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There Were Two Men
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153
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49
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7
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3
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16
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7
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6
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There Were Two Men
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
WHALE SONGS for DOUBLEBASS
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Contre Basse
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AVANCÉ
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Contemporain
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Humpback whales
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Alan Edgar
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WHALE SONGS for DOUBLEBASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1322399 Composed by Humpback whales. Arranged by Alan Edgar. Contemporary. Individual part. 3 pages. Al...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1322399 Composed by Humpback whales. Arranged by Alan Edgar. Contemporary. Individual part. 3 pages. Alan Edgar Ted Moon #910698. Published by Alan Edgar Ted Moon (A0.1322399). These pieces were inspired by the whales and by Leon Bosch's playing and enthusiasm. I have tried to edit or transcribe each of these two humpback whale songs for doublebass. The first is based on a youtube video Humpback Whale Orchestrated Vocalisations: Alexander Liebermann offers a notated version of this male's song which can be seen while playing the video. I could not find tonality, but there are recurring motifs with slight variations.The second song sounds more like F major moving to Bb. I tried to transcribe the early phrases of a 30-minute song recorded off Hawaii in 1998.The later sounds are less positive and I ignored them.DURATION: 4 minutes.INSTRUMENTATION: Virtuoso doublebass (extension not required).
$15.00
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There Were Two Men
