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ACCORDEON
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AUTOHARPE
BANJO
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FLUTE TRAVERSI…
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LUTH
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MARIMBA
OCARINA
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TUBA
UKULELE
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XYLOPHONE
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Non classifié
429
Piano & claviers
Piano seul
1 021
Piano Facile
78
2 Pianos, 4 mains
45
Piano, Voix
37
Orgue
32
Piano, Voix et Guitare
17
Clavecin
12
Orgue, Piano (duo)
9
1 Piano, 4 mains
7
Accordéon
7
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
2
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
+ 10 instrumentations
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Guitares
Piano, Guitare (duo)
112
Guitare
54
Guitare notes et tablatures
23
2 Guitares (duo)
19
Mandoline
3
Basse electrique
3
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline, Guitare (duo)
1
2 Mandolines (duo)
1
+ 7 instrumentations
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Voix
Chorale SATB
68
Chorale 3 parties
33
Chorale 2 parties
13
Chorale Unison
7
Chorale TTBB
4
Voix Soprano, Piano
2
Chorale SSAA
2
Voix moyenne, Piano
2
Voix Alto, Piano
1
Voix basse
1
Voix Baryton, Piano
1
Chorale SSAB a cappella
1
Voix duo, Piano
1
+ 8 instrumentations
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Vents
Hautbois, Piano (duo)
200
Clarinette et Piano
186
Flûte traversière et Piano
175
Saxophone Alto et Piano
131
Saxophone Tenor et Piano
126
2 Saxophones (duo)
61
2 Clarinettes (duo)
49
2 Flûtes traversières (duo)
43
3 Clarinettes (trio)
24
Clarinette
24
Hautbois (partie séparée)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte traversière
19
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
14
Quatuor de Clarinettes: 4 clarinettes
11
Flûte, Violoncelle
11
Hautbois, Basson (duo)
10
3 Saxophones (trio)
8
Flûte, Clarinette (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Trio de Flûtes: 3 flûtes
8
Ensemble de Clarinettes
7
3 Flûtes à bec (trio)
7
Clarinette, Basson (duo)
6
Saxophone Baryton, Piano
5
Flute (partie séparée)
5
Flûte à Bec
4
2 Flûte à bec (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Hautbois (duo)
4
Ensemble de Flûtes
4
Flûte, Saxophone (duo)
4
Saxophone Alto
4
Clarinette (partie séparée)
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Flûte, Violon
3
Quintette de Saxophone: 5 saxophones
2
Flute, Cor (duo)
2
Flûte, Trombone (duo)
2
Flûte, Trompette (duo)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Saxophone Tenor
2
Saxophone Soprano et Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violon (duo)
2
5 Flûtes à bec
2
Flûte et Quatuor à Cordes
1
Hautbois, Flûte
1
Clarinette, Guitare (duo)
1
Ensemble à vent
1
Saxophone et violoncelle
1
Piccolo
1
Saxophone, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
2 Clarinettes, Basson
1
2 Saxophones, Piano
1
Saxophone, Basson (duo)
1
Flûte irlandaise
1
Cor anglais, Piano
1
Saxophone
1
+ 66 instrumentations
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Cuivres
Trombone et Piano
144
Trompette
85
Trompette, Piano
65
Trombone
19
Trompette (partie séparée)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
2 Trompettes (duo)
10
Cor
8
Trombone (partie séparée)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Trombone (duo)
5
Quatuor de Cuivres
5
2 Trombones (duo)
5
3 Trombones (trio)
5
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
Cor, Tuba (duo)
3
2 Cors (duo)
3
Trompette, Tuba (duo)
2
2 Tubas (duo)
2
Euphonium, Piano (duo)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Trompette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba
1
Trio de Cuivres
1
Cor et Piano
1
2 Euphoniums et 2 Tubas
1
Cor Anglais
1
Cor anglais, Piano
1
3 Euphoniums
1
+ 28 instrumentations
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Cordes
Alto, Piano
168
Violon et Piano
154
Violoncelle, Piano
137
Quatuor à cordes: 2 violons, alto, violoncelle
88
Violon, Violoncelle (duo)
73
2 Violoncelles (duo)
54
Violon, Alto (duo)
39
Violon
29
Trio à Cordes: violon, alto, violoncelle
27
Violoncelle
22
Violoncelle et Marimba
15
2 Violons (duo)
15
Alto (partie séparée)
10
Alto seul
9
Harpe
6
Contrebasse (partie séparée)
5
Violon (partie séparée)
5
2 Altos (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: 3 violoncelles
4
Alto, Violoncelle (duo)
4
4 Violoncelles
2
Alto et Basson
2
Violon, Guitare (duo)
2
Contre Basse
2
Trio à cordes
1
Trio à cordes: 3 violins
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Harpes (duo)
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
90
Orchestre à Cordes
28
Orchestre
25
Marimba
15
2 Marimbas
15
Ensemble de cuivres
12
Orchestre de chambre
8
Ensemble Jazz
7
Percussion
4
Ensemble de Percussions
2
Jazz combo
2
Cloches
2
Batterie
2
Percussion (partie séparée)
1
Vibraphone
1
Vibraphone et Marimba
1
+ 11 instrumentations
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Autres
Formation musicale - Solfège
2
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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