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27
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23
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19
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87
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32
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30
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17
Violon
16
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14
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11
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8
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5
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4 Violoncelles
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141
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99
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77
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59
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26
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AUTRES
Vous avez sélectionné:
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Contre Basse
Partitions à imprimer
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I'll Fly Away
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1026122 By Thomas…
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1026122 By Thomas Whitfield Company. By Thomas Whitfield. Arranged by Jo Asker. Contemporary. Individual part. 3 pages. Jo Asker Publishing #6690377. Published by Jo Asker Publishing (A0.1026122). This arrangement of Albert E. Brumley's famous song features a haunting flautando iteration of the melody in the bass' natural harmonics, then suddenly moves to a groovy take on the theme before soaring back up and flying away into the distance.
$4.99
4.56 €
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Contre Basse
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Thomas Whitfield Company
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Jo Asker
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I'll Fly Away
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Jo Asker Publishing
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SheetMusicPlus
O CRUOR SANGUINIS by Hildegard von BIngen, - double-bass
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1321759 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1321759 Composed by Hildegard Von Bingen. Arranged by Alan Edgar. Christian,Early Music. Individual part. 2 pages. Alan Edgar Ted Moon #910226. Published by Alan Edgar Ted Moon (A0.1321759). The German Benedictine abbess and polymath Hildegard of Bingen lived from c. 1098 to 17th September 1179. She was active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and practitioner during the High Middle Ages. The Pope recognised her as a saint in 2012. She is one of the best-known composers of sacred monophony, as well as the most recorded in modern history. She has been considered by scholars to be the founder of scientific natural history in Germany.Her antiphon chant O cruor sanguinis (O stream of blood) describes the the world's anguish as the news of Christ's crucifixion spread. Inspired by the playing of Leon Bosch, I have arranged it for doublebass solo, including a drone (but the drone could be given by another instrument).DURATION: 2 minutes.
$5.00
4.57 €
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Contre Basse
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Hildegard Von Bingen
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Alan Edgar
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O CRUOR SANGUINIS by Hildegard von BIngen, - double-bass
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Alan Edgar Ted Moon
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SheetMusicPlus
Nicolo Paganini, Melodia per Contrabasso, transcribed and edited by Klaus Stoll.
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.892489 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.892489 Composed by Nicolo Paganini. Arranged by Klaus Stoll. Romantic Period. Individual part. 4 pages. Mesa Music Publishing #5197873. Published by Mesa Music Publishing (A0.892489). A Paganini Caprice for double bass. This short, theme and variations is perfect for an encore or a student recital. It uses all natural harmonics making it a good introduction to playing them for the student bassist. This work is attributed to Paganini although the surviving manuscript is in Bottesini’s hand.
$9.50
8.69 €
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Contre Basse
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Nicolo Paganini
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Klaus Stoll
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Nicolo Paganini, Melodia per Contrabasso, transcribed and edited by Klaus Stoll.
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Mesa Music Publishing
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SheetMusicPlus
Two Meditations for Double Bass solo
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1323583 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1323583 Composed by Alan Edgar. Spiritual. Individual part. 2 pages. Alan Edgar Ted Moon #911814. Published by Alan Edgar Ted Moon (A0.1323583). Short, moving solos,  easy but with high natural harmonics.  Originally composed as incidental music for a passion  play and a play about St Francis.Mystery Plays are about significant biblical events.Francis of Assisi was an Italian mystic and Catholic friar who founded the religious order of the Franciscans. He was inspired to lead a life of extreme poverty as an itinerant preacher: he eventually became blind. So I made his music sad. He himself did compose and sing. Francis is associated with patronage of animals, and is often depicted surrounded by them. Hence the bird song effect.
$10.00
9.14 €
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Contre Basse
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Alan Edgar
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Two Meditations for Double Bass solo
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Alan Edgar Ted Moon
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Contre Basse
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
DIRT SIMPLE UPRIGHT BASS
Contre Basse
Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sh…
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Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sheet Music #30888MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
$9.99
9.13 €
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Contre Basse
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DIRT SIMPLE UPRIGHT BASS
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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