, Piano (duo)
4
Saxophone Soprano
4
Saxophone Tenor et Piano
4
Hautbois (partie séparée)
3
Flûte traversière et Piano
3
Saxophone Soprano et Piano
3
Quintette de Saxophone: 5 saxophones
3
Clarinette et Piano
2
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
Flute (partie séparée)
2
Ensemble de saxophones
2
Flûte, Clarinette (duo)
1
2 Clarinettes (duo)
1
Clarinette (partie séparée)
1
Flûte à bec Soprano
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violon
1
3 Saxophones (trio)
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
+ 27 instrumentations
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Trompette
17
Trombone
14
Trompette (partie séparée)
6
Trombone (partie séparée)
5
Cor
3
Cor (partie séparée)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
Trombone et Piano
1
Trompette, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 7 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon, Violoncelle (duo)
17
Trio à Cordes: violon, alto, violoncelle
14
Violon
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violoncelle
7
Violon et Piano
7
Alto seul
5
Alto, Piano
4
Harpe
3
2 Violons (duo)
2
Contrebasse (partie séparée)
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Piano
1
+ 12 instrumentations
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Orchestre & Percussions
Ensemble Jazz
29
Batterie
10
Orchestre d'harmonie
8
Orchestre
6
Batterie (partie séparée)
3
Fanfare
3
Orchestre à Cordes
3
Jazz combo
2
Percussion (partie séparée)
1
Orchestre de chambre
1
Quintette à Vent
1
Cloches
1
Ensemble de Percussions
1
Percussion
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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I Want You Back - Tuba
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DIRT SIMPLE UPRIGHT BASS
Contre Basse
Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sh…
(+)
Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sheet Music #30888MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
$9.99
9.19 €
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Contre Basse
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DIRT SIMPLE UPRIGHT BASS
#
Mel Bay Publications - Digital Sheet Music
#
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