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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Now, I Know I Can
Non classifié
725
Piano & claviers
Piano seul
497
Piano, Voix
219
Piano, Voix et Guitare
168
Instruments en Do
97
Piano Facile
82
Orgue
69
Piano grosses notes
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
5
Orgue, Piano (duo)
4
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Clavier
2
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
115
Guitare
61
Basse electrique
44
Guitare notes et tablatures
35
Ligne De Mélodie, (Paroles) et Accords
20
Ukulele
12
Paroles et Accords
5
4 Guitares (Quatuor)
4
2 Guitares (duo)
3
Guitare (partie séparée)
2
Mandoline
2
3 Guitares (trio)
1
Banjo
1
Ensemble de guitares
1
Dulcimer
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
223
Chorale 3 parties
62
Chorale 2 parties
38
Chorale TTBB
24
Chorale Unison
17
Voix duo, Piano
14
Voix seule
14
Voix Soprano, Piano
12
Chorale SSAA
10
Voix duo
9
Voix Baryton, Piano
7
Voix Alto, Piano
7
Voix Tenor, Piano
6
Voix haute
5
Chorale SSAB, Piano
2
Voix basse
1
Voix Tenor
1
+ 12 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
201
Flûte traversière et Piano
188
Clarinette et Piano
182
Saxophone Alto et Piano
131
Saxophone Tenor et Piano
129
2 Saxophones (duo)
59
Saxophone
58
Clarinette
46
Flûte traversière
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Hautbois (partie séparée)
33
Quatuor de Saxophones: 4 saxophones
29
Quintette de Saxophone: 5 saxophones
28
2 Flûtes traversières (duo)
27
Ensemble de Clarinettes
24
Ensemble de saxophones
22
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone (partie séparée)
15
Saxophone Alto
15
Ensemble de Flûtes
14
2 Clarinettes (duo)
14
Flûte à bec Soprano
14
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Tenor
8
Saxophone Soprano et Piano
8
Quintette de Clarinettes: 5 clarinettes
7
3 Clarinettes (trio)
7
Flute (partie séparée)
7
Saxophone Baryton, Piano
6
Quintette de Flûte : 5 flûtes
6
Quatuor de Flûtes : 4 flûtes
5
Quatuor de Flûtes à bec
5
2 Hautbois (duo)
5
Trio de Flûtes: 3 flûtes
5
Hautbois, Basson (duo)
4
3 Saxophones (trio)
4
Flûte, Clarinette (duo)
4
Clarinette (partie séparée)
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
Cor anglais, Piano
3
Cor Anglais
3
Hautbois, Guitare (duo)
2
Flûte à bec Alto, Piano
2
Flûte à bec Soprano, Piano
2
Flûte, Violon
2
Clarinette, Violoncelle (duo)
2
Clarinette, Trompette (duo)
2
Clarinette et Alto
2
Hautbois, Clarinette (duo)
2
Flûte à bec Alto
2
Clarinette Basse, Piano
2
Flûte et Trio à cordes
1
Flute, Cor (duo)
1
Flûte irlandaise
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violoncelle
1
Ocarina
1
Piccolo
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Saxophone (duo)
1
Clarinette, Violon (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Flûte
1
+ 61 instrumentations
Retracter
Cuivres
Trombone et Piano
151
Trompette
99
Trompette, Piano
73
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trombone
32
Ensemble de Trombones
24
Trompette (partie séparée)
21
Trombone (partie séparée)
13
2 Trombones (duo)
10
Quatuor de cuivres: 4 trombones
9
Cor et Piano
9
2 Trompettes (duo)
9
Ensemble de Trompettes
6
Cor
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba
5
2 Tubas (duo)
4
Quatuor de Cuivres
4
Tuba et Piano
4
2 Cors (duo)
4
Cor (partie séparée)
3
Cor anglais, Piano
3
Cor Anglais
3
Trompette, Trombone (duo)
2
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
Tuba (partie séparée)
2
Ensemble de Cors
1
Ensemble de Tubas
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Clarinette, Cor (duo)
1
Trompette, Euphonium (duo)
1
+ 30 instrumentations
Retracter
Cordes
Violon et Piano
175
Alto, Piano
169
Violoncelle, Piano
149
Quatuor à cordes: 2 violons, alto, violoncelle
88
Violon
50
Violoncelle
46
Harpe
24
2 Violons (duo)
21
Violon, Violoncelle (duo)
16
Trio à Cordes: violon, alto, violoncelle
15
Alto (partie séparée)
11
2 Violoncelles (duo)
10
Alto seul
9
Ensemble de Violons
7
2 Altos (duo)
7
Contre Basse
6
Violon, Alto (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Ensemble d'Altos
5
Contrebasse, Piano (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse (partie séparée)
3
Violoncelle , Guitare (duo)
3
2 Contrebasses (duo)
3
Violon (partie séparée)
3
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Trio à Cordes: 2 violons, alto
2
2 Harpes (duo)
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon, Violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
91
Orchestre
61
Orchestre à Cordes
50
Ensemble Jazz
39
Batterie
24
Orchestre de chambre
16
Ensemble de cuivres
12
Cloches
11
Jazz combo
7
Ensemble de Percussions
6
Fanfare
3
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FORMATION MUSI…
