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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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529
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174
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62
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27
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11
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11
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6
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4
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2 Pianos, 8 mains
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Ensemble de guitares
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54
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10
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1
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1
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1
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39
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35
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33
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31
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29
2 Flûtes traversières, Piano
25
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de Clarinettes
15
Saxophone Soprano et Piano
13
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13
Saxophone Tenor et Piano
13
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11
Saxophone Baryton, Piano
11
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11
Saxophone Alto et Piano
11
Cor anglais, Piano
10
Ensemble de Flûtes
8
2 Saxophones (duo)
8
Clarinette
8
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7
2 Flûtes traversières (duo)
7
Quintette de Flûte : 5 flûtes
6
2 Clarinettes (duo)
4
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4
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4
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3
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3
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3
3 Clarinettes (trio)
2
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2
2 Hautbois (duo)
2
Saxophone Alto
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3 Flûtes à bec (trio)
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Hautbois, Basson (duo)
1
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1
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1
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1
Cor anglais et Harpe (duo)
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Saxophone (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
Harmonica
1
5 Flûtes à bec
1
Flute (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flûte, Hautbois (duo)
1
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58
Ensemble de Trompettes
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trombone et Piano
20
Euphonium, Piano (duo)
16
Ensemble de Trombones
12
Quatuor de Cuivres
11
Cor anglais, Piano
10
Cor et Piano
10
Trompette, Piano
8
Trompette
8
Tuba et Piano
8
Cor
6
Tuba
5
Ensemble de Cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
4
Quatuor de cuivres: 4 trompettes
3
Trompette, Trombone (duo)
2
3 Trompettes (trio)
2
Trompette (partie séparée)
2
2 Euphoniums et 2 Tubas
2
4 Tubas
2
Quatuor de cuivres: 4 cors
1
Cor anglais et Harpe (duo)
1
2 Cors (duo)
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
2 Trombones (duo)
1
Euphonium
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
2 Trompettes (duo)
1
3 Euphoniums
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon et Piano
37
Trio à Cordes: violon, alto, violoncelle
24
Violoncelle, Piano
19
Violon
15
Alto, Piano
15
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11
2 Violons (duo)
8
Violoncelle
7
Violon, Violoncelle (duo)
6
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble d'Altos
5
Ensemble de Violons
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Flûte (duo)
4
Contre Basse
4
Violon, Alto (duo)
3
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3
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Violon (partie séparée)
2
Alto (partie séparée)
2
Alto seul
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
2 Violoncelles (duo)
2
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
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97
Orchestre
54
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9
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Jazz combo
5
Cloches
3
Batterie
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Marimba
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Conga
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Xylophone, Piano
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Move Like That
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Partitions à imprimer
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Kommos (Lamentation) / "When the World Moved On" - Contrabass
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Contre Basse
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 4 - SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
Bass String Sampler
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Contre Basse
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Contemporain
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Robin Kay Deverich
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Bass String Sampler
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Global Music School String Publications
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SheetMusicPlus
Double Bass,String Bass Solo - SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Public...
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Double Bass,String Bass Solo - SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355069. Published by Global Music School String Publications (A0.902210). String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99
Missa Pro Defunctis (2018) double bass part
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Contre Basse
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Contemporain
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - SKU: A0.869582 Composed by Thomas Oboe Lee. Contemporary. Individual part. 15 pages. Thomas Oboe Lee #3583399. Published ...
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Double Bass,String Bass Solo - SKU: A0.869582 Composed by Thomas Oboe Lee. Contemporary. Individual part. 15 pages. Thomas Oboe Lee #3583399. Published by Thomas Oboe Lee (A0.869582). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99
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