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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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AUTOHARPE
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Non classifié
333
PIANO & CLAVIERS
Piano seul
227
Piano Facile
84
Piano, Voix et Guitare
35
Piano, Voix
34
Orgue
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1 Piano, 4 mains
11
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10
Piano Trio: piano, violon, violoncelle
9
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Accordéon
2
Orgue, Trompette (duo)
1
Piano grosses notes
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Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
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GUITARES
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
8
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8
Basse electrique
3
Ukulele
2
3 Guitares (trio)
2
Mandoline, Piano (duo)
1
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1
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1
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VOIX
Chorale SATB
120
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31
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17
Chorale Unison
15
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9
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3
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2
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2
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2
Voix moyenne, Piano
2
Chorale
2
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1
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
87
Quintette de Saxophone: 5 saxophones
54
Flûte traversière et Piano
46
2 Saxophones (duo)
37
Hautbois, Piano (duo)
30
Clarinette et Piano
29
2 Clarinettes (duo)
24
Saxophone Alto et Piano
21
2 Flûtes traversières (duo)
19
Flûte traversière
18
Clarinette
17
Saxophone Tenor et Piano
14
Saxophone Alto
13
Saxophone Soprano et Piano
11
Quatuor de Saxophones: 4 saxophones
11
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone, Clarinette (duo)
10
Hautbois (partie séparée)
10
Saxophone (partie séparée)
9
Flûte, Hautbois, Clarinette, Basson
9
3 Clarinettes (trio)
8
Saxophone Baryton, Piano
8
Flûte, Clarinette (duo)
7
2 Hautbois (duo)
7
Clarinette (partie séparée)
7
3 Saxophones (trio)
7
Saxophone Tenor
7
Hautbois, Basson (duo)
7
Ensemble de Clarinettes
7
Clarinette, Trompette (duo)
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Violon (duo)
6
Flûte, Clarinette et Basson
6
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5
Flûte à bec Soprano
5
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5
Flûte et Guitare
4
2 Saxophones, Piano
4
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4
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3
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3
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3
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3
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Hautbois
3
Saxophone Baryton
3
3 Hautbois
3
Clarinette et Alto
3
Quintette de Flûte : 5 flûtes
3
Cor anglais, Piano
3
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2
Saxophone Soprano
2
Flûte à Bec
2
Flûte, Violoncelle
2
Ensemble de saxophones
2
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2
Clarinette, Basson (duo)
1
Hautbois, Guitare (duo)
1
Flûte à Bec, Piano
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais, Guitare (duo)
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Soprano, Piano
1
Piccolo, Piano
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette, Piano
17
Trombone et Piano
15
Trompette
15
Cor et Piano
13
Cor
11
Tuba
11
Trombone
11
2 Trombones (duo)
10
Tuba et Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trompettes (duo)
9
Trompette, Saxophone (duo)
7
Trompette (partie séparée)
6
2 Cors (duo)
5
Cor (partie séparée)
5
Trombone (partie séparée)
5
Ensemble de Trombones
4
Trompette, Trombone (duo)
4
2 Tubas (duo)
3
Quatuor de cuivres: 4 cors
3
Euphonium, Piano (duo)
3
Trompette, Trombone, Piano
3
3 Trombones (trio)
3
Cor anglais, Piano
3
Ensemble de Trompettes
2
Trompette, Cor (duo)
2
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
Euphonium
1
Cor, Violoncelle (duo)
1
Tuba (partie séparée)
1
Trompette, Violoncelle (duo)
1
Cor et Harpe
1
Quatuor de cuivres: 4 trombones
1
Trompette, Basson (duo)
1
Cor et Basson (duo)
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon et Piano
48
Harpe
36
Violon
34
Alto, Piano
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
24
Alto seul
18
2 Violons (duo)
18
Violoncelle
18
2 Violoncelles (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
2 Altos (duo)
12
Violon (partie séparée)
11
Contre Basse
8
Contrebasse, Piano (duo)
8
Violon, Alto (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
Alto (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle , Guitare (duo)
4
Ensemble d'Altos
4
Alto, Violoncelle (duo)
4
Ensemble de Violons
4
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
Trio à cordes: 3 altos
3
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
4 Violoncelles
2
Harpe, Voix
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Trio à cordes
1
Piano Trio: Violon, Alto, Piano
1
2 Violoncelles, Piano
1
Alto, Orgue
1
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
63
Orchestre à Cordes
32
Orchestre
27
Ensemble Jazz
12
Orchestre de chambre
11
Cloches
10
Jazz combo
9
Ensemble de cuivres
4
Ensemble de Percussions
3
Marimba
2
Percussion (partie séparée)
2
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Xylophone
1
2 Xylophones
1
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AUTRES
Vous avez sélectionné:
Spring from
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Maggiolata-Hubay-Soprano Saxophone/Organ
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844668 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897195. Published by Phil Beaman (A0.844668). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.44 €
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Saxophone et Orgue
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Jeno Hubay
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Phil Beaman
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Maggiolata-Hubay-Soprano Saxophone/Organ
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Phil Beaman
#
SheetMusicPlus
Maggiolata-Hubay-Tenor Saxophone/Organ
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - Digital Download …
(+)
Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844669 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897197. Published by Phil Beaman (A0.844669). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.44 €
#
Saxophone et Orgue
#
Jeno Hubay
#
Phil Beaman
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Maggiolata-Hubay-Tenor Saxophone/Organ
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Phil Beaman
#
SheetMusicPlus
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
(+)
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
13.62 €
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Saxophone et Orgue
#
Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
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Judith Cloud
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SheetMusicPlus
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