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Vous avez sélectionné:
Now, I Know I Can
Contre Basse
Partitions à imprimer
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Contre Basse
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Contre Basse
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Benjamin Sajo
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SheetMusicPlus
Golden Hour
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1188998 By Jvke. …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1188998 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Langanho. Pop,Rock. Individual part. 3 pages. Avery Lynn Jordan #788611. Published by Avery Lynn Jordan (A0.1188998). This transcription was made for Double Bass, of which is intended for music students who already have some prior knowledge of instrumental performance, which does not prevent it from being played by professionals in the area, and can be used in various events such as concerts, weddings or didactic events as well. Golden Hour is the third song released from JVKE's debut album, where before announcing the title and pre-save link, JVKE shared on his Instagram story on July 12, 2022, This song has a special place in my heart and I can't wait to share it with all of you. I did my best to incorporate the beauty in every detail of the production..
$4.99
4.59 €
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Contre Basse
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Jvke
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Langanho
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Golden Hour
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Avery Lynn Jordan
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SheetMusicPlus
Golden Hour
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1188999 By Jvke. …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1188999 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Langanho. Pop,Rock. Individual part. 3 pages. Avery Lynn Jordan #788612. Published by Avery Lynn Jordan (A0.1188999). This transcription was made for Double Bass with Chords, of which is intended for music students who already have some prior knowledge of instrumental performance, which does not prevent it from being played by professionals in the area, and can be used in various events such as concerts, weddings or didactic events as well. Golden Hour is the third song released from JVKE's debut album, where before announcing the title and pre-save link, JVKE shared on his Instagram story on July 12, 2022, This song has a special place in my heart and I can't wait to share it with all of you. I did my best to incorporate the beauty in every detail of the production..
$5.99
5.51 €
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Contre Basse
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Jvke
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Langanho
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Golden Hour
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Avery Lynn Jordan
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SheetMusicPlus
The Lost Chord for Double Bass Choir
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed b…
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. Concert,Standards. Individual part. 15 pages. Graham Boag #5023179. Published by Graham Boag (A0.780036). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal. The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds, and with British contralto Clara Butt. Sullivan was proud of the song and later noted: I have composed much music since then, but have never written a second Lost Chord. Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today. .
$15.99
14.72 €
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Contre Basse
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Sir Arthur Seymour Sullivan
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Graham Boag
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The Lost Chord for Double Bass Choir
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Graham Boag
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SheetMusicPlus
DIRT SIMPLE UPRIGHT BASS
Contre Basse
Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sh…
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Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sheet Music #30888MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
$9.99
9.19 €
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Contre Basse
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DIRT SIMPLE UPRIGHT BASS
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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