Can't Help Falling in Love. Arranged for solo harp by Kirsten Agresta Copely

Intermediate. Pedal harp only. Chord symbols and pedaling included.

This song has been expertly arranged by internationally renowned harpist Kirsten Agresta Copely and is perfect for wedding processionals and all background music gigs (corporate, afternoon tea, cocktail parties, etc.)

Intermediate. Pedal or Lever harp. Chord symbols included.

This song has been expertly arranged by internationally renowned harpist Kirsten Agresta Copely and is perfect for wedding cocktail hours and all background music gigs (corporate, afternoon tea, parties, etc.)

Nothing Else Matters by Metallica. Arranged for solo harp by Kirsten Agresta Copely

Intermediate. Pedal and Lever Harp. Chord symbols and pedals included.

This song has been expertly arranged by internationally renowned harpist Kirsten Agresta Copely and is perfect for all background music gigs (corporate, afternoon tea, cocktail parties, etc.)

Fran�ois Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

Fran�ois Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

Your audience?s memory of this Eighties rock anthem by Journey will be playing along in their head?from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they?ve never heard it before on a harp.

This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.

Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.

Good for: Weddings, parties, performance, therapeutic settings.

Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it?s a great piece to learn this technique on.

Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.

Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with ?R? or ?R#? when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with ?L? or ?L#? when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in ?Don?t Stop Believin?: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf

Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what?s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don?t worry: it?s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.

Length: 6 pages. 106 measures. 4:00?5:00 minutes, depending on tempo.

Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.

Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin

Debbie Vinick's arrangement of Valentine is for the lever harp with at least 34 strings. There are lever changes on F and G. It is best printed in color, as the lever changes are written in red. This is a beautiful song for gigs, weddings, or just playing at home. 3 pages of music.
Debbie Vinick began playing the harp and piano at age 8. She attended Juilliard's pre-college division and graduated from Eastman andYale Schools of Music. She performs throughout the Northeast and has an activeteaching studio of piano and harp students. Please search her name for more arrangements!

She would love to hear from you! Ifyou have any questions, comments, or would like an online lesson, pleasecontact her:

www.harpistct.com

https://www.instagram.com/debbie_vinick_harpist/

https://www.facebook.com/ctharpist

Harp solo of Santaclaus is coming to town. Suitable for lever & pedal harp.

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she is specialized in playing Popharp. She has made many arrangements of Popsongs.

Harp solo of a day without rain by Enya

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she is specialized in playing Popharp. She has made many arrangements of Popsongs.

This is an arrangement of the iconic theme from Gustav Holst's Jupiter from "The Planets" for harp solo. This piece contains no lever or pedal changes and can be played on any harp with 36 strings and above. The performance time is approximately two minutes. This piece is perfect to play on several joyous occasions, including weddings.

This arrangement is for pedal or lever harp solos. There are no pedal or lever changes. It is arranged in the key of G.

A straight-forward, elegant arrangement of Andy Grammer's "I Am Yours" for pedal or lever harp. This arrangement does not include the guitar solo part or follow the structure of the original track exactly, but presents the chorus and verses in a beautiful, playable manner. Perfect for weddings!

For lever harp or pedal harp
Chord symbols included
Intermediate level - no lever changes
The lowest note is the D two octaves below middle C. The highest note is the D two octaves above middle C.