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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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8
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3
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1
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7
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4
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3
Quatuor de cuivres: 4 trompettes
3
Trompette, Cor (duo)
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Euphonium
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4 Tubas
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Quatuor de Cuivres
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2 Trombones (duo)
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2 Trompettes (duo)
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3 Tubas (trio)
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2 Cors (duo)
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3 Cors (trio)
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3 Trombones (trio)
2
Euphonium, Tuba (duo)
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1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
18
Alto, Piano
17
Violoncelle, Piano
16
Violon
13
Violoncelle
11
Harpe
9
Alto seul
7
4 Violoncelles
5
Violon, Violoncelle (duo)
4
2 Violons (duo)
4
Violon, Alto (duo)
3
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
2 Altos (duo)
2
Trio à cordes: 3 violins
1
Contre Basse
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Violon (partie séparée)
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: violon, alto, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
35
Orchestre à Cordes
11
Cloches
5
Orchestre de chambre
3
Orchestre
3
Ensemble Jazz
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Fanfare
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AUTRES
Vous avez sélectionné:
It's Late
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Harpe
Partitions à imprimer
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The Holly and the Ivy Girl (Carolan's Lament): Late Elementary (Small Harp) and Late Intermediate (F
Harpe
Harp - Level 2 - Digital Download SKU: A0.865651 Composed by Turlough O'carolan. Ar…
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Harp - Level 2 - Digital Download SKU: A0.865651 Composed by Turlough O'carolan. Arranged by Tiffany Schaefer. Celtic,Christmas,Folk,Holiday,World. Score. 5 pages. Tiffany Schaefer #6133539. Published by Tiffany Schaefer (A0.865651). The Holly and the Ivy Girl arranged for easy and intermediate harp. This Christmas song uses the melody Carolan's Lament, so really may be appropriate any time of year. 2 pages. The easy version fits on a small harp. The intermediate version may be played on a small harp by going up an octave. Also available in Small Harp Collection #2, where it is notated for small harp specifically. This download also includes an easy harp and voice arrangement, which also may be sung as a duet.
$4.89
4.46 €
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Harpe
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Turlough O'carolan
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Tiffany Schaefer
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The Holly and the Ivy Girl
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Tiffany Schaefer
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SheetMusicPlus
The Horse of Beckmann's Mill for solo harp - no levers required
Harpe
Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. …
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Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. Score. 3 pages. Published by Kim Kirkman
An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.
$1.99
1.82 €
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Harpe
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Kim Kirkman
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Kim Kirkman
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The Horse of Beckmann's Mill for solo harp - no levers required
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Kim Kirkman
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SheetMusicPlus
Air On The G String
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1352336 Composed by Johann Sebastia…
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Lever Harp - Level 2 - Digital Download SKU: A0.1352336 Composed by Johann Sebastian Bach. Arranged by Carrie Tollett and Christy-Lyn Dosé. Classical. Score. 3 pages. Learning the Harp #937131. Published by Learning the Harp (A0.1352336). The simplified arrangement is a great opportunity to gain experience with lever changes and continue solidifying your technique. Although it's shorter and less complex than the late-intermediate level, it sounds really impressive and beautiful played on the harp.Difficulty Level and Skills Required: Early-Intermediate. The right hand consists of overlapping brackets, cross-overs, and quick placing. The left hand is simpler in terms of notes but does have some jumping between the high and low register of the harp. There are many lever changes throughout.Type of Harp: For big and small harps, 22 strings (C-C) and larger.Range: Lowest note is C, one octave below middle C. Highest note is B, almost two octaves above middle C.Levers/Pedals: In the key of D major (F and C levers set to F sharp and C sharp). Many C, D, and G lever changes throughout.What's Included: PDF download of 3 pages. Fingering and bracketing are included.TO NOTE: We also have a Late-Intermediate level available for sale.
