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55
1 Piano, 4 mains
33
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16
Piano (partie séparée)
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Piano Quatuor: piano, violon, alto, violoncelle
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13
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9
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7
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Voix seule
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Voix Soprano, Piano
13
Voix moyenne, Piano
7
Voix duo
6
Chorale SSAATTBB
6
Voix Alto, Piano
5
Voix Tenor, Piano
4
Chorale SSATTB
3
Voix haute
3
Voix Baryton, Piano
3
Chorale SSATB
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Voix Tenor
2
Chorale
2
Voix Soprano, Orchestre
1
Chorale SSAATB
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Voix Soprano
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VENTS
Saxophone (partie séparée)
1112
Clarinette (partie séparée)
734
Clarinette et Piano
315
Clarinette
294
Flûte traversière et Piano
102
Quatuor de Saxophones: 4 saxophones
96
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
Quatuor de Clarinettes: 4 clarinettes
67
Saxophone Alto et Piano
64
2 Saxophones (duo)
63
Ensemble de Clarinettes
51
Hautbois, Piano (duo)
50
Flûte traversière
48
Saxophone Tenor et Piano
47
2 Clarinettes (duo)
47
Flûte, Hautbois, Clarinette, Basson
46
Flûte, Clarinette (duo)
45
2 Flûtes traversières (duo)
39
Saxophone Alto
36
Quintette de Clarinettes: 5 clarinettes
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Saxophone Tenor
28
3 Saxophones (trio)
26
3 Clarinettes (trio)
24
Quintette de Saxophone: 5 saxophones
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Flute (partie séparée)
23
Saxophone Soprano et Piano
20
Ensemble de saxophones
18
Quatuor de Flûtes : 4 flûtes
18
Clarinette, Violon (duo)
16
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16
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16
Saxophone Baryton, Piano
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Hautbois (partie séparée)
16
Hautbois, Clarinette (duo)
14
Cor anglais, Piano
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Flûte et Guitare
12
Clarinette Basse, Piano
10
Clarinette, Violoncelle (duo)
10
2 Hautbois (duo)
9
Clarinette, Trompette (duo)
9
Clarinette, Basson (duo)
9
Clarinette et Alto
8
Flûte, Saxophone (duo)
7
Hautbois, Flûte
6
Flûte, Violon
6
Hautbois, Basson (duo)
5
Flûte, Clarinette et Basson
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Flûte à Bec
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Saxophone
5
Cor Anglais
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Saxophone Soprano
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Clarinette, Guitare (duo)
3
Flûte, Trompette (duo)
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Harmonica
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147
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85
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61
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52
Cor
46
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42
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32
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31
Quatuor de Cuivres
27
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26
Tuba et Piano
23
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23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Ensemble de Trompettes
17
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
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12
Cor anglais, Piano
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Ensemble de Trombones
12
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9
2 Cors (duo)
7
Cor Anglais
5
Quatuor de cuivres: 4 cors
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Ensemble de Cors
4
3 Trompettes (trio)
4
Bass Clef Instruments
4
Trio de Cuivres
4
2 Euphoniums (duo)
4
Cor, Orchestre
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
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3 Trombones (trio)
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2 Euphoniums et 2 Tubas
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39
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30
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25
Alto seul
24
Contrebasse (partie séparée)
22
2 Violoncelles (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon, Alto (duo)
15
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14
4 Violoncelles
11
2 Altos (duo)
10
Alto (partie séparée)
10
Contre Basse
6
Alto, Violoncelle (duo)
6
Quatuor à cordes : 4 altos
5
Harpe, Flûte (duo)
5
Contrebasse, Piano (duo)
4
Violon, Guitare (duo)
4
2 Harpes (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
3
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Autoharp
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
Ensemble d'Altos
2
Violoncelle, Orchestre
2
Quatuor à cordes: 4 violons
2
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Voix
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2505
Orchestre
181
Orchestre à Cordes
89
Ensemble Jazz
68
Fanfare
55
Orchestre de chambre
49
Batterie (partie séparée)
44
Ensemble de cuivres
39
Cloches
30
Jazz combo
30
Percussion (partie séparée)
16
Ensemble de Percussions
13
Piano et Orchestre
10
Batterie
3
Percussion
3
Marimba
3
Bongos
2
Conga
2
Timbales (partie séparée)
1
Instrumentation Flexible
1
Xylophone (partie séparée)
1
Xylophone
1
Orchestre, Violon
1
Vibraphone
1
Quatuor à Vent : 4 instruments à vents
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AUTRES
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Giovanni Bottesini, Nocturne, transcribed and edited by Klaus Stoll
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.892490 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.892490 Composed by Giovanni Bottesini. Arranged by Klaus Stoll. Romantic Period. Individual part. 14 pages. Mesa Music Publishing #5197883. Published by Mesa Music Publishing (A0.892490). This early Bottesini work in G minor for double bass and piano includes piano parts in both solo and orchestra tuning. The original manuscript is in B flat minor which means Bottesini tuned his bass up a minor third when performing this piece. The bass part is written as it sounds which requires the performer to play it up an octave.Includes piano parts in both solo and orchestra tuning.
$16.00
14.41 €
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Contre Basse
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Giovanni Bottesini
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Klaus Stoll
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Giovanni Bottesini, Nocturne, transcribed and edited by Klaus Stoll
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Mesa Music Publishing
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SheetMusicPlus
Astor Piazzolla : Oblivion (niveau intermédiaire)
Contre Basse
Téléchargez la partition Contrebasse Oblivion (niveau intermédiaire) de Astor Piazzolla…
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Téléchargez la partition Contrebasse Oblivion (niveau intermédiaire) de Astor Piazzolla. Partition pour Contrebasse avec accomp. orchestre -- Classique,Musique latine
5.99 €
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Contre Basse
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Astor Piazzolla
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Oblivion
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Tomplay
Astor Piazzolla : Oblivion (niveau facile/intermédiaire)
Contre Basse
Téléchargez la partition Contrebasse Oblivion (niveau facile/intermédiaire) de Astor Pi…
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Téléchargez la partition Contrebasse Oblivion (niveau facile/intermédiaire) de Astor Piazzolla. Partition pour Contrebasse avec accomp. orchestre -- Classique,Musique latine
5.99 €
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Contre Basse
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Astor Piazzolla
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Oblivion
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Tomplay
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Contre Basse
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Four Variations for Contrabass
Contre Basse
Double Bass,String Bass Solo - Digital Download SKU: A0.982872 Composed by Christop…
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Double Bass,String Bass Solo - Digital Download SKU: A0.982872 Composed by Christopher M. Wicks. 20th Century. Individual part. 6 pages. Christopher M. Wicks #15175. Published by Christopher M. Wicks (A0.982872). This is a series of four thematically related movements for the contrabass, unaccompanied. I composed them for Michael Watson, contrabassist when he and I were both students at the Eastman School of Music, in Rochester, NY. A gauntlet of moods are expressed by the succession of movements, and there is exploration of extended techniques.
$10.00
9.01 €
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Contre Basse
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Christopher M
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Four Variations for Contrabass
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Christopher M. Wicks
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Contre Basse
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Benjamin Sajo
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SheetMusicPlus
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