ISBN 9781513455907. 8.75x11.75 inches.

Discover over two dozen traditional tunes from Scotland and Ireland: a mix of novel and familiar jigs, reels, airs, marches, and strathspeys. Intermediate through advanced harp players will enjoy these lovely melodies and their fresh, sparkling accompaniments. The arrangements include several optional transitions for combining tunes into sets, as heard on Claussens album The Road Home from Skye. Suitable for harps with a range of at least two octaves below middle C. Contains dynamics, chords, practical technical exercises, and fingering suggestions.

ISBN 9781619118560.

At the end of the eighteenth century, Edward Bunting published a major work of Irish music called A General Collection of the Ancient Music of Ireland (1797). He followed this publication with two more collections in 1809 and 1840. Many of the tunes in these books came from the harpers he heard performing at the Belfast Harp Festival in 1792. In the first part of his 1840 collection, Bunting described the anatural keya of the harp used by the Irish harpers as leith glass or leithghlas. The Irish harpers tuned their instrument in this key, which we would recognize as G major because it had an F sharp. Frances Thieleas Leith Glass explores the musical possibilities and sounds achievable with a single tuning on the lever harp. The collection includes nine traditional tunes from Ireland, Scotland and England that together give a sense of the many musical colors that can be produced from the leith glass tuning if we think modally like the harpers of old. Suitable for intermediate lever harp players, the arrangements are all playable on a 34-string lever harp with sharping levers on F and C (C# is only required for one of the pieces with accidentals a aMy Lagan Lovea). The lowest note used is C, two octaves below middle C.