$5.00
4.56 €
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Harpe
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Johann Sebastian Bach
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Air On The G String
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Learning the Harp
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SheetMusicPlus
Le Taulier
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigi…
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Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigitte Bonin. Folk,Singer/Songwriter. Score. 3 pages. Brigitte Bonin #1034885. Published by Brigitte Bonin (A0.1455787). Here are the score of Le Taulier It's a late beginner piece with the left hand playing always in the same order the bass part and the right hand having a little more fun. I play this piece on a 38 strings harp tuned in Eb, the lowest note is B0 and the highest is D6. But music is not rigid, you can adapt it to your harp (and send me a video I want to see !!) Advices :- for the A and C : as you repeat the measure, to avoid buzzing, place fingers 432 and then 1, not the 4 fingers at once.- don't worry about the original tempo, if you play it without singing it, you can accelerate, but if you also learn the singing part, 132 is optimum.Note : it's a love song, you will know that you're playing it well when you'll feel love playing it ;) Lyrics (french)Il m’a dit au revoir Ce vieux briscard Il a dit au revoirRaconte pas d’histoiresOn a vécu tous les joursSur le fil de l’amourOn a vécu tous ces joursOn s’aimera toujoursT’as régies ma vieMon cœur est mes enviesTu m’as apprisL’alchimie Le Taulier Loge et nourritContre un peu d’or
$4.99
4.55 €
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Harpe
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Brigitte Bonin
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Le Taulier
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Brigitte Bonin
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SheetMusicPlus
Star Trek(R) - The Inner Light
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1370432 Composed by Jay Chattaway. …
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Lever Harp - Level 2 - Digital Download SKU: A0.1370432 Composed by Jay Chattaway. Arranged by Rachael Acheson. 20th Century,Celtic,Film/TV,Irish,Pop,Video Game. Score. 3 pages. TheHarpLibrarian #954803. Published by TheHarpLibrarian (A0.1370432). This arrangement of Captain Picard's Air from the Star Trek: The Next Generation episode The Inner Light is fitted specifically to the range of a 26-string lever harp, like Harpsicle Harps or Dusty String Ravenna. While there are some complex rhythms and silences to count through, the notation itself is relatively simple -- intended to reflect the sparse, lonely/hopeful nature of the original song, which was played on a solo pennywhistle.It is written in the key of G Major (one sharp), which means it can be played on Harpsicle models that are not fully levered (e.g. Sharpsicles, as well as Fullsicles), and there are no lever changes or accidentals. If the harmonics are omitted, and the dotted rhythms counted carefully, this piece could be accessible to a late-beginner, at least from a technique standpoint. Beginner harpists who have little or no prior background in reading sheet music might struggle with the leger lines, though.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99
5.47 €
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Harpe
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Jay Chattaway
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Rachael Acheson
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Star Trek(R) - The Inner Light
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TheHarpLibrarian
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SheetMusicPlus
Minuet in G by Bach - solo lever or pedal harp
Harpe
Harp - Level 2 - Digital Download SKU: A0.862052 Composed by Johann Sebastian Bach.…
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Harp - Level 2 - Digital Download SKU: A0.862052 Composed by Johann Sebastian Bach. Arranged by Rebekah Lanier. Baroque,Classical,Concert,Standards,Wedding. Score. 5 pages. Muletown Music #3859059. Published by Muletown Music (A0.862052). This Minuet in G, by J. S. Bach (1685-1750), a well-loved late beginner/early intermediate classical piece, has been edited and fingered for solo lever or pedal harp by Rebekah Lanier. You will receive two versions when you download this piece: one for pedal harp and one for lever harp. Each version is two pages long.Bach's Minuet in G is an appropriate piece for recitals, dinner music, and more. It is in the key of G major and may be played on either lever (Celtic) or pedal harp. There are very few lever or pedal changes, and only in the second half of the piece.To view a complete list of arrangements and original compositions by Rebekah Lanier, visit http://bit.ly/Catalog-RebekahLanier-SheetMusicFor information about online harp or piano lessons with Rebekah, visit www.midtownmusicacademy.com
$4.90
4.47 €
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Harpe
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Johann Sebastian Bach
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Rebekah Lanier
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Minuet in G by Bach - solo lever or pedal harp
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Muletown Music
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SheetMusicPlus
The Sound Of Silence
Harpe
Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Ch…
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Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Christy-Lyn Dosé. 20th Century, Contemporary, Rock. Score. 4 pages. Learning the Harp #647095. Published by Learning the Harp
Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included. This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included.
This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$5.00
4.56 €
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Harpe
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Simon And Garfunkel
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Christy-Lyn Dosé
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The Sound Of Silence
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Learning the Harp
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SheetMusicPlus
Be Still, My Soul, Harp Solo
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1300726 Composed by Jean Sibelius. …
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Lever Harp - Level 2 - Digital Download SKU: A0.1300726 Composed by Jean Sibelius. Arranged by Jodi Ann Tolman. Christian,Praise & Worship,Religious,Sacred,Traditional. Score. 4 pages. Jodi Ann Tolman #890481. Published by Jodi Ann Tolman (A0.1300726). This peaceful hymn with traditional melody is written simply but beautifully. The second verse contains a modification on the melody written in a higher octave, followed by a richer and fuller third verse. The theme heard in the introduction is repeated later in the piece and at the song's conclusion. This arrangement is perfect for worship services, background music, and many other occasions. This piece is playable on both pedal and lever harps. It is written in the key of F with no lever or pedal changes. (3 pages)Find more harp sheet music at www.musicbyjodiann.comWEBSITE: http://www.musicbyjodiann.comFACEBOOK: https://www.facebook.com/musicbyjodiannTWITTER: https://twitter.com/musicbyjodiannINSTAGRAM: https://www.instagram.com/musicbyjodiannYOUTUBE: https://www.youtube.com/jodianntolman.
$7.99
7.29 €
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Harpe
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Jean Sibelius
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Jodi Ann Tolman
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Be Still, My Soul, Harp Solo
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Jodi Ann Tolman
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br> The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.55 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
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