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107
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1
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32
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6
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3 Cors (trio)
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158
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93
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78
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73
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72
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66
Violon et Piano
56
Violon, Alto (duo)
45
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Alto (partie séparée)
43
Violoncelle
42
Alto seul
41
Contrebasse (partie séparée)
32
Alto, Piano
26
2 Violoncelles (duo)
23
Violoncelle, Piano
20
Alto, Violoncelle (duo)
14
2 Altos (duo)
12
Quatuor à cordes: 4 violons
11
Trio à cordes: 3 violins
9
Harpe, Violon (duo)
8
4 Violoncelles
7
Contre Basse
6
Violon, Guitare (duo)
6
Trio à cordes: 3 altos
6
Violoncelle, Contrebasse (duo)
5
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, alto
3
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle, Orchestre
2
Ensemble de Violoncelles
2
Quatuor à cordes : 4 altos
2
Harpe, Flûte (duo)
2
4 Contrebasses
2
Piano Trio: Violon, Alto, Piano
2
2 Contrebasses (duo)
2
Ensemble de Violons
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3 Harpes
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Orchestre à Cordes
426
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326
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115
Ensemble Jazz
94
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70
Percussion (partie séparée)
36
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9
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4
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Cloches
3
Xylophone
2
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AUTRES
Vous avez sélectionné:
Play Strings!
Contre Basse
Partitions à imprimer
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Two-Strings Melodies for the beginner bassist.
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed b…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed by Laura C. Quijada OrtÃz. Concert,Instructional,Standards. Individual part. 13 pages. Laura Quijada #6711755. Published by Laura Quijada (A0.805519). 20 Melodies on two strings at a time, a good complement to beginner bass methods. The finger pattern is kept on the three pair of strings, and the melodies can be started randomly (not necessarily in the order they appear). With the exception of the last one, all the melodies are in 2/4 to facilitate the staff reading at this level. Scales and arpeggios are included to keep up with the instrument's technique. No technique marks (arco, pizzicato), bowings, dynamics or tempi are indicated, leaving this to the teacher's discretion to assign them, as the goal is to have the student play the tunes perfectly at his/her own pace and abilities. This music can also be used for solo recitals. Keys: D Major, A Major, E Major
$8.00
7.46 €
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Contre Basse
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Laura C
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Two-Strings Melodies for the beginner bassist.
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Laura Quijada
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SheetMusicPlus
Lamimimi for beginner string orchestra. Open strings and first finger. BASS PART.
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805478 Composed b…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805478 Composed by Laura C. Quijada OrtÃz. Contemporary. Individual part. 1 pages. Laura Quijada #6536251. Published by Laura Quijada (A0.805478). Piece for the beginner performer. Can also be played as a duo, trio or ensemble (other string parts available).
$3.00
2.8 €
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Contre Basse
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Laura C
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Lamimimi for beginner string orchestra. Open strings and first finger. BASS PART.
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Laura Quijada
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SheetMusicPlus
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Contrabass and piano with chords
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.964510 Composed b…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.964510 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Individual part. 3 pages. Leyandder Trustworthy #6331243. Published by Leyandder Trustworthy (A0.964510). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Contrabass, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
4.66 €
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Contre Basse
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by Bach - easy version for Contrabass and piano with chords
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Leyandder Trustworthy
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.27 €
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Contre Basse
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Moto Perpetuo in G Major, for children string orchestra. BASS PART.
Contre Basse
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.805466 Composed b…
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.805466 Composed by Laura C. Quijada OrtÃz. Instructional,Standards. Individual part. 2 pages. Laura Quijada #6534057. Published by Laura Quijada (A0.805466). Technical piece that can be played as a solo piece, or even as a duo or trio of different string instruments using the other parts of the Moto Perpetuo in G Major also available. Details Key: G Major Only first position All four strings involved Dynamic range from pp to ff, crescendos and diminuendos Measures: 53 Approximate duration: 01:46
$5.00
4.66 €
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Contre Basse
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Laura C
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Moto Perpetuo in G Major, for children string orchestra. BASS PART.
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Laura Quijada
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.27 €
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Contre Basse
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Benjamin Harry Sajo
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Strings 
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
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