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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
When They Play
Non classifié
408
Piano & claviers
Piano seul
350
Piano Facile
50
Piano, Voix
38
Orgue
25
2 Pianos, 4 mains
14
Piano, Voix et Guitare
14
1 Piano, 4 mains
11
Orgue, Piano (duo)
5
Accompagnement Piano
3
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
+ 7 instrumentations
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Guitares
Piano, Guitare (duo)
112
Guitare
37
Guitare notes et tablatures
9
Basse electrique
4
2 Guitares (duo)
3
3 Guitares (trio)
2
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Banjo
1
Dulcimer
1
+ 5 instrumentations
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Voix
Chorale SATB
34
Voix Soprano, Piano
7
Chorale 2 parties
6
Chorale 3 parties
2
Chorale Unison
2
Voix Alto, Piano
2
Voix basse, Piano
1
Voix seule
1
Voix Baryton, Piano
1
Chorale TTBB
1
+ 5 instrumentations
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Vents
Hautbois, Piano (duo)
199
Clarinette et Piano
186
Flûte traversière et Piano
174
Saxophone Tenor et Piano
131
Saxophone Alto et Piano
130
2 Saxophones (duo)
61
2 Flûtes traversières (duo)
37
Clarinette
29
Hautbois (partie séparée)
29
Quatuor de Saxophones: 4 saxophones
26
2 Clarinettes (duo)
22
Flûte traversière
20
Quintette de Saxophone: 5 saxophones
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone, Clarinette (duo)
11
Clarinette, Violon (duo)
11
Saxophone Alto
9
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette, Trompette (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Flûte, Clarinette (duo)
8
Saxophone Baryton, Piano
6
Clarinette et Alto
6
Flûte, Alto (duo)
6
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Basson (duo)
5
Flûte, Violon
4
3 Saxophones (trio)
4
2 Hautbois (duo)
4
Hautbois, Flûte
4
Ensemble de saxophones
4
Hautbois, Clarinette (duo)
4
Saxophone (partie séparée)
3
Cor anglais, Piano
3
Saxophone Tenor
3
Flûte, Violoncelle
3
Flûte à bec Soprano
3
Ensemble de Flûtes
3
Flûte, Saxophone (duo)
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Trompette (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
3 Clarinettes (trio)
2
Ensemble de Clarinettes
2
Melodica
1
Flûte, Hautbois (duo)
1
Hautbois, violon (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone, Violon (duo)
1
Cor Anglais
1
Flûte à Bec
1
Hautbois, Violoncelle
1
2 Flûte à bec (duo)
1
Hautbois, Basson et Piano
1
Hautbois et alto (duo)
1
Flûte et Quatuor à Cordes
1
2 Clarinettes, Piano
1
Flûte à bec Soprano, Piano
1
Flûte à bec Tenor
1
Saxophone
1
Flûte, Hautbois, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violon et Violoncelle
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Trombone (duo)
1
Flûte et Guitare
1
2 Flûtes traversières, Piano
1
+ 71 instrumentations
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Cuivres
Trombone et Piano
149
Trompette
87
Trompette, Piano
70
Trombone
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Trompette (partie séparée)
11
Trompette, Saxophone (duo)
10
2 Trombones (duo)
7
2 Trompettes (duo)
6
Trompette, Trombone (duo)
5
Cor et Piano
4
Cor anglais, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor
3
Tuba
3
Quatuor de cuivres: 4 trombones
2
Ensemble de Trompettes
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
2 Cors (duo)
2
2 Tubas (duo)
1
Cor Anglais
1
Trompette, Violoncelle (duo)
1
Trompette, violon (duo)
1
4 Tubas
1
Ensemble de Trombones
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 25 instrumentations
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Cordes
Alto, Piano
166
Violon et Piano
153
Violoncelle, Piano
137
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon
36
2 Violoncelles (duo)
31
Harpe
22
Violoncelle
21
2 Violons (duo)
18
Violon, Violoncelle (duo)
15
Alto seul
12
Alto (partie séparée)
8
Violon, Alto (duo)
6
2 Altos (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contre Basse
3
Alto, Violoncelle (duo)
2
2 Harpes (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
1
Ensemble d'Altos
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violons
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
92
Orchestre à Cordes
31
Ensemble Jazz
29
Orchestre
25
Ensemble de cuivres
21
Ensemble de Percussions
9
Cloches
7
Jazz combo
6
Fanfare
5
Marimba
2
Vibraphone
2
Batterie
2
Orchestre de chambre
2
Xylophone, Piano
1
+ 9 instrumentations
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When They Play
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Popular Orchestral Excerpt Etudes For Double Bass: Standard Packet
Contre Basse
Double Bass - Digital Download SKU: A0.1314897 Composed by Andrew Cody Williams and…
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Double Bass - Digital Download SKU: A0.1314897 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 61 pages. Andrew Cody Williams #903655. Published by Andrew Cody Williams (A0.1314897). â??Popular Orchestral Excerpt Etudes For Double Bassâ? is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 â??Greatâ?, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$20.00
18.35 €
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Contre Basse
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Andrew Cody Williams and Jeff Bradetich
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Popular Orchestral Excerpt Etudes For Double Bass: Standard Packet
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Andrew Cody Williams
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Contre Basse
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
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