Partitions Numériques de It Is At Hand pour Contre Basse

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TRI ET FILTRES

Tri et filtres :

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Non classifié 541

PIANO & CLAVIERS

Piano seul 540 Piano Facile 385 Piano, Voix 184 1 Piano, 4 mains 96 Piano, Voix et Guitare 60

2 Pianos, 4 mains 40 Orgue 39 Instruments en Do 16 Accompagnement Piano 11 Piano Trio: piano, violon, violoncelle 3 2 Pianos, 8 mains 3 Piano Quatuor: piano, violon, alto, violoncelle 2 Orgue, Piano (duo) 2 1 Piano, 6 mains 1 Clavier 1 Orgue, Trompette (duo) 1

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GUITARES

Guitare 26 Guitare notes et tablatures 21 Piano, Guitare (duo) 7 Basse electrique 7 2 Guitares (duo) 6

Ukulele 5 Mandoline 4 4 Guitares (Quatuor) 4 Banjo 3 Ligne De Mélodie, (Paroles) et Accords 2 Paroles et Accords 1

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VOIX

Chorale SATB 92 Voix Soprano, Piano 28 Chorale 3 parties 25 Chorale SSAA 15 Voix duo, Piano 14

Voix Alto, Piano 13 Chorale TTBB 11 Chorale Unison 9 Chorale 2 parties 5 Voix haute 3 Voix Baryton, Piano 3 Voix basse, Piano 2 Voix duo 1

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 30 Quatuor de Saxophones: 4 saxophones 22 2 Saxophones (duo) 22 Flûte traversière et Piano 21 Hautbois, Piano (duo) 20

Clarinette et Piano 19 Saxophone Alto 17 Saxophone Alto et Piano 14 Quatuor de Clarinettes: 4 clarinettes 13 2 Clarinettes (duo) 13 Saxophone, Clarinette (duo) 11 Flûte, Hautbois, Clarinette, Basson 10 Saxophone Tenor et Piano 10 Saxophone Soprano et Piano 10 Cor anglais, Piano 9 2 Flûtes traversières (duo) 9 Clarinette 9 Clarinette, Violon (duo) 8 Clarinette, Trompette (duo) 6 Saxophone Baryton, Piano 5 Flûte, Violon, Piano 5 Flûte, Clarinette (duo) 5 Flûte traversière 5 2 Hautbois (duo) 5 Hautbois, Clarinette (duo) 4 Flûte, Trompette (duo) 4 Hautbois, Basson (duo) 4 Flûte, Alto (duo) 4 Quintette de Saxophone: 5 saxophones 4 Ensemble de Flûtes 4 Clarinette et Alto 4 Flûte, Saxophone (duo) 3 Flûte et Guitare 3 Clarinette Basse, Piano 3 Flûte à bec Soprano 3 Hautbois, Flûte 3 Hautbois (partie séparée) 3 Quatuor de Flûtes : 4 flûtes 3 Clarinette, Basson (duo) 2 Flute (partie séparée) 2 Flûte, Clarinette, Piano (trio) 2 Clarinette Basse 2 Flûte, Violon 2 3 Saxophones (trio) 2 Flûte à bec Soprano, Piano 2 Flûte à bec Tenor 2 Flûte, Hautbois, Piano (trio) 1 Saxophone Tenor 1 Hautbois, Guitare (duo) 1 Flûte, Violoncelle, Piano (trio) 1 3 Clarinettes (trio) 1 Saxophone et Harpe 1 2 Flûtes traversières, Piano 1 Saxophone (partie séparée) 1 Flûte, Basson et Piano 1 Clarinette, Harpe (duo) 1 Trio de Flûtes: 3 flûtes 1 Ensemble de saxophones 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 43 Trombone et Piano 14 Quatuor de Cuivres : 2 trompettes, trombone, tuba 12 Cor et Piano 11 Trompette, Piano 9

Cor anglais, Piano 9 Trompette, Saxophone (duo) 7 2 Trompettes (duo) 7 Trompette 7 Ensemble de Trompettes 7 Cor 5 Trompette, Trombone (duo) 4 Quatuor de cuivres: 4 trombones 4 Tuba et Piano 4 Trombone 4 2 Trombones (duo) 3 Euphonium, Piano (duo) 3 Quatuor de Cuivres 3 Euphonium 2 Quatuor de cuivres: 4 cors 2 Quatuor de Cuivres: 2 trompettes, Cor, trombone 2 Cor et Harpe 1 Trompette, Harpe 1 Ensemble de Trombones 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 56 Harpe 41 Violon et Piano 32 Violon, Violoncelle (duo) 32 Violon 30 Violoncelle, Piano 17 Alto, Piano 14 2 Violons (duo) 10 Trio à Cordes: violon, alto, violoncelle 10 Trio à Cordes: 2 violons, violoncelle 8 Violoncelle 7 2 Violoncelles (duo) 5 Alto seul 4 2 Altos (duo) 4 Violon, Alto (duo) 4 Trio à Cordes: 3 violoncelles 3 Contre Basse 3

Harpe, Flûte (duo) 3 Harpe, Voix 2 Alto et Harpe 2 2 Harpes (duo) 2 Alto (partie séparée) 2 Contrebasse, Piano (duo) 1 Violon, Clarinette, Piano (trio) 1 Violon, Guitare (duo) 1 Quintette à cordes: 2 violons, alto, violoncelle, basse 1 Piano Trio: Violon, Alto, Piano 1

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PERCUSSIONS & ORCHESTRES

Cloches 307 Orchestre d'harmonie 34 Orchestre 23 Ensemble Jazz 16 Ensemble de cuivres 16

Orchestre à Cordes 14 Orchestre de chambre 8 Ensemble de Percussions 7 Jazz combo 7 Batterie 3 Fanfare 2 Vibraphone 2 Percussion 1 Orchestre, Violon 1 Conga 1 Piano et Orchestre 1

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AUTRES

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It Is At Hand

Contre Basse

Partitions à imprimer

3 partitions trouvées

Passacaglia - Handel / Halvorsen

Contre Basse

Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1499704 Composed …(+)

Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1499704 Composed by G. F. Handel, J. Halvorsen. Arranged by Wesley S. SIlva. Classical. Individual part. 5 pages. Wesley S. Silva #1075770. Published by Wesley S. Silva (A0.1499704). Passacaglia, originally composed by George Frideric Handel and later arranged for violin and viola by Johan Halvorsen, is a beautiful and timeless piece of classical music. Known for its rich harmony and expressive melody, this arrangement offers a wonderful introduction to classical music for beginners. Its elegant and flowing structure makes it an ideal choice for those looking to explore the classical genre while still being approachable for early learners. The piece captures the grandeur and emotion of classical music, providing a rewarding experience for musicians at the beginner level.

$4.99 4.58 € #Contre Basse #G #Wesley S #Passacaglia - Handel / Halvorsen #Wesley S. Silva #SheetMusicPlus

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass

Contre Basse

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …(+)

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 3.21 € #Contre Basse #Benjamin Harry Sajo #Strings #Fugue: "Wear Pearls and Smile" #Benjamin Sajo #SheetMusicPlus

Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in

Contre Basse

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…(+)

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae â€¦ The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But itâ€™s such an old work. Why donâ€™t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldnâ€™t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato â€¦ Trio â€¦ A tempo. Adagio. Allegro â€¦ Trio â€¦ Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass â€¦ molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously â€¦ holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then itâ€™s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade fourâ€™s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.

$9.99 9.16 € #Contre Basse #Thomas Oboe Lee #I told him That is great #Toccata for Double Bass and Piano #Thomas Oboe Lee #SheetMusicPlus